The sad tale of a boy and his beloved budgie.

This morning I was going over to the morning staff briefing at school when I was stopped by one of my year 7 special needs pupils.

“You’re my science teacher,” said he.

“Yes, I am,” said I.

“My budgie died last night,” said he.

“Oh, I’m so sorry to hear that. I really am,” said I.

“You’re a scientist, can you make it live again?” he asked.

Oh my gosh, thought I, and then answered…

“I’m sorry, but no, that’s just not possible. Once something has died then it is dead and science can’t bring it back,” said I as gently and kindly as I could.

“But if I brought it in could you do that thing?” he asked while making gestures with his fingers suggesting heart massage.

“I’m sorry, but that would be way too late. That has to be done straight away. I’m so sorry he’s dead and died last night, but there is nothing I can do,” said I.

“Are you sure? You’re a scientist,” asked he.

“I’m sure, and I’m so sorry. If I could bring your budgie back to life I would. I can see how much you love it and I’m sure he loved you so much and appreciated your love. Wherever he is now he’s proud of you, I’m sure,” said I.

“I think I’ll give him a funeral tonight,” said he.

“I think that would be lovely. You can tell him how much you loved him and he’d like that. I’m just so sorry you’re so sad and there’s nothing I can do.”

“That’s ok. Thank you.” said he.

I had tears in my eyes and my heart was broken for this young chap, most probably his first bereavement.

I don’t know where his belief that I could undo nature for him has come from, and I hope I haven’t let him down too badly for his trust in me to disappear.  I don’t know what I have done to gain such wonder and respect.  I wonder if his view of me is of a kind of Dr Frankenstein, able to reanimate the dead, or as someone who can resurrect the dead.

I really wish I could have done something for him and his budgie, to ease the pain of a young, loving heart.

Now I’m home from school, I have let those tears fall.  Tears of sadness for his sadness, the loss of something he loved very much, the memories of those I’ve lost that I’ve loved, pets and humans.  Tears of sadness that I’m unable to share my beliefs about it all with him too.  Tears of sadness that I have no one to turn to for physical comfort in the form of cuddles.

I’m feeling a little sorry for myself.  I’m single.  I have been for a very long time now.  On nights like this I really wish there was someone I could turn to for a cuddle, some reassurance for myself, someone to do a little TLC for me.  As it is, I’ll have to make do with cuddles from the cat when he’s finally feeling in a cuddlesome mood.

That’s the story of the day…nothing else can compare to it, and it puts other things a tad into perspective doesn’t it?

Tea and musings around liminality

Yesterday I sat at a table lit by the golden light of the late spring sun, enjoying the feel of a soft breeze contradicting the warmth of sunlight on my skin while the glorious sound of birdsong gently caressing my ears in the café at the Blaenavon World Heritage Centre. On the table was a lovely pot of tea and a home-made fairy cake (small ‘cupcake’) topped with vanilla buttercream icing and my journal-sketchbook into which I would be recording my thoughts and observations. This was a treat after picking up a batch of mugs that I’ve had printed with a piece of my artwork and a short greeting for my lovely year 11 class who are leaving on Thursday. That will be a day filled with tears and joy, a liminal moment for the pupils as they stand on the threshold of the next phase of their life. The leavers’ assembly being an opportunity to mark this transition point, a liminal point, with celebration, with laughter and with the memories of experiences.

The view from the window was of the neglected graveyard attached to St Peter’s Church which falls away towards the valley bottom as the café abuts the eastern edge of the graveyard and I realised that I was sat at a liminal place, but not one of one phase of life to another. This liminal place marks the boundary between the living and those who have passed out of this earthly existence.

As I realised this, a pair of magpies flitted from tree to tree, their tails twitching as they settled on branches, and sunlight on their plumage revealing the iridescent purples, blues and greens that are so often missed. A solitary cabbage white butterfly careened from plant to plant, it’s pale colour standing out against the brown tangles of brambles and the bright greens of spring growth, signs of life surrounding the memorials of those long dead.

Magpies are associated with bad omens, and one such superstition is that if you see a single magpie on the way to church then death is close (myth-making at blogspot). Considering that many churches have a graveyard around them or close to them, then that is quite true! I love magpies and the other members of the corvidae family of fine feathery friends, despite their gloomy reputations.

As one thought bounced to another, I realised that I too, was at a liminal point in my life as I continue to work on unravelling the tangles of the past through journaling, meditation, self-hypnosis, gratitude and pennies-dropped-epiphanies as I’m becoming more aware of the inner critics and their continual sussuration of negative messages about me. I’m learning how to dis-empower them, little by little, and I may be approaching a turning point for myself in how I view myself and what my beliefs are.

The grave markers were splotched with lichen and algae, patterns reminding me of growths of penicillin on laboratory agar plates or stale and mouldy bread. Tumbled tangled brambles wrapping round them, seemingly pulling them down, down, down into the ground, the Earth reclaiming what had been taken from it, and with it the memories of those long passed. Despite the pull of time and neglect, the taller columns and headstones bravely rose above the tangles, holding their heads up high in the sunshine, proud of their leprous appearance, suggesting age and longevity, that they remember even if the living no longer do.

Others, however, seemed to be surrendering to the gradual depredations of time. Their sharp leaning stance, the first phase in laying down, showing an acceptance of their fate. No one alive who remembers them, who cares for them enough to tend to the memorial of a life once lived. The connections between the present generation and the past generations fading and weakening with time as symbolised by the tumble-down state of the gravestones. This was reflected in the laughter and chatter of the living enjoying beverages and vittles in the bright, warm, life-giving sunshine. The proximity to the necropolis and it’s visible symbols of death, funerary rites, and grief having no effect upon the high spirits of the living.

Perhaps that is because a wall, a visible boundary separates the activities of the living from the area of the dead. If we were to dine and party on their graves, perhaps we may feel differently, irreverent perhaps; an attitude maybe not unique to our own culture or time. I saw this video about dining with the dead in Georgia on the BBC news website earlier this week, and an example of how different cultures approach death and the places of the dead and how rigid and solid the boundary between us, the living, and our deceased friends and family are.

Death is, essentially, a great leveller; the great and the good lie alongside the poor and meek. Only the memorials tell us who is who,and only a skilled osteologist would be able to tell which was which were their skeletons disinterred and separated from any clothing, jewellery or other funerary offerings that they were interred with. To most of humanity they would be the remains of people, equal in death as they were not in life. Given enough time, all return to the Earth, return to what we were created from, very few leaving traces that will last for centuries, millennia or the aeons of time.

Traces remain in the bones that remain of their lives; hardship, luxury, adversity, ease all leave their marks in the bones. As the flesh decays, as memories fade, so do the individual stories of each person’s life, the stories that make each of us unique. The funeral monuments may tell us about them, there may be hints of their life in written records, but so much about them, such as whether they were kind or cruel, loving or neglectful, are lost.

Gloomy thoughts? Not at all! I like what the we can learn of our ancestors from their funerary rites, from records, from stories still held in the memories of the living, maybe experienced first hand or tales handed down through the generations. It matters not whether they are iron-topped tombs of the magnates of Blaenavon or the ring-barrows of a person from the Bronze Age, or the fossilised remains of our distant relatives. For many, we can only make educated guesses about their life and times, sometimes more educated than others when written records exist.

Of course, the choice of a place for cemeteries is a story in itself. In ancient times where a lot of effort was expended to bury a few in monuments such as cairns, ring barrows, cists, long barrows, then they weren’t just plonked in the nearest available place. The choice of place had meaning, just as the choice of place has meaning to us whether it’s where we go on holiday, where we choose to live and experience life. We choose places that give us meaningful experiences, be they linked to happy or sad times. The same is true when we choose places for funerary rites, whether we choose them ourselves before we die or whether we choose them for our loved ones who have passed away. My father’s cremains were buried beneath a sapling plum tree in a country lane where he used to collect all kinds of fruits and plants to make wine from. A friend’s father’s ashes were sprinkled from a bridge to return to the sea which he loved and sailed while serving in the Navy. Another friend’s father’s ashes are to be buried with his brother, if permission can be gained from her aunt.

If we take time and care to choose an appropriate resting place for the physical remains of our loved ones, I’m sure our ancestors did so too, even though it may not have seemed so to us as in many cases we have no ideas of their beliefs and the practices that stemmed from them. Nor do we know for sure why certain people were accorded such seemingly prestigious and important funerals, whether they were the great and the good or whether their deaths had a different meaning and the funeral a different purpose than commemoration and a reminder of our connections to the people of the past, to our ancestors, to those who have shaped the society we life in at any particular point in history.

I couldn’t help but wonder what stories the land could tell us if we could access it’s memory. I’d love to know what events the stones beneath my feet have witnessed in their long aeons of existence. What lovers’ trysts and promises. What betrayals, joys, toils, griefs. Whose feet have passed over them and what is the story of the lives. I don’t just want to know about the great and the good, people whose lives are most probably fairly well documented. I want to know about the ‘ordinary’ people as well. Everyone has a story to tell, everyone’s life experience is unique to them due to their unique perceptions, beliefs, actions, reactions and personality, and what thoughts and beliefs they had about themselves and others.

Perhaps the land, the position of the cemeteries, their relationship to the use of the land in the past and the present, the stories told about the land, it’s people all serve to keep alive the memory of the ancestors, aiding in remembering their stories and the stories previous generations and in so doing keeping the ancestors alive, in memory, and our connection to them stronger. The scape surrounding the cemetery becomes woven into the stories of the recent ancestors and the myths of the more ancient ancestors, acting as aide-memoires to the tales. Each feature in the land around the cemetery is not devoid of emotion, of meaning, and for each feature these would change as the time of day, the season of the year and the weather changes. We interact with these scapes through the feelings and meanings and the way that we make use of them and that induces a feeling of belonging to them. Ideas such as these are propounded by archaeologists such as George Nash.

I realised then, how much I’d enjoyed writing my thoughts, how going to a different place other than home allowed me the inspiration I needed. It’s also brought up links between things that are occurring in my life at present, and that will help to unravel any tangles knotted by the inner critics in the past.

Words and Art Combined

Earth

Earth © Angela Porter 2011

Watercolours, pen and ink on cartridge paper.  24cm x 18cm.

I completed this picture as a kind of experiment.  A dear friend of mine suggested that instead of filling the curlicues of my current very spiral art with more curlicues and spirals that I should add words instead.  I have lots of ideas of what to do with this, perhaps, eventually.  But this was the first of it’s kind.

I wanted to put together a painting that had words and symbols and images that go with the esoteric element of earth, but the words I chose haven’t quite worked out.  However, I am pleased with the apple/wheat/leaf border and the ivy border too.  I’m also pleased that I left empty space, not because I got fed up of this, but because I felt it was all finished and balanced.

This will be an idea I come back to, that of the four elements I mean.  Words have been important in creating my latest pieces of art.

PF Summer Camp, Late May Bank Holiday Weekend 2011

PF Summer Camp 2011 © Angela Porter 2011Watercolours, metallic watercolours, Zig Art and Graphic pens, Rotring pens with black ink on watercolour paper.  9cm x 18cm.

Last weekend, I gave a talk entitled ‘Death and disposal in the Bronze Age’.  In the talk, I concentrated, it turned out, on how the landscape in which the monuments are set can and other factors such as time of day, season or weather have an effect upon how people experience the site.  I drew on the work of archaeologists such as George Nash and Ann Woodward’s book ‘British Barrows‘ who discuss such things.  I have found it a fascinating, if a little brief study by myself, but I already have books on order for when I have the time to dig deeper into such matters.

I mention this because it may be that the barrows could have acted as ‘mnemonics’ for reciting the history of the clan who were the barrow-wrights.  Terry Pratchett and Jacqueline Simpson, in ‘The Folklore of Discworld’ write:

“The landscape is full of stories.”

What I set out to do in this particular painting was to put words in that act as memories of the weekend, especially the ‘bardic circle round the camp fire’ in the evening, where there were songs and stories and friendly banter and chatter.  This is something I have never done, the camp fire thing that is.  I loved it and want to take part in one again.  I may even be able to take my flute and play something, or tell a story; I think the informal and non-judgemental nature of such a gathering would allow me to do this.

I wander off topic here.  The colours and shapes I chose to represent the flow of ideas, talk, music as well as an opening of the mind and an igniting of certain things for me.  I am really quite pleased with how it has turned out, and it was another experiment as I used Zig Art and Graphic Pens to draw the design with; they are water soluble and bled into the watercolour paints.  It has turned out to be a happy accident, as I’m pleased with the colours in places which give an aged feel to the work, kind of like an old, hand coloured etching.  This is how a lot of my work tends to be, but I really want more vibrant colours so that black doesn’t swamp them.

Time

Time 1 © Angela Porter 2011Watercolour, Zig pens and Rotring pens with black ink on cartridge paper.  7.5cm x 15cm.

This was an experiment, again.  I started it last week and left it for a few days to ponder what to do with it.  The colours I had used seemed quite insipid and I wasn’t at all sure where it was going.  The purchase and subsequent playing with the Zig pens a couple of days ago gave me another technique to use in my art, and in this case it’s worked out well, I think.  Things aren’t as irritatingly perfect as my work has been in the past, but I think that adds something to the work.  I like the way the Zig pens add depth and intensity of colour, while being able to be washed out with a damp to wet brush to very subtle shades.  I feel I’m going to love using them in this way!

The adage ‘Time heals all wounds’ is, of course, not entirely true.  There are some wounds that never heal, unless it’s the final journey to whatever awaits us after this earthly existence.  I do think the words are particularly pertinent to me at this point in my personal progress.  I have been having counselling for a number of years now to help me heal the emotional wounds of the past and the damage it has done to my self-image.  It’s a long, slow process it seems.  I often feel guilty for talking so long, to be going round and round in circles, and there have been moments when we almost believed it was time for me to cut loose, then something happens to knock me back a few steps.  As I’ve been told, you can’t heal the damage done over 40-something years overnight, it takes time to undo the learned concepts and to replace them with new ones.  I am getting there, though, even though some days, or weeks, I feel I’m back to where I was.   Art helps me to relax, de-stress to bring joy into my life, and it’s a great re-balancer for me.  I am so grateful I have discovered this gift, and that I have people who encourage me to explore new ways, as I’m still not able to be self-motivating or to find the inspiration that sometimes I lack.

Cemetery musings

Friday 8th April 2011, 1524 BST – Sat on a bench over looking the Lawn Garden in Glyntaff Cemetery, Pontypridd.

It is a beautiful, sunny, warm spring day. There are bumble bees busily buzzing around on their business. Birds are tweeting, the corvids are cawing. The Friday afternoon traffic on the nearby A470 is a loud hum in the background.

I find cemeteries peaceful places to visit amongst the hubub of the modern world; the sounds of the living, man-made world fade into the background and the sounds of nature have a chance to come to the fore.

Today, especially after such a busily manic week at work, I find it peaceful to sit here after a brisk walk through the older part of the cemetery, with a chance to sit and write my reflections on being here, now. I must admit that I’m finding the Sun a tad bright and warm!

As I walked through the old part, I noticed that many of the gravestones are now leaning at odd angles, and some of the taller ones have even shattered thanks to the endless work of the elements. What once must have been a very orderly, regimented citadel of the dead now looks quite higgledy piggledy with drunken looking weeping angels, architectural chess pieces lopsidedly discarded after a long-ago game, veiled urns looking most precarious on the top of their columns.

Some thirty six years ago, I used to walk to and from school through this cemetery. I’m sure some of the monuments were lopsided, but perhaps as a younger person I didn’t pay that much attention to them. I found the names and places interesting, the weeping angels bemused me, and the Jewish section was something that was hidden and secretive to discover as if by surprise, I read the pages that were open in the Book of Remembrance, and the columbarium was somewhere to quietly pop into and browse through everything there with a sense of spooky wonder. I spent time reading the tags on the floral tributes and flowers left after someone had been cremated, wondering what kind of a person they were, what they did in life, what they would be most remembered for. I never plucked up enough courage, however, to look in one of the two chapels at the crematorium.

On nice days I’d stop on my way home and sit and just listen to the quietness. On gloomy days I’d linger on my way home enjoying the different ‘feel’ of the cemetery. In the Winter I’d be walking to and from school in near darkness and I was never scared of my walk through the cemetery, though I admit to feeling a bit nervous about being stuck in there in the night on my own.

I still find cemeteries interesting places to visit – the older the better, especially when the gravestones tell something of the life of the person whose mortal remains are at rest beneath it. They are havens of peace and quiet in a turbulent, hectic, loud, rushed world.

As I sit on the bench in the sunshine today, I ponder the change in the memorials erected over the remains of the once living. Many are small, almost insignificant in nature, simple statements of who was interred in this plot of hallowed ground. Some are even simpler with a rusted, weathered iron marker with a number on marking the grave, with no clue as to who is eternally sleeping beneath the covering of green grass. Why has no one erected some kind memorial for them?

Others are grander, erections of various heights pointing heavenwards as if showing the direction that the souls of the deceased should take to find their eternal and hallowed home amongst the heavenly hosts. Or are they a very visible and strong statement that that is where the souls have gone, even if you don’t think they have having worked under their iron hand in the early industries of the area. Perhaps the loftiness of the memorial is some kind of testament to the importance of that person while they were alive, to their family at least. Maybe a kind of one-upmanship to those whose pitifully smaller memorials surround them. Some of the largest are huge obelisk-like structures that seem to be like the finger that is used to punctuate the rhetoric of a political orator/activist as they proclaim ‘That’s where I am, that’s where I deserve to be’.

Or perhaps it is a sign that their true legacy, their descendants who share familial DNA, no longer feel a connection to them, to their past, and see no point in spending their own hard earned cash on the upkeep of a monument that means nothing to them. The ancestors were laid to rest, now their monuments are, in many cases, laid to rest on top of them as they become unstable and unsafe to leave upright. In the past people spent money on ensuring their souls would find a place in heaven, working hard on attending church each week and donating to the funds of the parish believing this would guarantee them a place in heaven.

What God do their descendants worship, I wonder? Is it a deity of materialism whose churches are the malls and shop-filled streets and out of town retail parks and the altars are the checkout tills? Consumerism seems to rule, where designer labels and having the right look count for everything. Pleasure in the now is the thing, because another visit to the church of consumerism will provide another fix as the offering is handed over at the till. Where is the attention to what lies within each of us; where is the acknowledgement that we are each more than what is on the outer surface? Is the emptiness that each of us can feel being filled by consumption of one external things of kind or another – possessions, clothes, food, drink, sex, drugs, and so on – rather than by us finding ways of filling the emptiness from within us?

As I sit here and look around at the more modern gravestones, memorial plaques and various memorials there is a change over time. Those in the past, though varying in height and sculptural complexity, have a restrained approach to the words displayed about the people whose remains are interred beneath them. Over time, the words have become more sentimental, more openly emotional. The memorials themselves have, in many places, become more showy, some even gaudy, to attract the attention of anyone who passes by. Grief, loss, emotions are becoming displayed more and more publicly.

I wonder if this goes hand in had with the way society seems to be more concerned about how someone looks than what is beneath the displayed front. I wonder if all the words were said to the person while they were alive, or is this show one that masks a kind of guilt that the words and sentiments weren’t shown to the person while they were alive and they are trying to make it up now with this display. Has the death of the person made them realise just how much they cared for them and now they feel they need to say all that wasn’t said? Is it guilt because they didn’t care for the person perhaps as much as they should have? Is it another kind of one-upmanship where the message is ‘we cared more about our relative than you do because we’ve covered their grave with flowers and toys and balloons and windmills and candles and artificial flowers and sculptures of the saints’?

Am I cynical? Yes, I am, but I do find it interesting to muse about what funereal practices show about us as a society. I may be horribly wrong of course, and these are just personal observations from one who is uncomfortable with her own emotions and showing them. No offence is meant, and comments or observations are welcomed.

Just as I was about to get up and leave, a beautiful butterfly landed close to my feet.  It folded it’s wings up, basking in the warm spring sunshine and remained with me for what seemed like many minutes.   Eventually, it spread it’s wings and launched itself into the air and the wind, carrying on about its business.  Moments like this bring great pleasure to me, moments when nature is unafraid to be close to me.

It was quite apt that it was a butterfly that kept me company as the transformation from caterpillar to butterfly via the resting phase of the chrysalis is seen as a metaphor for the rebirth of the soul after the physical body dies.

In Britain, Europe, North America and the Pacific, the butterfly was a symbol of the soul and it’s attraction to the light.  It was often thought that the human soul left the body in the form of a butterfly.

In Gaelic areas it was said the soul of a newly dead person could sometimes be seen hovering over the corpse in the form of a butterfly.

As an aside, I never knew some of an episode of the new Dr Who series was filmed here!

  1. Anna Franklin ‘Familiars.  Animal Powers of Britain.’

Interwoven

 

Interwoven 1 © Angela Porter 2010

 

Interwoven 2 © Angela Porter 2010

 

Artistic endeavours

Above are two of my latest pieces of art, both worked on black card using Uni-Ball Signo metallic gel pens and Cosmic Shimmer iridescent watercolours.

The bottom one has a chain of circles/links that was inspired by looking at a La Tene or Early Celtic Art neck torc.  The rest of the patterns/shapes just flowed around the circles.

I’ve enjoyed doing these.  They give me a chance to just relax, go within myself, create and find some peace and pleasure during days when life seems a struggle at times.  Abstract art is perfect for me in doing this.  I tend to call these things ‘doodles’, but others see them as ‘effortless pieces of art, very creative and imaginative, a sure sense of colour’.  Perhaps because it is easy for me to do I find it hard to see why others would find it ‘precious’.  But as it flows from within, it does tend to be personal, and perhaps an outer representation of my inner emotional ‘weather’.

Feeling jaded, tired with teaching

This week the emotional weather has been very changeable, though there’s been a very tired and jaded weather system lingering.

I am tired and jaded with my job.  I have found it hard to get enthused about anything this week.  I find the constant disrespectful, confrontational, aggressive and/or histrionic attitudes wearying in the extreme.  There seems to be an almost constant battle that I have to fight in order to do my job.

It’s not all gloom and doom, however.  There are bright, sunny periods, where pupils with a willingness to learn, the grace to show kindness in their speech and in attitudes to others, and those full of joy to be around me.  But they are increasingly being overshadowed, once again, by the others.

I feel so much empathy for the pupils who are stuck in classes full of their peers who dominate the groups, disrupt the lessons, and carry an atmosphere of unsettledness in so many ways with them.

I’m beginning to really understand that I am too kind, caring, gentle to work in such an environment for much longer.  My kindness and gentleness make me a target for these aggressive, disrespectful, histrionic teens.  They see me as weak, pathetic, perhaps even too controlling of the class, or trying to be.  I want all to do well, to learn, to gain something positive from my lessons, and I know I expect way too much of myself in this, or perhaps not of myself but of them.

However, is it really too much to ask to have a polite response when asking a pupil to do something such as ‘get your pens and book out please’?  Is it too much to expect that I won’t be greeted with a volley of abusive language or a strident statement that either I’m picking on them, or I have an attitude problem.

I guess I should feel lucky that it’s just words and not furniture or knives or guns that are hurled at me.

Some of you may think it’s my fault I get treated like this.  I don’t think so.  I have to be true to myself.  When I’m not, then its so obvious that things get worse.  My kind, caring, empathic nature suits me working with children with special educational needs and these children rarely give me problems and respond and appreciate my nature, generally. There’s always an odd couple who don’t respond.

My issues are with mainstream pupils who generally don’t appreciate the kind, caring, supportive, encouraging approach.  Their attitudes mean I tend to distance myself from them to protect myself, though I try to help those who want my help, so long as I’m not having de-fuse situations about to explode, deal with disruption and so on.  Sometimes I feel more like a peace-keeper come baby-sitter than a teacher.  I’m absolutely sure it was never like this when I started teaching many years ago now.

Are my particular skills, talents and gifts being made the best use of  in work?  Definitely not.

Career change needed?

All of this has added to my personal problems that I am working on; and in many ways it delays me carrying out the personal work that I need to do by overshadowing that.  My biggest problem is what on earth could I do other than teach?  The other problem is that of financial security; I have a permanent contract, so I have as secure a job as is possible in the current financial climate.  However, the biggest problem is what else could I do?

What I think are my particular strengths, such as art, writing (that maybe doesn’t come across in this blog), a quickness of mind, an innate intelligence, true empathy for others, a deeply caring and kind nature, an ability to speak well and to entrance audiences, I have no particular qualifications for, nor do I have the time nor financial resources to return to university to gain them.

It is a right pickle …

But at least I get time to lose myself in art or writing or reading or playing my flute or meditating, activities that help to bring me peace and joy, and some of which others can gain joy from too if I share them.

Memories of my father’s passing

Something else that seems to have affected my emotional weather this week was the fact that it was the anniversary of my father’s passing.  Two years ago on the 10th November, around 9:20pm, I was sat with my father during the last moments of his life on Earth.  I’d most probably spent more time with him during the 8 months he was in hospital than for the rest of my life.  In fact, I spent more time with him during this time than I did with other human beings.  It was an interesting time; he had Alzheimer’s as well as cancer and diabetes and arthritis, and just old age.

His last evening on Earth was one where he struggled to breathe, where he was in and out of consciousness, and was very agitated.  I spoke to him about things I’d done, things I planned to do, and I was very tearful as I knew he was slipping away, even if the medical staff, my mother and other members of the family thought he’d be there for months longer.  There was a smell in the room, and I just knew it was time.

I’d never seen a real dead body before, let alone been with a person coming to the end of their mortal days.  I was scared, worried if I’d be a strong enough person to stay with my father through it.  I’d always told him I’d be there with him if he wanted me to be, whether he understood me or not.  As it happened, I was strong enough.

Despite his extreme confusion thanks to the Alzheimer’s, in the last few moments of his life he knew who I was and was able to say some things that meant a lot.  He knew he was dying and about to pass away and he wasn’t scared.  I asked him if he wanted me to stay with him, he said yes.  His passing was peaceful.  After speaking it was only a few minutes before he quietly slipped away, and I observed/felt things that have since helped me on my spiritual path. In fact, I experienced many things while visiting my father that gave me and still give me cause for thought.

After he passed, the room was filled with a feeling of such love, not sadness.  The sadness was that he was so ill and suffered so much before he passed.  I didn’t feel relief, just love and a sense of peace.

For that I thank my father deeply.  I feel he granted me a great privilege to be present as his passing, so many seem to choose to pass away when their loved ones have taken leave of them, and to witness so much I can’t, as a scientist, explain yet makes sense to me as a person finding their way along a spiritual path on the Earth.  I’d like to believe that my father is on the next stage of his spiritual journey, whatever form that may take.

What has surprised me is that my mind has wandered back to that time in the past few days, and it has brought up tears with the memories.   I believe I did my grieving in the months my father was declining towards his passing, and though I had tears for a day or two afterwards I think it was more to do with emotional exhaustion.  His passing left me with a need to adjust my spiritual beliefs, to re-examine them, and I used my bereavement leave to do this.

I have wondered if these memories are what I’ve used as an ‘excuse’ to avoid facing up to issues with work …