Tea and musings around liminality

Yesterday I sat at a table lit by the golden light of the late spring sun, enjoying the feel of a soft breeze contradicting the warmth of sunlight on my skin while the glorious sound of birdsong gently caressing my ears in the café at the Blaenavon World Heritage Centre. On the table was a lovely pot of tea and a home-made fairy cake (small ‘cupcake’) topped with vanilla buttercream icing and my journal-sketchbook into which I would be recording my thoughts and observations. This was a treat after picking up a batch of mugs that I’ve had printed with a piece of my artwork and a short greeting for my lovely year 11 class who are leaving on Thursday. That will be a day filled with tears and joy, a liminal moment for the pupils as they stand on the threshold of the next phase of their life. The leavers’ assembly being an opportunity to mark this transition point, a liminal point, with celebration, with laughter and with the memories of experiences.

The view from the window was of the neglected graveyard attached to St Peter’s Church which falls away towards the valley bottom as the café abuts the eastern edge of the graveyard and I realised that I was sat at a liminal place, but not one of one phase of life to another. This liminal place marks the boundary between the living and those who have passed out of this earthly existence.

As I realised this, a pair of magpies flitted from tree to tree, their tails twitching as they settled on branches, and sunlight on their plumage revealing the iridescent purples, blues and greens that are so often missed. A solitary cabbage white butterfly careened from plant to plant, it’s pale colour standing out against the brown tangles of brambles and the bright greens of spring growth, signs of life surrounding the memorials of those long dead.

Magpies are associated with bad omens, and one such superstition is that if you see a single magpie on the way to church then death is close (myth-making at blogspot). Considering that many churches have a graveyard around them or close to them, then that is quite true! I love magpies and the other members of the corvidae family of fine feathery friends, despite their gloomy reputations.

As one thought bounced to another, I realised that I too, was at a liminal point in my life as I continue to work on unravelling the tangles of the past through journaling, meditation, self-hypnosis, gratitude and pennies-dropped-epiphanies as I’m becoming more aware of the inner critics and their continual sussuration of negative messages about me. I’m learning how to dis-empower them, little by little, and I may be approaching a turning point for myself in how I view myself and what my beliefs are.

The grave markers were splotched with lichen and algae, patterns reminding me of growths of penicillin on laboratory agar plates or stale and mouldy bread. Tumbled tangled brambles wrapping round them, seemingly pulling them down, down, down into the ground, the Earth reclaiming what had been taken from it, and with it the memories of those long passed. Despite the pull of time and neglect, the taller columns and headstones bravely rose above the tangles, holding their heads up high in the sunshine, proud of their leprous appearance, suggesting age and longevity, that they remember even if the living no longer do.

Others, however, seemed to be surrendering to the gradual depredations of time. Their sharp leaning stance, the first phase in laying down, showing an acceptance of their fate. No one alive who remembers them, who cares for them enough to tend to the memorial of a life once lived. The connections between the present generation and the past generations fading and weakening with time as symbolised by the tumble-down state of the gravestones. This was reflected in the laughter and chatter of the living enjoying beverages and vittles in the bright, warm, life-giving sunshine. The proximity to the necropolis and it’s visible symbols of death, funerary rites, and grief having no effect upon the high spirits of the living.

Perhaps that is because a wall, a visible boundary separates the activities of the living from the area of the dead. If we were to dine and party on their graves, perhaps we may feel differently, irreverent perhaps; an attitude maybe not unique to our own culture or time. I saw this video about dining with the dead in Georgia on the BBC news website earlier this week, and an example of how different cultures approach death and the places of the dead and how rigid and solid the boundary between us, the living, and our deceased friends and family are.

Death is, essentially, a great leveller; the great and the good lie alongside the poor and meek. Only the memorials tell us who is who,and only a skilled osteologist would be able to tell which was which were their skeletons disinterred and separated from any clothing, jewellery or other funerary offerings that they were interred with. To most of humanity they would be the remains of people, equal in death as they were not in life. Given enough time, all return to the Earth, return to what we were created from, very few leaving traces that will last for centuries, millennia or the aeons of time.

Traces remain in the bones that remain of their lives; hardship, luxury, adversity, ease all leave their marks in the bones. As the flesh decays, as memories fade, so do the individual stories of each person’s life, the stories that make each of us unique. The funeral monuments may tell us about them, there may be hints of their life in written records, but so much about them, such as whether they were kind or cruel, loving or neglectful, are lost.

Gloomy thoughts? Not at all! I like what the we can learn of our ancestors from their funerary rites, from records, from stories still held in the memories of the living, maybe experienced first hand or tales handed down through the generations. It matters not whether they are iron-topped tombs of the magnates of Blaenavon or the ring-barrows of a person from the Bronze Age, or the fossilised remains of our distant relatives. For many, we can only make educated guesses about their life and times, sometimes more educated than others when written records exist.

Of course, the choice of a place for cemeteries is a story in itself. In ancient times where a lot of effort was expended to bury a few in monuments such as cairns, ring barrows, cists, long barrows, then they weren’t just plonked in the nearest available place. The choice of place had meaning, just as the choice of place has meaning to us whether it’s where we go on holiday, where we choose to live and experience life. We choose places that give us meaningful experiences, be they linked to happy or sad times. The same is true when we choose places for funerary rites, whether we choose them ourselves before we die or whether we choose them for our loved ones who have passed away. My father’s cremains were buried beneath a sapling plum tree in a country lane where he used to collect all kinds of fruits and plants to make wine from. A friend’s father’s ashes were sprinkled from a bridge to return to the sea which he loved and sailed while serving in the Navy. Another friend’s father’s ashes are to be buried with his brother, if permission can be gained from her aunt.

If we take time and care to choose an appropriate resting place for the physical remains of our loved ones, I’m sure our ancestors did so too, even though it may not have seemed so to us as in many cases we have no ideas of their beliefs and the practices that stemmed from them. Nor do we know for sure why certain people were accorded such seemingly prestigious and important funerals, whether they were the great and the good or whether their deaths had a different meaning and the funeral a different purpose than commemoration and a reminder of our connections to the people of the past, to our ancestors, to those who have shaped the society we life in at any particular point in history.

I couldn’t help but wonder what stories the land could tell us if we could access it’s memory. I’d love to know what events the stones beneath my feet have witnessed in their long aeons of existence. What lovers’ trysts and promises. What betrayals, joys, toils, griefs. Whose feet have passed over them and what is the story of the lives. I don’t just want to know about the great and the good, people whose lives are most probably fairly well documented. I want to know about the ‘ordinary’ people as well. Everyone has a story to tell, everyone’s life experience is unique to them due to their unique perceptions, beliefs, actions, reactions and personality, and what thoughts and beliefs they had about themselves and others.

Perhaps the land, the position of the cemeteries, their relationship to the use of the land in the past and the present, the stories told about the land, it’s people all serve to keep alive the memory of the ancestors, aiding in remembering their stories and the stories previous generations and in so doing keeping the ancestors alive, in memory, and our connection to them stronger. The scape surrounding the cemetery becomes woven into the stories of the recent ancestors and the myths of the more ancient ancestors, acting as aide-memoires to the tales. Each feature in the land around the cemetery is not devoid of emotion, of meaning, and for each feature these would change as the time of day, the season of the year and the weather changes. We interact with these scapes through the feelings and meanings and the way that we make use of them and that induces a feeling of belonging to them. Ideas such as these are propounded by archaeologists such as George Nash.

I realised then, how much I’d enjoyed writing my thoughts, how going to a different place other than home allowed me the inspiration I needed. It’s also brought up links between things that are occurring in my life at present, and that will help to unravel any tangles knotted by the inner critics in the past.

Autumn blackberries

Bramble28Aug12 © Angela Porter
Bramble © Angela Porter
5″ x 3″, pen and ink.

Plucking blackberries from hedgerows bursting with the deep purple-black fruits of the bramble are memories of childhood.

Taking care not to prick fingers on the thorns, or get clothing snagged and torn upon them either.  There were also the sticky burrs of goose-grass to avoid too.

It was all worth the hours of effort, however.  Blackberry and apple pie, blackberry crumble, bramble jelly, and the blackberry wine my father brewed (if he could steal any away).

Blackberries were frozen by the plastic gallon re-used ice-cream tub to be used for Sunday desserts through the winter months too.

All of these things created once the blackberries had been washed in salted water to bring out any maggots that had burrowed their way into the fruits.  If I caught sight of one single maggoty thing, I couldn’t eat any more of them, and eating them straight from the bramble was not an option for me.  It’s no wonder I’m a vegetarian!

A free harvest that I no longer take advantage of, but may manage to do so this year if I can pluck up the courage to go by myself in to the countryside to do this.

Yes, I do mean courage, as I’ve become a bit of a recluse once again, not going out into the world where there are other human beings to encounter me.  A long, personal story that is, but one I hope to change with time.  The gist is I’ve allowed myself to be hurt by other people over the past few years.  Things I was once involved with have gone by the by and I’ve not managed to replace these social activities with others.  Oh, I do go out.  I am involved in things, but the people I encounter are, generally, more acquaintances than anything else.  I still seek and search for a sense of belonging in this world.

Even as I think back to childhood blackberrying, I remember that I was often alone even though the rest of the family were there, all chatting and laughing and playing amongst themselves while I was generally excluded, unless it was to be the butt of someone’s joke.  Always funny for them…

Funny, the memories of blackberrying, and collecting bilberries, or whinberries as they are also called, are still ones of pleasure – the pleasure of the food produced as a result.  Bilberries are small, blueberries, native to Britain.

Folklore

There’s plenty of folklore surrounding the humble bramble and it’s fruits.

“Throughout much of Britain there was a widespread belief that blackberries should not be eaten after a certain date.” [Vickery]

This date may have be that of the first frost, as then they become the Devil’s fruit  and are not fit for humans to eat .

Michaelmas (29 September) or  Old Michaelmas (11 October)  relate to the biblical tale of  Lucifer being thrown out of heaven for his proud, covetous ways by Archangel Michael (Isaiah 14:12).  It is said that Lucifer landed in a bramble bush and cursed it, which is why people won’t eat blackberries after Michaelmas, saying variously that:

  • they have the Devil in them
  • the Devil peeps over the hedgerow and blasts them
  • so the Devil may have his share
  • the Devil spits on them

Hallowe’en (31 October) or All Saints’ Day (1st November) are also dates given as the cut off for blackberry consumption.  As well as the reasons given above, this date also relates to the following:

  • they have the witch in them
  • the witches have peed on them
  • on Hallowe’en the puca has crawled on the blackberries.

“From a scientific point of view, blackberries contain a high concentration of bitter tasting tannins which over time accumulate in the fruit. Old Michaelmas day falls late in the blackberry season making berries picked around this time very bitter. To make matters worse, as autumn arrives the weather becomes wetter meaning the fruit will contain more fungus spores. This will not improve the taste either.” [BBC Nature UK]

Brambles were sometimes planted, or placed, on graves, one belief being that they stopped the dead from walking.  Another reason is that they kept the sheep off the grave.

A superstition in Wales was “When thorns or brambles catch or cling to a girl’s dress, they say a lover is coming.” [Roud]

References:

BBC Nature UK, Nature folklore uncovered

Roud, Steve “The Penguin Guide to the Superstitions of Britain and Ireland”, Penguin Reference, 2003

Vickery, RoyOxford Dictionary of Plant-lore”, Oxford Paperbacks, Oxford University Press, 1995

Calendar change-over eve…

The old to the new

Well, the end of the calendar year, and the astronomical year if the Winter Solstice is seen as the end of one cycle and the start of the next, has come with a pile of revelations from a friend and a series of bangs that have released some inner demons and tears and uncovered an emptiness and knotted-ness in my gut area.

I’m pleased for my friend, don’t get me wrong.  At last they are taking the little yet huge step they need to take to release them from a situation that is untenable for them and into a new phase of their life’s journey.  I wish them happiness and joy and love.  I worry that they are chasing a rainbow, a dream that will not live up to reality, they’ll find the grass isn’t greener, but I know that they’ll find themselves progressing forward in a way they couldn’t where the currently are at.

Their excitement, fear, trepidation, hope and all the other things their going through has stirred up some ‘stuff’ within me that needs to be worked on and examined, which are, in no particular order:

  • Job and Career – Teaching is no longer healthy for me and though I find pleasure and satisfaction in some areas of the job, increasingly I’m finding it harder and harder to cope with other aspects of it.  I need to look at myself and what I can offer in terms of being an employee and what I need from a workplace in order to feel appreciated, valued, successful and that I am achieving good and truly helping people.  What kind of career I want, I don’t know.  Maybe training as a hypnotherapist will lead me along the way.  However, I do know I need to identify what I’d like to do, and that starts with what I can do and so on.
  • Relationships – I’ve been single for, gosh, thirteen and a half years now.  Along the way I’ve had many experiences placed along the spectrum of good to absolutely goddam awful.  I’ve felt time and time again the hurt of rejection and the blow it delivers to my self-esteem, self-respect and so on, and of course I realise that I expected nothing else.  Well, it’s about time that changed and it’s time for me to learn about relationships…big step for me.  How I do this, I don’t know, but it will start with me looking at myself honestly at the qualities I have, good and not so good, and come to accept and care about myself.
  • Friendships – I have a small number of very good friends, but learning to ask for help and accepting it when it is given is … a big hurdle for me.  I’ve had to be strong and independent for so long, to prove I can do it, that admitting I can’t is a big thing.
  • Creativity – I do not do enough to develop my writing skills and to weave stories.  I doubt my ability to do this.  I fear plagiarising, being unoriginal, being boring or trite.  I fear failure (damn that ultra-perfectionist part of me that doesn’t recognise when something is good enough).  I feel a sense of being overwhelmed when I think about telling a tale.  The result is I do nothing.  I also am lacking inspiration in art, finding myself doing the same kind of thing over and over and over …

The common threads running through all of this involve me learning to love myself by knowing who I am and to accept myself for this, warts and all.  I need to raise my self-esteem, my confidence, to be brave enough to start something.  Above all else, I need to find the courage to be brave enough to share something of myself with others.

To follow tradition or not?

This year, more than at any other time, I’ve found the traditions and the significance of events more puzzling and confusing.

The rational scientist in me recognises that time is a continuous flow, the only markers on time are the ones we place there so that we can agree on when we are talking about and the meaning we attach to those markers is manufactured to satisfy a need for predictable events in our lives, to bring some kind of order to what appears to be an otherwise random and chaotic existence.

Then the more spiritual aspect of me kicks in and says that it’s OK to do this, to mark the various points on the wheel of the year, the various events that we celebrate, the things we give meaning to.  They connect us together, for we are all connected, not just to all other human beings, not just to all life on Earth, but to the very stuff the Earth and, indeed, the Universe is made out of, the energy that constantly flows round and round.

We are not disconnected from the cycles that we can observe on this planet.  We may rationalise that they are caused by scientific laws, that they have no meaning.

However, I’m coming to realise that they do have meaning.  They bring us together and remind us that we are not separate, that what one of us does impacts on the whole, to a greater or lesser degree.  By honouring the traditions we connect to the patterns that are stored in the universal consciousness for humans have been honouring the same observed patterns and events over many, many generations.  It’s a way of honouring our forebears, of connecting to the present day, and of speaking to the future too.

It’s important, however, to decide if the particular traditions or observances fit in with your own philosophy, why you celebrate in the way you do, and to recognise that it is perfectly acceptable to change them as you grow and develop as a person, and not to just follow them blindly because you have always done them.  It is, of course, perfectly acceptable to create traditions of  your own too.

It may be that because I lead a very solitary existence, traditions celebrated by oneself have not really had any particular meaning, or have changed as my spiritual philosophy has grown and developed over the years.  Perhaps it is important that I find which traditions, which celebrations have meaning to me, and develop ways of observing them that lets me understand where they have come from, the meaning they have for me at this time, and how they will impact on the future.

Of course, I’m not sure if all of that made any sense at all!  Sometimes I need to get it out of me by writing and mithering and wittering on.

Winter Solstice 2011

Today is the Winter Solstice, well the astronomical solstice at least.  The Sun left Sagittarius and entered Capricorn at 05:31GMT this morning and that is the exact point of the solstice.

The Winter Solstice has long been marked as a special time for many millennia.  Our ancient forebears built stone monuments that tracked the passage of the Sun across the sky as the seasons changed; to them it was important to know when it would soon be time to plant the fields so that food would be plentiful once again.

The pattern of observing the Winter Solstice, and other festivals throughout the winter, and indeed throughout the rest of the year, is set in the fabric of our society, though the names of the celebrations, and the precise date of them, have changed over time, and what was once a religious celebration has become, for many in Britain, a secular celebration involving the exchange of gifts, the consumption of food and drink and time with loved ones (though this is not the case for all – let us not forget there are many who have no friends or family or home at this time of year).

There are plenty of places on the world-weird-web where you can find out about the origins of the various traditions that people observe at this time of year in the many cultures that have winter festival.

It has become my own tradition on this day that I spend time in the morning writing in my journal, reflecting on where I have come from and where I’d like to go in the coming months.  Well, that’s the plan, but that rarely happens as my pen gets hijacked by my unconscious mind and lots of things flow onto the paper, many insights and things to consider and ponder, much of which I won’t share with others as it is for me.

Part of my musings I will share concern the passing of time and the meaning we put on various events to help bring order to our lives, and some kind of certainty to the future amid all the seeming chaos and randomness of our lives.  I realised, that it’s important to me to understand why something is celebrated or why a particular traditional activity is done at any particular time of year.

I am finding that as I grow and develop as a person, as a spiritual being, that what I once did no longer makes sense to me; rather than beating myself up about abandoning something that once made sense, worrying that I was being too lazy or turning my back on things, I’ve realised that things do change as I change and understand more.  That is, for me, an important realisation.

Of course, I feel the pressures to conform and I make sure I respect others’ beliefs and traditions and do as they would wish at this time.  However, I have to feel comfortable in my own skin, in my own view of how the Universe seems to work from my point in it.

Another important realisation to come from this mornings musings is that it is most important to remain open  minded about all kinds of things; even though I may have my own views, ideas, theories, experiences, observations and so on at this time, that may change as I experience more and grow and develop.  Being blinkered to other possibilities, to there being no other ways may be what underlies so many of the world’s problems (and greed, never forget the power of greed …).

As I’ve said, there was much more and it made sense to me.  Maybe I’ll share more once I’ve worked through and processed it all.

What this leaves me with is to wish you all the very brightest blessings of the season, the most wonderful wishes for the next cycle of the seasons, no matter how you celebrate or why you celebrate!

Lammas

Today is Lammas, a name that derives from the Old-English hlafmaesse, which means ‘loaf-mass’.  August 1st is also known as Lughnasadh or Lughnasa, particularly among the modern Pagan community, and you can find loads about it on the world weird web.

Anglo-Saxon church records from the ninth century onwards show that that Lammas was the festival of ‘first fruits’ with wheat, corn and bread to celebrate the corn harvest.

The first ripe cereals were reaped and baked into bread which was consecrated at a church upon that day.  A book of Anglo-Saxon charms advised that this holy bread be divided into four pieces, each of which was crumbled in a corner of a barn in order to make it a safe storage-place for the harvest about to arrive there.

Certainly, the arrival of the time when the first harvest could be gathered would have been a natural point for celebration in an agrarian society, and the importance of the first day of August was already so well established by 673 that Archbishop Theodore of Tarsus decreed that the annual synod of the newly established Church in England should be held then.  It seems very likely that a pre-Christian festival had existed among the Anglo-Saxons on that date.

Although not one of the official quarter days, Lammas was a regular day for paying rents, settling debts, and changing jobs and houses.

It’s position in the year also contributed to its key role in the organization of rights to common lands.  Where common or church land was rented out by the half-year, or where common strips of land were apportioned annually, Llamas was often the time that the business was carried out.

Lammas was also a popular day for fairs, for example at Exeter and York, and local feasts and revels, such as at Combe Martin in Devon.  Temporary rules and regulations were in force during the time of a fair, it was important that everyone knew when the fair opened and closed, and impressive civic processions and readings of proclamations were often reported, along with the use of highly visible symbols that were displayed while the fair lasted.

Another name for Lammas is ‘the Gule of August’, and this phrase was in use from at least 1300; it also was in use in Old French and Medieval Latin.  One suggestion is that ‘Gule’ derives from the Welsh ‘gwyl’, or ‘feast’, but it’s not clear why or how Norman English or Old French picked up such a word.  It is more likely that the word is derived from Latin.  For more about this read ‘The Stations of the Sun‘.

References:

  1. The English Year, Steve Roud
  2. Stations of the Sun, Ronald Hutton

Lammas thoughts

The new wheat of the year and the first loaf baked with it.  Wheat and other cereal crops are one of the western world’s staple foods.  Agriculture, one of the major innovations of the Neolithic peoples, allows us to grow vast quantities to ensure we are all fed, we all have bread to feed our bodies.  How many of us take this for granted?  How many of us pause to consider those in other parts of the world who do not have enough bread to sustain their bodies, bread being an analogy for essential food?

Today is a day, traditionally, to give thanks for the harvest that will feed us, but it would be nice for us to think of those who struggle to find enough food to feed them, whether it be through environmental disasters, societal turmoil, war, or man’s inhumanity to man.  We could also send thoughts to the animals and plants who are suffering as much as mankind, often far more, through natural and man-made disasters and atrocities.

It is a time for community.  In the past, communities would come together to gather the harvests in as quickly as possible so little was spoiled and all was safely stowed away to last through the coming year.  It was a time of hard but necessary work.

This takes us back to the thoughts about those in the world and how the paradigm needs to change to a world community where we help one another to ensure all have enough for a decent life.  Take time today to consider those who do not have enough food or any other necessities of life, and consider making a commitment to donate regularly to charity to help these people, if you don’t already do so.  Of course,  the world community includes not just humans, but all other living things, and the very Earth itself, for without these life would not be possible, would it?

These are the general and worldwide issues that come to mind in connection with Lammas; but what of the more personal, more symbolic messages that come with the first harvest of the year?  What spiritual bread is there?

We all sow symbolic seeds – new beginnings, new projects, new ways of looking at ourselves, new ways to interact with people, and so on.  These seeds will germinate in fertile ground, where we nurture them, and eventually they will bear the fruit of our efforts.  Today is a day when we can look back at the seeds we planted in the spring and see what ‘fruits’ are ripe and ready to be plucked, and which need to be left to grow more before they will mature.

Another meaning is transformation.  Wheat must die for it to give us sustenance and also so that new life can spring again from it when it’s seed is planted in the Earth.  The life of the wheat is sacrificed to make way for new plants in the Spring.

So it is with our lives; we need to ‘sacrifice’ situations, projects, tasks, and so on that have reached their conclusion, let go of those that will not grow or have not germinated, and we need to do this in order to move onward, to allow new things to enter our lives.

Change is never easy, but it is necessary if we are to grow and realise our potential in all things.  Lammas marks the start of the time when we can savour the fruits of our efforts.  A time when we can experience the sweet taste of success, or the bitter taste of failure.  Either way, Lammas is the time to start to let them go from our lives as it is the first harvest, the start of clearing the land of the crops that have either matured successfully or failed for various reasons.  Lammas is the time to look within ourselves and in our lives to see where this is also the case.

This letting go of what has ended, no matter if it is a success or a failure allows a symbolic death of that which has come to its end.  This is echoed in the increasing period of night that we notice at this time of year.  The nights are drawing in, and while the days are still hot and balmy, there is a feeling of change in the world as we move to the Autumn Equinox.  Yes, nature still flourishes and grows and fruits continue to grow and to ripen, but with the first harvests we begin to see nature coming towards the end of its yearly cycle of growth, the fields being laid bare ready for sowing with new seeds.

For now we can celebrate our successes, learn from our failures, and mourn letting go of what is complete, knowing that as one thing ends something new is on it’s way, just as a bare field means new growth will come in the Spring.

Whatever you consider today, whatever you think about Lammas, enjoy the day!

Cemetery musings

Friday 8th April 2011, 1524 BST – Sat on a bench over looking the Lawn Garden in Glyntaff Cemetery, Pontypridd.

It is a beautiful, sunny, warm spring day. There are bumble bees busily buzzing around on their business. Birds are tweeting, the corvids are cawing. The Friday afternoon traffic on the nearby A470 is a loud hum in the background.

I find cemeteries peaceful places to visit amongst the hubub of the modern world; the sounds of the living, man-made world fade into the background and the sounds of nature have a chance to come to the fore.

Today, especially after such a busily manic week at work, I find it peaceful to sit here after a brisk walk through the older part of the cemetery, with a chance to sit and write my reflections on being here, now. I must admit that I’m finding the Sun a tad bright and warm!

As I walked through the old part, I noticed that many of the gravestones are now leaning at odd angles, and some of the taller ones have even shattered thanks to the endless work of the elements. What once must have been a very orderly, regimented citadel of the dead now looks quite higgledy piggledy with drunken looking weeping angels, architectural chess pieces lopsidedly discarded after a long-ago game, veiled urns looking most precarious on the top of their columns.

Some thirty six years ago, I used to walk to and from school through this cemetery. I’m sure some of the monuments were lopsided, but perhaps as a younger person I didn’t pay that much attention to them. I found the names and places interesting, the weeping angels bemused me, and the Jewish section was something that was hidden and secretive to discover as if by surprise, I read the pages that were open in the Book of Remembrance, and the columbarium was somewhere to quietly pop into and browse through everything there with a sense of spooky wonder. I spent time reading the tags on the floral tributes and flowers left after someone had been cremated, wondering what kind of a person they were, what they did in life, what they would be most remembered for. I never plucked up enough courage, however, to look in one of the two chapels at the crematorium.

On nice days I’d stop on my way home and sit and just listen to the quietness. On gloomy days I’d linger on my way home enjoying the different ‘feel’ of the cemetery. In the Winter I’d be walking to and from school in near darkness and I was never scared of my walk through the cemetery, though I admit to feeling a bit nervous about being stuck in there in the night on my own.

I still find cemeteries interesting places to visit – the older the better, especially when the gravestones tell something of the life of the person whose mortal remains are at rest beneath it. They are havens of peace and quiet in a turbulent, hectic, loud, rushed world.

As I sit on the bench in the sunshine today, I ponder the change in the memorials erected over the remains of the once living. Many are small, almost insignificant in nature, simple statements of who was interred in this plot of hallowed ground. Some are even simpler with a rusted, weathered iron marker with a number on marking the grave, with no clue as to who is eternally sleeping beneath the covering of green grass. Why has no one erected some kind memorial for them?

Others are grander, erections of various heights pointing heavenwards as if showing the direction that the souls of the deceased should take to find their eternal and hallowed home amongst the heavenly hosts. Or are they a very visible and strong statement that that is where the souls have gone, even if you don’t think they have having worked under their iron hand in the early industries of the area. Perhaps the loftiness of the memorial is some kind of testament to the importance of that person while they were alive, to their family at least. Maybe a kind of one-upmanship to those whose pitifully smaller memorials surround them. Some of the largest are huge obelisk-like structures that seem to be like the finger that is used to punctuate the rhetoric of a political orator/activist as they proclaim ‘That’s where I am, that’s where I deserve to be’.

Or perhaps it is a sign that their true legacy, their descendants who share familial DNA, no longer feel a connection to them, to their past, and see no point in spending their own hard earned cash on the upkeep of a monument that means nothing to them. The ancestors were laid to rest, now their monuments are, in many cases, laid to rest on top of them as they become unstable and unsafe to leave upright. In the past people spent money on ensuring their souls would find a place in heaven, working hard on attending church each week and donating to the funds of the parish believing this would guarantee them a place in heaven.

What God do their descendants worship, I wonder? Is it a deity of materialism whose churches are the malls and shop-filled streets and out of town retail parks and the altars are the checkout tills? Consumerism seems to rule, where designer labels and having the right look count for everything. Pleasure in the now is the thing, because another visit to the church of consumerism will provide another fix as the offering is handed over at the till. Where is the attention to what lies within each of us; where is the acknowledgement that we are each more than what is on the outer surface? Is the emptiness that each of us can feel being filled by consumption of one external things of kind or another – possessions, clothes, food, drink, sex, drugs, and so on – rather than by us finding ways of filling the emptiness from within us?

As I sit here and look around at the more modern gravestones, memorial plaques and various memorials there is a change over time. Those in the past, though varying in height and sculptural complexity, have a restrained approach to the words displayed about the people whose remains are interred beneath them. Over time, the words have become more sentimental, more openly emotional. The memorials themselves have, in many places, become more showy, some even gaudy, to attract the attention of anyone who passes by. Grief, loss, emotions are becoming displayed more and more publicly.

I wonder if this goes hand in had with the way society seems to be more concerned about how someone looks than what is beneath the displayed front. I wonder if all the words were said to the person while they were alive, or is this show one that masks a kind of guilt that the words and sentiments weren’t shown to the person while they were alive and they are trying to make it up now with this display. Has the death of the person made them realise just how much they cared for them and now they feel they need to say all that wasn’t said? Is it guilt because they didn’t care for the person perhaps as much as they should have? Is it another kind of one-upmanship where the message is ‘we cared more about our relative than you do because we’ve covered their grave with flowers and toys and balloons and windmills and candles and artificial flowers and sculptures of the saints’?

Am I cynical? Yes, I am, but I do find it interesting to muse about what funereal practices show about us as a society. I may be horribly wrong of course, and these are just personal observations from one who is uncomfortable with her own emotions and showing them. No offence is meant, and comments or observations are welcomed.

Just as I was about to get up and leave, a beautiful butterfly landed close to my feet.  It folded it’s wings up, basking in the warm spring sunshine and remained with me for what seemed like many minutes.   Eventually, it spread it’s wings and launched itself into the air and the wind, carrying on about its business.  Moments like this bring great pleasure to me, moments when nature is unafraid to be close to me.

It was quite apt that it was a butterfly that kept me company as the transformation from caterpillar to butterfly via the resting phase of the chrysalis is seen as a metaphor for the rebirth of the soul after the physical body dies.

In Britain, Europe, North America and the Pacific, the butterfly was a symbol of the soul and it’s attraction to the light.  It was often thought that the human soul left the body in the form of a butterfly.

In Gaelic areas it was said the soul of a newly dead person could sometimes be seen hovering over the corpse in the form of a butterfly.

As an aside, I never knew some of an episode of the new Dr Who series was filmed here!

  1. Anna Franklin ‘Familiars.  Animal Powers of Britain.’

Flowers, folklore and folk-medicine

Our Fathers of Old

Excellent herbs had our fathers of old –
Excellent herbs to ease their pain –
Alexanders and Marigold,
Eyebright, Orris and Elecampane –
Basil, Rocket, Valerian, Rue
(Almost singing themselves they run)
Vervain, Dittany, Call-me-to-you –
Cowslip, Melilot, Rose of the Sun.
Anything green that grew out of the mould
Was an excellent herb to our fathers of old.

Wonderful tales had our fathers of old,
Wonderful tales of the herbs and the stars –
The Sun was Lord of the Marigold,
Basil and Rocket belonged to Mars.
Pat as a sum in a division it goes –
(Every herb had a planet bespoke) –
Who but Venus should govern the Rose?
Who but Jupiter own the Oak?
Simply and gravely the facts are told
In the wonderful books of our fathers of old.

Wonderful little, when all is said,
Wonderful little our fathers knew.
Half their remedies cured you dead –
Most of their teaching was quite untrue –
“Look at the stars when a patient is ill.
(Dirt has nothing to do with disease),
Bleed and blister as much as you will,
Blister and bleed him as oft as you please.”
Whence enormous and manifold
Errors were made by our fathers of old.

Yet when the sickness was sore in the land,
And neither planets nor herbs assuaged,
They took their lives in their lancet-hand
And, oh, what a wonderful war they waged!
Yes, when the crosses were chalked on the door –
(Yes, when the terrible dead-cart rolled!)
Excellent courage our fathers bore –
None too learned, but nobly bold
Into the fight went our fathers of old.

If it be certain, as Galen says –
And sage Hippocrates holds as much –
“That those afflicted by doubts and dismays
Are mightily helped by a dead man’s touch,”
Then, be good to us, stars above!
Then, be good to us, herbs below!
We are afflicted by what we can prove,
We are distracted by what we know
So-ah, so!
Down from your heaven or up from your mould
Send us the hearts of our Fathers of old!

Rudyard Kipling


Yes, there were some dreadful examples of medicine in days long ago, yet there were also many examples of folk-medicine that did work and that we use today.

For example research in biomedical Egyptology shows that many were effective and that some 67% of the cures recorded in various papyri complied with the 1973 Edition of the British Pharmaceutical Codex. They used honey, a natural antibiotic, to dress wounds and treat throat irritations, for instance, and aloe vera was used to treat blisters, burns, ulcers and skin diseases. They also used mouldy bread to treat infections; one of the moulds that grows on bread is penicillin!

There are many more examples of cures that worked and the active ingredients are used in modern medicine. Indeed, there is a branch of science called ethnobotany or ethnopharmacology that studies folk-medicines with the hope of finding new and active ingredients to treat the plethora of diseases still suffered by humanity.

Regardless of whether they worked or not, reading and researching about the uses of plants and other materials in folk medicine as well as the theories our fathers of old had about illness is something that I find fascinating, when I have the time to dig and delve into it. I find lots of interesting tales about where the names of plants come from, so I learn more about etymology, history, folklore, legend and myth. I get to look at photographs and illustrations of the plants used, so widening my knowledge and experience of art and so inspiring me to create my own. One day, the tales may even help to inspire me to do my own creative writing, maybe poetry, about all the wonderful lore that surrounds our most familiar plants, crystals, rocks, horseshoes, and so on.

Mistletoe and Ivy

Well, as I’d done some notes about holly previously I thought it would be a good idea to complete the trio of plants most associated with Yuletide/Christmas/Winter festivities.

Mistletoe (Viscum album)

Early antiquaries thought all types of Christmas foliage came from that used by the Romans at Saturnalia, which was a festival that originated in Greece.  However, once mistletoe became especially popular, the more picturesque theory of Druidic origin gained ground.  Pliny the Elder (AD 23-79) recorded the following about mistletoe:

The Druids hold nothing more sacred than mistletoe and a tree on which it is growing, provided it is Valonia oak … Mistletoe is, however, rather seldom found on Valonia oak, and when it is discovered it is gathered with great ceremony, and particularly on the sixth day of the Moon (for which these [Gallic] trips constitutes the beginning of the months and years) … Hailing the Moon in a native word that means ‘healing all things’, they prepare a ritual sacrifice and banquet beneath a tree and bring up two white bulls, whose horns are bound for the first time on this occasion.  A priest arrayed in white vestments climbs the tree and with a golden sickle cuts down the mistletoe, which is caught in a white cloak.  Then finally they kill the victims, praying to God to render his gift propitious to those on whom he has bestowed it.  They believe that mistletoe given in drink will impart fertility to any animal that is barren, and that it is an antidote for all poisons.

Steve Roud in ‘Oxford Dictionary of Plant-lore’ comments that ‘largely as a result of this passage, more nonsense has been written about mistletoe than any other British plant’.  It is responsible for more disinformation in British folklore than almost any other.   Whatever its merits in itself, it has been repeated over and over and has been used for many flights of fancy about Druids and the ancient origins of our customs and beliefs.

Because of its Druid and pagan associations, mistletoe is traditionally banned from churches, according to the very influential John Brand in 1849.  However, recent research has shown he was wrong, at least for some regions such as Staffordshire where churchwardens’ accounts record repeated purchases of mistletoe.  In 1648 is first listed among the many evergreens decking churches and homes at Christmas by Herrick in Hesperides, no 893.   From the Middle Ages on, the use of holly and ivy in this way has been well recorded.

Mistletoe became important in the late 18th century as part, and soon to be the most valued part, of the elaborate kissing boughs/bushes that were hung up in farmhouses and kitchens, of which kissing under the mistletoe was first recorded in 1813.  There were rules as to when it must be taken down, which varied regionally.  Why mistletoe was included was never recorded, and why kissing beneath it became popular is never fully explained, though it is commonly attributed to it being a Druidic/pagan fertility plant.  This has been stated again and again that it has become ‘The Truth’ as opposed to ‘the truth’.

‘Pliny was writing about the Gauls, not the Brits.  We do now know where or from whom he got his information about the Druids.  Classical authors, however reliable they may be in other respects, are at their most unreliable when describing foreign people, their lands and their beliefs.  There is no hint anywhere else to support Pliny’s report.  There is no other mention of the sacred nature of mistletoe in Britain until antiquarians began reading and believing Pliny’s report some 1500 years later.  Even if Pliny’s report was accurate, there is no evidence that the practice was continued into historical times or had any influence on later lore.  Modern mistletoe beliefs are reported almost exclusively from England, and not the Celtic areas where was are told the Druidic traditions continue to have resonance.’ (4)

Nordic Mistletoe Myths

There may be a link to ancient Nordic myths too.  Mistletoe, apparently, was the plant of peace in Scandinavian countries and if enemies met beneath it, they would lay their arms down and keep a truce until the next day.  Perhaps it was this ancient Norse custom that led to the one of kissing beneath the mistletoe?

This tradition, however, went hand in hand with the story of  the death and resurrection of Baldur, one of the most intriguing of the Norse myths, and perhaps it is this that is the start of the tradition of mistletoe as a ‘kissing plant’.

Baldur’s mother was the Norse goddess, Frigga. When Baldur was born, Frigga made each and every plant, animal and inanimate object promise not to harm Baldur.  However, Frigga overlooked the mistletoe plant — and the mischievous god of the Norse myths, Loki, took advantage of this.  Always the prankster, Loki tricked one of the other gods into killing Baldur with a spear made from mistletoe.  This god was Hoder, who was Baldur’s blind brother.  Loki guided Hoder’s hand, and Baldur’s heart was pierced by the spear.  The death of Baldur, a vegetation deity in the Norse myths, brought winter to the world, although the gods did eventually restore Baldur to life, but not before Frigga’s tears had become the white berries of the mistletoe.   After this, Frigga pronounced the mistletoe sacred, ordering that from now on it should bring love rather than death into the world.  Happily complying with Frigga’s wishes, any two people passing under the plant from now on would celebrate Baldur’s resurrection by kissing under the mistletoe.Mistletoe etymology

While the romantic traditions woven around mistletoe give us a feeling that the plant is all dreamy and lovey-dovey, it’s interesting to ponder the etymology of ‘mistletoe’.  The second century Anglo-Saxon name for it was misteltan, with  mistel meaning dung and tan meaning twig.  It was believed at that time that the plant grew directly from the birds’ dung rather than the seed that passed through its digestive system.

Kissing and love

  • When a kiss is exchanged beneath the mistletoe, a berry should be removed.  Once all the berries have gone, no more kissing that year!
  • If an unmarried woman is not kissed beneath the mistletoe, she will not marry in the coming year.
  • If a couple in love kiss under the mistletoe, it is considered a promise to marry.

After Christmas is over …

  • Mistletoe should always be kept until the Christmas following.  It is believed around the Chudleigh district that it will stop the house from being struck by lightning.  At Ottery they say it will ensure that the house will never be without bread.
  • A piece of mistletoe must be kept to be burned under the Shrove Tuesday pancakes.
  • A piece of mistletoe must be kept from one year to the next because while mistletoe stays in the house love also stays.
  • A sprig kept hanging on the beam until next Christmas will keep the witches out/keep evil spirits way/goblins away.

My own mistletoe tradition

I must admit that I keep a bunch of mistletoe hanging in my front room at home.  I change it, usually, on the Winter Solstice, burning the old out doors.  I use a blowtorch to set fire to the old bunch and it burns fantastically well!  I make sure I stand upwind of the fumes too.

Why do I do this?  Well, it’s become a tradition for me at this time of year.  It symbolises the protection around my home that exists to keep bad away – maybe not ghosties and ghoulies and things that go bump in the night, but to keep people of ill intent out, to neutralise any ill intent sent my way, to create an environment of peace and harmony and love.  It seems to work … perhaps simply because it is a physical symbol of my intent to have such an environment around me, a safe environment to retire to when the world outside is just too much to cope with and I need quiet time to rest and recuperate.  Burning the old symbolises letting go of the past years’ troubles and worries and upsets and so on, and the fire purifies the darker elements that the mistletoe has symbolically soaked up, returning them to the light.

Whether you believe it or not, it works for me!

Ivy (Hedera helix)

Considered by some to be unlucky to have in the house at any time other than Christmas.

Ivy leaves formed the poets crown in ancient times, as well as the wreath of Bacchus, to whom the plant was dedicated most probably because leaves of ivy were bound around the forehead to prevent intoxication.

    Greek priests presented a wreath of ivy to newly-weds as a symbol of fidelity.

      English taverns used to display a sign of an ivy bush over their doors to advertise the excellence of the liquor served within – ‘Good wine needs no bush’.

        References

        1. Steve Roud, ‘Oxford Dictionary of Plant-lore’
        2. Jacqueline Simpson and Steve Roud, ‘ A Dictionary of English Folklore’
        3. Ronald Hutton ‘The Stations of the Sun’
        4. Steve Roud, ‘Penguin Guide to the Superstitions of Britain and Ireland’
        5. The Mistletoe Pages
        6. Norse Myths and Mistletoe at About.com
        7. The Truth vs. the truth – an old Wyrdsmithing blog engry
        8. BBC’s h2g2 website

        Holly

        English Holly (Ilex aquifolium)

        Holly © Angela Porter 19 Dec 2010

        Etymology

        The word holly comes from the Old English ‘holegn‘ which became the Middle English ‘holin‘, which Tolkien fans will recognise – Hollin was the name among men for the land of Elves that thrived to the west of the Mines of Moria, known as Eregion, and it was famous for its holly trees.

        In Welsh holly is called celyn.  In Terry Pratchett’s ‘Soul Music’, Imp Y Celyn is the lead singer of The Band With Rocks In

        Folk names for holly hulver bush, holm, hulm, holme chase, holy tree and Christ’s thorn.

        Holly decorations

        Holly is one of the most striking objects in the winter woodland with its glossy leaves and clusters of brilliant scarlet berries. It is very much connected with Christmas in many Western cultures. From very early days, it was gathered in great quantities for Yuletide decorations, both of the church and the home. The old Christmas Carols are full of references to holly.

        Christmas decorations are said to derive from a Roman custom that involved sending gifts to their friends during the festival of Saturnalia which occurred in mid-December. Strenae, twigs of holly or laurel with sweets fastened to them, were a popular gift. Boughs of holly and other evergreens were also used as decorations. Evergreens are symbolic, of course, of enduring and renewed life as well as a way to encourage the return of vegetation at the end of Winter.

        The Christians were quick to adopt holly for their own celebrations, with the holly representing the crown of thorns that Jesus wore, the berries symbolising drops of blood. A medieval legend asserts that the holly sprang up from the places where Christ walked, hence the name Christ’s Thorn.

        Old church calendars have Christmas Eve marked ‘templa exornantur‘ (churches are decked), and the custom is as deeply rooted in modern times, whether you celebrate Christmas, Yule, the Unconquered Sun, or the return of the light, as it was in either pagan or early Christian days.

        Childhood memories of ‘trimming up’.

        As a small child, I can remember going to bed on Christmas Eve to an ordinary home.  Generally, we were in bed early –  6pm on a school night, 7pm any other night.  On Christmas Eve, my parents used to keep us up until gone 7pm just to try to get us all to sleep through the night – I am one of six children, the second oldest.  I’d be blamed for everything, including the indecently early hour of waking on Christmas morning.  We’d make our way downstairs, bags of gifts in hand, and we’d be amazed!  The stairwell was lit by twinkling fairy lights.  The front room was sparkly with shimmering tinsel, metallic versions of fancy paper-chains, and the lights, baubles, lametta and tinsel on the tree.

        As a child this was magic!  It was, in many ways, the best part of the day.  We were always told that the the fairies that lived in the central heating did the work of decorating, but as we grew up, we took our places to help the ‘rents decorate, as well as taking part in the toast at 10pm to members of the family past and present.  Even when we were all young adults, the house was never decorated before Christmas Eve, and even when we all had moved away to our own homes we still returned on Christmas Eve to decorate for the ‘rents.  I still believe the rest of the family do so now.

        Holly superstitions

        It is said to be unlucky to cut a branch from a holly tree; it should be pulled off instead.

        Old stories advise people to take holly into their homes to act as a shelter for elves and fairies who could join mortals at this time without causing them harm. However, it must be entirely removed before Imbolc Eve (31st January) as just one leaf left within the house would result in bad luck.

        In Somerset, it was considered unlucky for holly to be brought into the house before Christmas Eve, and then only brought in by a man.

        In Herefordshire and Worcestershire, a small piece of holly which had adorned a church at Christmas time was regarded as very lucky to hang up in your home, even though the domestic decorations had to be burned as usual.

        Pliny tells us that if holly is planted near a house or a farm it would repel poison, deflect lighting and protect from witchcraft.

        Pythagoras noted that the flowers would cause water to freeze and if the wood, if thrown at any animal, would cause the animal to return and lie down by the wood, even if the wood did not touch the animal.

        A good crop of berries on holly is still said to be a sign that a hard winter is on the way.

        Holly uses

        Holly wood is heavy, hard and white-ish and it was used for the white chess pieces, ebony being used for the black.

        In the 1800s, weaving looms had holly wood spinning rods; holly was less likely to snag the threads being woven as it is a very dense wood and can be sanded very smooth.

        Peter Carl Faberge used holly cases for his famous Easter Eggs, as well as small objects such as hand seals.

        Holly is also used for veneering.

        1. www.wikipedia.com
        2. www.botanical.com
        3. homepage.ntlworld.com/blackbirdhollins/articles/Holly%20tree.htm
        4. “English Folklore” J Simpson and S Roud

        Happy All Hallows Eve (Hallowe’en or Samhain to you)!

        Hallowe’en

        Punkie3 © Angela Porter 2010

        Well, it’s that time of year again isn’t it?  And it’s another time to consider the truth vs. “The Truth“.  “The Truth” is that this is an ancient pagan holiday, mainly thanks to the writings of Frazer in ‘The Golden Bough’ where he cites this as The Truth, yet there is little evidence if any for it being so (see Hutton “The Stations of the Sun’ for more details)!

        There were fairs and courts held in ancient Ireland at this time, a time called Samhain by them.

        The Venerable Bede writes that this time of year was known as ‘Blod Monath’ which means Blood Month – the month where all unnecessary animals were slaughtered to save fodder and the people would feast on the parts that could not be preserved.

        The truth is that it’s actually more of a Christian celebration in origin!  Today is the eve of a major Catholic festival – All Saints Day (1st November) which dates from the 8th Century.  All Souls Day (2nd November) was instituted around the year 1000 as a day to pray for the dead.  In England since the 19th Century, and increasingly in the 20th and 21st Centuries, it has gained a reputation as a night on which ghosts, witches and fairies are especially active.  Why this should be so is debatable, and returns to the truth vs. The Truth.

        Different sections of society have claimed it for their own, or are rejecting it as being their own.  Who is right?  Everyone!  One thing is certain, Hallowe’en is big business, especially in America, and increasingly so here in Britain.

        There are many traditional events and activities here that are overshadowed by the sheer bad behaviour and malice that a minority seem to partake in with delight.  It is an aspect of this time of year that I dislike…and I don’t need to say any more about that.

        I do think it’s good that children can face their fears in a safe, measured and fun way.  We all like to be scared in a safe environment; if we didn’t then the horror films and books and games wouldn’t appeal to us.  It’s part of growing up, learning to manage our fears, to indulge in imagination, to experience a different world of wonder.  It’s not just Hallowe’en that allows children to explore this; the traditional fairy stories aren’t all sweetness and light are they?

        As to it being a festival that promotes evil and satanism, well, I don’t think so.  Those who would be drawn to such systems would be regardless of Hallowe’en, lets be honest.

        As much as I can be pedantic about ‘the truth’ and I like to know where the traditions and beliefs have come from (the scientist, researcher in me will not be denied), I also know that traditions change and evolve over time.  What is important, perhaps more than anything else, is that traditions link us together.  We can be sure that we are not the only ones having fun at this time, indulging in shared events, and it is that sharing that reaffirms that we are all connected in some way.

        Auragraphs

        Auragraph for Liz © Angela Porter 28 October 2010

        Auragraphs are intuitive works of art that result from a sensitive person ‘tuning into’ another person’s energy, aura, being.  The colours, shapes, symbols and patterns all have meanings that can be interpreted, giving an insight into the recipients personality, life, and potential.  I’ve been experimenting with them for the last couple of months, and yesterday I was showing them to people at an open day at a local spiritual organisation.

        A couple I had already done found their way to the people they were meant for.  Orders were taken for another couple, and all the proceeds are going into the organisations funds as donations.  It was an interesting experience for me in many ways.

        Giving the interpretation (reading) for the recipient was interesting, and it was nice that they were so right.  Working with someone who wants one done for them and allowing the images/shapes to flow on to paper – just as sketches – and talking about why they are appearing and what they mean, and getting feed back on that was very interesting.

        The two ordered have only been done as sketches; they will take around 12 hours each to complete, so that will keep me busy, as will writing down the readings for those verbally given will be interesting!  I really do need to carry my digital dictaphone with me more often I think.

        The Ghost Train

        Punkie1 © Angela Porter 2010I actually made it to the Pontypool and Blaenavon Railway yesterday, after the open day at Treforest.

        I didn’t arrive until around 5:30pm and most of the visitors had been and gone.  I did get to read one story to one family.  And that was fine.  Though I did enjoy winding up small children in a nice way, as well as saving them from the scary vampire who was stalking the carriages!  I do hope I’ll get to read some more stories today …

        I really enjoy story telling /reading.  It’s another shared activity that bonds people together, allows them to make connections, and it’s also an opportunity for imaginations to be used, something that isn’t done so often these days.

        This may be my last time at the railway, however.  I find the connections I once thought I had there are now very weak, if not non-existent.  Things change, which leads me to …

        What All Hallows Eve Means to Me

        Autumm Leaves © Angela Porter 2010

        I always think of All Hallows Eve (Hallowe’en to you!) as mid-Autumn.  It certainly is this year; the world is wearing its coat of glorious flaming Autumn hues!  I love it when I drive along through a flurry of leaves blown off the trees by a sudden gust of wind.  The warmth of the colours envelops me as I journey around the world, a warm memory is being stored to see me through the cold, dark days of Winter.

        The Earth is preparing to sleep through those Winter days, taking a hard-earned rest before coming to life again in the Spring.  All that is unnecessary, finished with, complete  is being shed, the falling leaves being symbolic of that.

        As this clearing out happens out in the world of Nature, so it happens within.  It’s time to look back on the year, to give thanks for what is complete, finish that which is almost complete, and let go of that which is finished, has served its purpose, that we have outgrown.  In doing so we make space in our lives for further personal growth.  And this is the potted version of how I relate to this particular spoke on the wheel of the year.

        For me, it seems the railway is to go.  My SmartCar and all her problems have gone.  I may soon be finished with counselling … but we’ll see about that, there’s still my self-image, confidence, self-love to be worked on.  I’m not sure about anything else, but that will become apparent as time goes on.