Tea and musings around liminality

Yesterday I sat at a table lit by the golden light of the late spring sun, enjoying the feel of a soft breeze contradicting the warmth of sunlight on my skin while the glorious sound of birdsong gently caressing my ears in the café at the Blaenavon World Heritage Centre. On the table was a lovely pot of tea and a home-made fairy cake (small ‘cupcake’) topped with vanilla buttercream icing and my journal-sketchbook into which I would be recording my thoughts and observations. This was a treat after picking up a batch of mugs that I’ve had printed with a piece of my artwork and a short greeting for my lovely year 11 class who are leaving on Thursday. That will be a day filled with tears and joy, a liminal moment for the pupils as they stand on the threshold of the next phase of their life. The leavers’ assembly being an opportunity to mark this transition point, a liminal point, with celebration, with laughter and with the memories of experiences.

The view from the window was of the neglected graveyard attached to St Peter’s Church which falls away towards the valley bottom as the café abuts the eastern edge of the graveyard and I realised that I was sat at a liminal place, but not one of one phase of life to another. This liminal place marks the boundary between the living and those who have passed out of this earthly existence.

As I realised this, a pair of magpies flitted from tree to tree, their tails twitching as they settled on branches, and sunlight on their plumage revealing the iridescent purples, blues and greens that are so often missed. A solitary cabbage white butterfly careened from plant to plant, it’s pale colour standing out against the brown tangles of brambles and the bright greens of spring growth, signs of life surrounding the memorials of those long dead.

Magpies are associated with bad omens, and one such superstition is that if you see a single magpie on the way to church then death is close (myth-making at blogspot). Considering that many churches have a graveyard around them or close to them, then that is quite true! I love magpies and the other members of the corvidae family of fine feathery friends, despite their gloomy reputations.

As one thought bounced to another, I realised that I too, was at a liminal point in my life as I continue to work on unravelling the tangles of the past through journaling, meditation, self-hypnosis, gratitude and pennies-dropped-epiphanies as I’m becoming more aware of the inner critics and their continual sussuration of negative messages about me. I’m learning how to dis-empower them, little by little, and I may be approaching a turning point for myself in how I view myself and what my beliefs are.

The grave markers were splotched with lichen and algae, patterns reminding me of growths of penicillin on laboratory agar plates or stale and mouldy bread. Tumbled tangled brambles wrapping round them, seemingly pulling them down, down, down into the ground, the Earth reclaiming what had been taken from it, and with it the memories of those long passed. Despite the pull of time and neglect, the taller columns and headstones bravely rose above the tangles, holding their heads up high in the sunshine, proud of their leprous appearance, suggesting age and longevity, that they remember even if the living no longer do.

Others, however, seemed to be surrendering to the gradual depredations of time. Their sharp leaning stance, the first phase in laying down, showing an acceptance of their fate. No one alive who remembers them, who cares for them enough to tend to the memorial of a life once lived. The connections between the present generation and the past generations fading and weakening with time as symbolised by the tumble-down state of the gravestones. This was reflected in the laughter and chatter of the living enjoying beverages and vittles in the bright, warm, life-giving sunshine. The proximity to the necropolis and it’s visible symbols of death, funerary rites, and grief having no effect upon the high spirits of the living.

Perhaps that is because a wall, a visible boundary separates the activities of the living from the area of the dead. If we were to dine and party on their graves, perhaps we may feel differently, irreverent perhaps; an attitude maybe not unique to our own culture or time. I saw this video about dining with the dead in Georgia on the BBC news website earlier this week, and an example of how different cultures approach death and the places of the dead and how rigid and solid the boundary between us, the living, and our deceased friends and family are.

Death is, essentially, a great leveller; the great and the good lie alongside the poor and meek. Only the memorials tell us who is who,and only a skilled osteologist would be able to tell which was which were their skeletons disinterred and separated from any clothing, jewellery or other funerary offerings that they were interred with. To most of humanity they would be the remains of people, equal in death as they were not in life. Given enough time, all return to the Earth, return to what we were created from, very few leaving traces that will last for centuries, millennia or the aeons of time.

Traces remain in the bones that remain of their lives; hardship, luxury, adversity, ease all leave their marks in the bones. As the flesh decays, as memories fade, so do the individual stories of each person’s life, the stories that make each of us unique. The funeral monuments may tell us about them, there may be hints of their life in written records, but so much about them, such as whether they were kind or cruel, loving or neglectful, are lost.

Gloomy thoughts? Not at all! I like what the we can learn of our ancestors from their funerary rites, from records, from stories still held in the memories of the living, maybe experienced first hand or tales handed down through the generations. It matters not whether they are iron-topped tombs of the magnates of Blaenavon or the ring-barrows of a person from the Bronze Age, or the fossilised remains of our distant relatives. For many, we can only make educated guesses about their life and times, sometimes more educated than others when written records exist.

Of course, the choice of a place for cemeteries is a story in itself. In ancient times where a lot of effort was expended to bury a few in monuments such as cairns, ring barrows, cists, long barrows, then they weren’t just plonked in the nearest available place. The choice of place had meaning, just as the choice of place has meaning to us whether it’s where we go on holiday, where we choose to live and experience life. We choose places that give us meaningful experiences, be they linked to happy or sad times. The same is true when we choose places for funerary rites, whether we choose them ourselves before we die or whether we choose them for our loved ones who have passed away. My father’s cremains were buried beneath a sapling plum tree in a country lane where he used to collect all kinds of fruits and plants to make wine from. A friend’s father’s ashes were sprinkled from a bridge to return to the sea which he loved and sailed while serving in the Navy. Another friend’s father’s ashes are to be buried with his brother, if permission can be gained from her aunt.

If we take time and care to choose an appropriate resting place for the physical remains of our loved ones, I’m sure our ancestors did so too, even though it may not have seemed so to us as in many cases we have no ideas of their beliefs and the practices that stemmed from them. Nor do we know for sure why certain people were accorded such seemingly prestigious and important funerals, whether they were the great and the good or whether their deaths had a different meaning and the funeral a different purpose than commemoration and a reminder of our connections to the people of the past, to our ancestors, to those who have shaped the society we life in at any particular point in history.

I couldn’t help but wonder what stories the land could tell us if we could access it’s memory. I’d love to know what events the stones beneath my feet have witnessed in their long aeons of existence. What lovers’ trysts and promises. What betrayals, joys, toils, griefs. Whose feet have passed over them and what is the story of the lives. I don’t just want to know about the great and the good, people whose lives are most probably fairly well documented. I want to know about the ‘ordinary’ people as well. Everyone has a story to tell, everyone’s life experience is unique to them due to their unique perceptions, beliefs, actions, reactions and personality, and what thoughts and beliefs they had about themselves and others.

Perhaps the land, the position of the cemeteries, their relationship to the use of the land in the past and the present, the stories told about the land, it’s people all serve to keep alive the memory of the ancestors, aiding in remembering their stories and the stories previous generations and in so doing keeping the ancestors alive, in memory, and our connection to them stronger. The scape surrounding the cemetery becomes woven into the stories of the recent ancestors and the myths of the more ancient ancestors, acting as aide-memoires to the tales. Each feature in the land around the cemetery is not devoid of emotion, of meaning, and for each feature these would change as the time of day, the season of the year and the weather changes. We interact with these scapes through the feelings and meanings and the way that we make use of them and that induces a feeling of belonging to them. Ideas such as these are propounded by archaeologists such as George Nash.

I realised then, how much I’d enjoyed writing my thoughts, how going to a different place other than home allowed me the inspiration I needed. It’s also brought up links between things that are occurring in my life at present, and that will help to unravel any tangles knotted by the inner critics in the past.

Llandaff Ghost Walk

Llandaff Ghost Walk

On Friday night, 20th April 2012, I went on this walk with some friends and others. We had an absolutely brilliant, spellbound time I must say and I would recommend it to anyone who is in the area of Cardiff, Wales, UK.

Jim, the guide, was knowledgeable in both the history, legends and spooky occurrences in the area and he was willing to talk and share information and experiences with one and all.

Peter, his mate, who brought up the rear to ensure no one got lost or left behind in the darkness or who would escort those of a more nervous disposition back to their car(s), was equally as knowledgeable and willing to share tales too.

It was chilly in the twilight, the sky was clear and there would be no moon that nigh as we gathered around the cross that stands on the road above Llandaff Cathedral, a beautiful building, inside and out.

However, our walk would take us to the land to the north of the Cathedral,along the edge of a field to the banks of the River Taff, along a road back to the Cathedral, through the cemetery and to the Bishop’s Palace.  As the night gathered around us, we used torches to light our way as we walked from storytelling point to storytelling point, but the torches were put out as the stories were woven from fact, legend and personal accounts in a spellbinding way.

I’m not going to share the tales we were told, nor any experiences we all had and that would spoil the walk for any who wish to take it, but I would really recommend it if you have a love of stories, of history or of local legends and folklore, or are looking for a different way to spend a couple of hours of an evening.  Wrap up well though, and wear sensible shoes, and take a torch.


Happy All Hallows Eve (Hallowe’en or Samhain to you)!

Hallowe’en

Punkie3 © Angela Porter 2010

Well, it’s that time of year again isn’t it?  And it’s another time to consider the truth vs. “The Truth“.  “The Truth” is that this is an ancient pagan holiday, mainly thanks to the writings of Frazer in ‘The Golden Bough’ where he cites this as The Truth, yet there is little evidence if any for it being so (see Hutton “The Stations of the Sun’ for more details)!

There were fairs and courts held in ancient Ireland at this time, a time called Samhain by them.

The Venerable Bede writes that this time of year was known as ‘Blod Monath’ which means Blood Month – the month where all unnecessary animals were slaughtered to save fodder and the people would feast on the parts that could not be preserved.

The truth is that it’s actually more of a Christian celebration in origin!  Today is the eve of a major Catholic festival – All Saints Day (1st November) which dates from the 8th Century.  All Souls Day (2nd November) was instituted around the year 1000 as a day to pray for the dead.  In England since the 19th Century, and increasingly in the 20th and 21st Centuries, it has gained a reputation as a night on which ghosts, witches and fairies are especially active.  Why this should be so is debatable, and returns to the truth vs. The Truth.

Different sections of society have claimed it for their own, or are rejecting it as being their own.  Who is right?  Everyone!  One thing is certain, Hallowe’en is big business, especially in America, and increasingly so here in Britain.

There are many traditional events and activities here that are overshadowed by the sheer bad behaviour and malice that a minority seem to partake in with delight.  It is an aspect of this time of year that I dislike…and I don’t need to say any more about that.

I do think it’s good that children can face their fears in a safe, measured and fun way.  We all like to be scared in a safe environment; if we didn’t then the horror films and books and games wouldn’t appeal to us.  It’s part of growing up, learning to manage our fears, to indulge in imagination, to experience a different world of wonder.  It’s not just Hallowe’en that allows children to explore this; the traditional fairy stories aren’t all sweetness and light are they?

As to it being a festival that promotes evil and satanism, well, I don’t think so.  Those who would be drawn to such systems would be regardless of Hallowe’en, lets be honest.

As much as I can be pedantic about ‘the truth’ and I like to know where the traditions and beliefs have come from (the scientist, researcher in me will not be denied), I also know that traditions change and evolve over time.  What is important, perhaps more than anything else, is that traditions link us together.  We can be sure that we are not the only ones having fun at this time, indulging in shared events, and it is that sharing that reaffirms that we are all connected in some way.

Auragraphs

Auragraph for Liz © Angela Porter 28 October 2010

Auragraphs are intuitive works of art that result from a sensitive person ‘tuning into’ another person’s energy, aura, being.  The colours, shapes, symbols and patterns all have meanings that can be interpreted, giving an insight into the recipients personality, life, and potential.  I’ve been experimenting with them for the last couple of months, and yesterday I was showing them to people at an open day at a local spiritual organisation.

A couple I had already done found their way to the people they were meant for.  Orders were taken for another couple, and all the proceeds are going into the organisations funds as donations.  It was an interesting experience for me in many ways.

Giving the interpretation (reading) for the recipient was interesting, and it was nice that they were so right.  Working with someone who wants one done for them and allowing the images/shapes to flow on to paper – just as sketches – and talking about why they are appearing and what they mean, and getting feed back on that was very interesting.

The two ordered have only been done as sketches; they will take around 12 hours each to complete, so that will keep me busy, as will writing down the readings for those verbally given will be interesting!  I really do need to carry my digital dictaphone with me more often I think.

The Ghost Train

Punkie1 © Angela Porter 2010I actually made it to the Pontypool and Blaenavon Railway yesterday, after the open day at Treforest.

I didn’t arrive until around 5:30pm and most of the visitors had been and gone.  I did get to read one story to one family.  And that was fine.  Though I did enjoy winding up small children in a nice way, as well as saving them from the scary vampire who was stalking the carriages!  I do hope I’ll get to read some more stories today …

I really enjoy story telling /reading.  It’s another shared activity that bonds people together, allows them to make connections, and it’s also an opportunity for imaginations to be used, something that isn’t done so often these days.

This may be my last time at the railway, however.  I find the connections I once thought I had there are now very weak, if not non-existent.  Things change, which leads me to …

What All Hallows Eve Means to Me

Autumm Leaves © Angela Porter 2010

I always think of All Hallows Eve (Hallowe’en to you!) as mid-Autumn.  It certainly is this year; the world is wearing its coat of glorious flaming Autumn hues!  I love it when I drive along through a flurry of leaves blown off the trees by a sudden gust of wind.  The warmth of the colours envelops me as I journey around the world, a warm memory is being stored to see me through the cold, dark days of Winter.

The Earth is preparing to sleep through those Winter days, taking a hard-earned rest before coming to life again in the Spring.  All that is unnecessary, finished with, complete  is being shed, the falling leaves being symbolic of that.

As this clearing out happens out in the world of Nature, so it happens within.  It’s time to look back on the year, to give thanks for what is complete, finish that which is almost complete, and let go of that which is finished, has served its purpose, that we have outgrown.  In doing so we make space in our lives for further personal growth.  And this is the potted version of how I relate to this particular spoke on the wheel of the year.

For me, it seems the railway is to go.  My SmartCar and all her problems have gone.  I may soon be finished with counselling … but we’ll see about that, there’s still my self-image, confidence, self-love to be worked on.  I’m not sure about anything else, but that will become apparent as time goes on.

Punky Night – A Somerset Custom

Pumpkin3 © Angela Porter October 2010

It’s Punky Night tonight
It’s Punky Night tonight
Give us a candle, give us a light
It’s Punky Night tonight!

This is one of the verses of a song changed by children as they carry their ‘punkies’, or Jack O’ Lanterns around villages in Somerset, England, UK and, in times past, begging for candles.  In the village of Hinton St George, Punky, or Punkie, Night is the last Thursday in October.

Other variations on the verse include,

It’s Punky Night tonight
It’s Punky Night tonight
Adam and Eve would not believe
It’s Punky Night tonight!

It’s Punky Night tonight
It’s Punky Night tonight
Give me a candle, give me a light

If you don’t, you’ll get a fright!
It’s Punky Night tonight

It’s Punky Night tonight
It’s Punky Night tonight
Give me a candle, give me a light
If you haven’t a candle, a penny’s alright

It’s Punky Night Tonight!

If you want to sing-a-long with the words, visit “The Punky Night Song” webpage!

The threat of something not nice happening if a person didn’t give the children something compares to the more modern tradition of ‘trick or treat’.

Punkies are made from a mangold-wurzel, or a large turnip, in a similar manner to modern Hallowe’en pumpkins.  The top is cut off, the insides scooped out and designs are cut into the outer skin, leaving a thin membrane intact.  Scary faces are common, but there are many examples of more creative designs.  A lighted candle is then placed inside to shine through the cuts.

Despite the usual assumptions that this custom is an ancient one, there is little evidence of its existence before the C20th.  Various nights in late October served for this custom, but Hinton St George eventually settled on the last Thursday in October.  At one time, it seems to have been a simple house-visiting custom, but members of the local Women’s Institute reorganized it in the mid twentieth century.  It is now celebrated by a procession of children carrying their punkies, and a party where prizes for the best designs are given, a Punkie King and Punkie Queen are crowned and money is raised for charity.

A local legend purports to explain the custom’s origin.  One version of the legend is that the village menfolk went to Chiselborough Fair, and got too drunk to find their way home.  Their wives fashioned lanterns out of mangold-wurzels and went to fetch them.   There are variations on the tale, in some the menfolk make the lanterns, in others the drunken menfolk are scared by the lanterns scary faces believing them to be ghosts of dead children returning to the Earth until Hallowe’en.  The neighbouring village of Lopen claims the custom (and legend) as their own, and other villages have started their own punkie nights.

As a child, I remember helping to carve Jack O’ Lanterns from swedes.  Pumpkins were not a common item then.  It wasn’t easy work either, and my father usually took control of matters very quickly, at least by hollowing out the swede so that we could carve the designs into the shell more easily and with less likelihood of us cutting off our fingers, or worse!  The smell of cooking swede pervaded the house once the candle was lit; whenever I smell cooking swede I get get flashbacks to childhood Hallowe’en, before it became dominated by ‘trick or treat’ and the various forms of antisocial behaviour that occur on that night, and the surrounding nights.  We had our own Hallowe’en party in our home, with local friends visiting with us.  The living room was decorated with blood-red crepe paper streamers, home-made black bats and spiders and webs.  Candle light was the order of the evening.  We made ghoulish food that involved a lot of food dye!  Ducking apples, bobbing apples were always played. And the climax of the proceedings involved the  delivery and display of Captain Blood’s Cake, dripping with blood-coloured icing and ghastly green writing and a single candle placed in the middle of the cake.  This heralded the beginning of ghostly and ghoulish stories.  They would start with a tale about Captain Blood, and then would go onto other things as we children would exercise our imaginations to tell tales, add to the tale being told, and scaring ourselves with what we found most fearful.  It must be said there was a lot of laughing as well!  These were perhaps some of the best times of my childhood … even though I was most probably too shy to tell the tales, my imagination would run away with me and everyone would make fun of me, and I still bear those scars today, finding it hard to tell stories, write tales, be imaginative.  I’ll get over it though.  I will.

The drawing of a pumpkin punkie was done using a very fine technical drawing pen (0.1mm) and watercolour paints on cartridge paper.  The sketch was completed very quickly, the painting took a little longer as the white purry-furry one wanted to help/hinder by demanding cuddles and fusses!   I then fiddled with it in GIMP2 to make it more vibrant in colour, more blurry and better looking than the original!  I have a couple more done that I’ll use to decorate any entries I do about Hallowe’en.

  1. Steve Roud, “The English Year”
  2. Punkie Night at information-britain.co.uk
  3. Punkie Night at Monstrous.com
  4. It’s Punky Night! at wyrdwords.vispa.com
  5. Ronald Hutton, “The Stations of the Sun”
  6. Punkie Night at wikipedia
  7. Jack o’ Lanterns at wikipedia
  8. Jacqueline Simpson and Steve Roud, “A Dictionary of English Folklore”

Folklore, a Fall and Storytelling

Yesterday evening, I travelled by train to Merthyr Tydfil where I was giving a talk.  My lil Smartiepants is still poorly; I’m awaiting a call back from my mechanic to get her fixed.  Anyways, on the way out I grabbed ‘The Folklore of Discworld’ by Terry Pratchett and Jacqueline Simpson and thoroughly enjoyed reading it again during my journey there and back again to Merthyr.

‘Some of the things in this book may well be familiar, and you will say ‘but everybody knows this’.  But the Discworld series, which on many occasions borrows from folklore and mythology, twisting and tangling it on the way …’

And that is what I love about Mr. P – the way the familiar is just twisted enough to fit into somewhere else, with humour and a sense of ridiculousness, and often with quite a deep perception of how things work on our world, and plenty of chuckles along the way.

‘…there are some things we shouldn’t forget, and mostly they add up to where we came from and how we got here and the stories we told ourselves on the way.  But folklore isn’t only about the past.  It grows, flowers and seeds every day, because of our innate desire to control our world by means of satisfying narratives.’

And don’t we live, or re-live, our lives by stories, by narratives?  When we relate to others what we have done, what we have experienced, what ‘they’ said, or share our thoughts and memories we are relating a story.  I know in my day job I often teach in a story-telling kind of way, and I try to tell enjoyable and memorable stories.  I love to hear other peoples’ stories too.  Stories about us will be passed down through the generations, changing subtly with each re-telling, just as folklore always has done.

And folklore and stories have power, more so than the mundane reality of the truth.

‘But there is the truth, and, then again, there is The Truth, in the face of which truth can only shrug and grin.’

People prefer, generally, to believe the fantastic, and to add mystery to something that is ordinary.  And I can relate an example of this in action.

A few years ago, while walking across the old Severn crossing, I fell and hit my temple on the ground.  A silly accident, I was bending over my bicycle to see if I could sort out the gears that had stuck in one place, next thing I know my face had made intimate contact with the tarmac of the path.  This old bridge is bouncy, especially when heavy lorries shudder their way across, and I think two must have crossed near me at the same time and set up an extra big bounce that unsettled my balance.  Once I’d recovered my composure, I could feel my eye swelling and I decided to ride my bike back to my car, load it in and then get home asap, which I did safely..

That afternoon I ended up in A&E having a head x-ray as my eye had swollen shut, I had a wonderful black eye beginning to develop, but the emergency phone advice service insisted I go get my head checked out in case I’d managed to crack my skull.  I hadn’t, but by the next morning I had a black eye that was really black and the bruising extended from my eyebrow to below my cheekbone!  It was an absolute corker!

Monday morning came, no pain, but the eye was even more spectacularly black than the day before.  I had to go to school, and on my arrival the headteacher, chair of governors and other staff were concerned that I shouldn’t be there.  I explained that it looked a LOT worse than it was, that there was only a little bit of pain if I touched my temple ‘just there’ and I had had x-rays and was fine.

When I went to my class to do registration, they were shocked with my appearance and asked what was happened.  I told them the truth – the fall, the trip to A&E.

Did they want to believe it?  No.  One 16 year old lad was convinced I’d been out ‘clubbing’ in Cardiff and had got involved in a fight (me? fighting? no way!!! I’m way to gentle and kind for that … I’m very peace-loving).  I said, no, I don’t ‘do’ night clubs, nor do I fight.  He wouldn’t have it, so I went along with him, making up answers to his questions.

“Who hit you?  A man or a woman?  Did you know them?” he asked.

“A man, over six foot tall and built like a brick out-house, and I didn’t know him,” I replied.

“What did you do?  ”

“I hit him back.  I knocked him out.”

“You knocked him out? Really?  What happened to him.”

“Yes. Really.  He’s still in hospital I think.”

“Wow.  Were the police there?”

“Yes, they were.”

“Did they arrest you?”

“No, they saw that he hit me first and I just pushed back in self-defence.  They let me go.  And he’s not pressing charges as he doesn’t want it known he got knocked out by a woman”.

“Wow.”

By the end of the week, there were all kinds of stories circulating about how I got my black eye.  I’d been ambushed by a pack of ninjas who I’d fought off but one got a lucky kick in at my eye.  I’d got shot by an arrow as I was taking part in a medieval battle re-enactment.  A Viking had caught me in his head as I was axe-fighting with him.

I had told each and every pupil the truth, that I’d fallen and hit my head.  But not one of them wanted to believe the mundane truth.  The wanted The Truth – a story with excitement, mystery, amazing powers or luck or magic.

The first lad accused me, on his last day of secondary school, of lying to him.  I said I never had, wondering what he was on about.  He said I’d never had a fight in a club (duh!).  I reminded him that I had told him the truth, but it was too ordinary for him to want it to believe it to be true.  He’d helped make up The Truth and preferred to believe that.  He accepted that!

So, there lies the power of narrative, or stories, of words … it can be used for entertainment, for fun, for good things.  However, it is used by others for manipulation, deception, to gain power over others and to do bad things.  And it can change, and be changed, depending on the point of view of the storyteller, their cultural background, their own beliefs and morals … and we can change our own stories too, which is an entirely different set of ideas!

We may not be able to change the events of our lives, but we can change how we view them, how they affect us, how we feel about them and our reactions to them.  In doing so we can change our reactions to similar circumstances that we come across now and in the future, so changing our ‘story’.  It’s not easy, it takes a lot of effort and a lot of courage to face these situations, to face our reactions to them, and then to view things in a different way, something I’m learning about in counselling.  It’s not easy as the inertia of The Truth as it applies to such situations is great, and the truth may not be apparent as all we have our our memories, emotional responses that memories can trigger in present/future experiences so that we are no longer bound by our old, negative, automatic thoughts and responses.  It’s not about making everything in the past lovey-dove, it’s about finding a way to deal with life without automatically blaming ourselves for other peoples attitudes, responses, actions.