A motley miscellany of mushrooms.

Link to today’s time-lapse video

Before it gets too hot in my studio area, I decided to finish off the mushroom watercolour I’d been working on.

I have really enjoyed working with the Ecoline watercolour ink from the brush pens. The more I work with it, the more I work out the techniques I like to use to apply colour.

I’m fairly happy with this artwork. I’m not so sure about the dotty embellishments added using Sakura Soufflé gel pens. I did use some white, but I thought I’d try different colours too.

This is all a learning experience for sure.

I woke with a stinking headache this morning. It’s still not lifted. So, today’s video is a timelapse of how I added colour and embellishment to this motley mushroom miscellany!

A fishy vlog …

Link to the vlog

It’s fishy because today I fancied drawing and painting some cute and whimsical fish! I drew the fish before I started filming.

Also, I wanted to try the Ecoline watercolour inks from the brush pens on a piece of the Canson Imagine Mixed Media paper. The watercolour ink works well enough on the paper, which is nice to know going forward.

Yesterday, I spent most of the day in the cooler realms of my downstairs living room. It was so hot, and it’s forecast to be so again today. A fair amount of time was spent filling pages in my sketchbook with drawings of whimsical birds and fish, simply because I could.

Today, it’s forecast to be as hot. It’s already almost insufferable upstairs (for me anyways). So, I’m going to be downstairs as much as possible today, except for three zoom meetings spread throughout the day. More time for drawing and sketching methinks. Perhaps using non-watercolour media to add some colour to the sketches. I’ll see how I feel.

More Mushrooms! Watercolour explorations

Link to today’s vlog

Ecoline watercolour inks, insects and mushrooms

As you can see, I finished the insect painting. I’m really quite happy with this artwork, even more so as it’s the first one done entirely with a new medium to me – Ecoline watercolour inks.

Of course there’s a lot more exploring and working with them to come, including a rather cute bunch of mushrooms!

I started drawing the mushrooms with a grey unipin pen. Then, I had a flash of inspiration; try using watersoluble fineliner pens instead and see if the line will disappear even more!

So, I dug out a fairly pale Chameleon fineliner pen (NU4), which was darker than I thought it would be. All the same, it would suit my purposes for this experiment.

The pen didn’t react with water/ink as easily as I thought it would. Perhaps that’s because I’m working on watercolour paper…maybe. Or perhaps because I’m using a fairly dry brush with the watercolours. If there’s too much wetness, the colour migrates to the edge of the wet area and the centre becomes pale to colourless.

No problem now I have recognised this. I just use a paler fineliner in future explorations.

I am still really enjoying the Ecoline watercolour inks. I know I said I thought I’d found my water-medium of choice with the Mijello Mission Gold watercolours. The Mijello’s are great, the best watercolour paints I’ve used so far. But, the Ecoline inks just seem to work so much better for me and my style of art.

Am I going to abandon the Mijellos? Nope! But for a while they’ll be put to one side as I work with Ecoline inks. It may be that I work out how I can best work with the Mijellos as a result of using Ecoline inks. Perhaps I’ll end up using them in concert from time to time. I don’t know for sure!

Of course, I won’t be abandoning digital art/coloring. Ideas, techniques, inspirations flow from one medium to another.

Watercolour Experiments

Click here for today’s vlog

I’ve been experimenting with water-based media over the past couple of days. I’ve finally completed a watercolour painting that I’m fairly happy with. Apart from the bright pinks and dark purples. Note to self – analogous colour schemes with a pop of complementary colour are the way to go!

The painting on the left was done using a variety of media – Phoenix pan watercolours. Mijello Mission Gold watercolours, Zig clean colour brush pens, Tombow Dual Brush markers, and Ecoline brush pens. All applied and/or blended out with either a waterbrush or a damp brush.

The Ecoline brush pens are new to me. I purchased them to replace the Zig pens I made a right mess of when I spilled a whole mug of coffee everywhere. I thought I’d missed the tin with them in, but I hadn’t. It wasn’t a great loss; the pens were old and beginning to dry. So, maybe a serendipitous accident with the coffee!

The Ecoline brush pens contain concentrated liquid watercolour inks. The pens are really juicy too! Even when really diluted, the colours are still vibrant on the paper. Also, as they dry they don’t lose much vibrancy, if any! They’re taking a while to get used to, as any new medium does. But, using them is making me smile…a lot!

As soon as I started using them to complete some of the remaining elements in the abstract botanical painting, I just knew I was going to love them! So, I ordered the second set of pens to complete the whole colour range. It may very well be that as the pens run out, I’ll replace them with the bottles of Ecoline watercolour ink/paint. Or, I may look at other options.

Fairly quickly, I worked out that a waterbrush wasn’t the way to either apply or spread out the colour. I tend to create detailed drawings, so traditional brushes where I can control how much water/colour I apply are the way to go for me.

I’m beginning to think I may have found my traditional media of choice! Digital art is my strength when it comes to colour, but these pens, this type of medium, may be the equivalent in traditional media.

The downside of the Ecoline paints is that they are dye based so are not lightfast. However, as I tend to scan in my art to sell on products, then that won’t be a problem.

The insect was something I just had to try. I do have a fair bit to learn. If I keep adding layers of colours, the earlier ones get spread to the edges and create dark areas. Those, however, may work for me. I’ll see. I’ll also see if I can lift some of that colour in a selective manner to lighten them up again.

Template Thursyay! Adding colour to the template…

Yesterday, I shared a partly digitally coloured version of this week’s coloring template. Today, I’ve coloured some of the original template using Tombow Dual Brush markers with a waterbrush.

The template is now available in the Angela Porter’s Coloring Book Fans facebook group.

I filmed this process and turned it into a vlog. I speeded the footage up, as the original colouring took over an hour and a half.

I then spent another half hour or so experimenting with fineliners and white, metallic and glitter gel pens to add texture and pattern to the coloured areas. I didn’t film that though, but the results are in the photo above.

I set myself three intentions for this morning:
a) enjoy the process of working with the media
b) experiment with fineliners and pens to add pattern, highlight/shadow and texture
c) to not invest in the outcome or fret about colour choices

I think I achieved those intentions.

Sometimes, often even, just enjoying the process of creating, with no expectations or pressures of any particular outcome is so important. To be able to relax and enjoy the process, the colours, the way the media work is as valuable an experience as producing for a specific purpose.

It’s nice to be able to take the time to do this, without worrying about any particular project. Being able to put aside the “I should be doing x, y and z” and realising that just taking time to do something that makes me smile inside is as important as doing projects that fulfill a contract or business thingy.

Template Thursday… on a Wednesday?

Full Vlog | Time Lapse Video

This morning, I drew this week’s coloring template / coloring page. The template itself will be available in the Angela Porter’s Coloring Book Fans facebook group tomorrow.

I did film the process, and two videos are available on Youtube. Both show the process of drawing, not adding colour. One is a vlog of the process, with about half in time lapse. The other is the time lapse version.

It was lovely to spend time drawing in a style that is very familiar to me. It’s lovely as a bit of a break from the more challenging explorations into abstract art I’ve been doing.

And of course, while the videos were uploading and processing, I decided to start to add some colour to the template.

Abstract, entangled, zentangle inspired coloring pages are not just fun to draw but to colour. They’re non-representational so any colours at all can be used.

I got carried away with the process of adding colour. The videos have long been uploaded and published.

Biros and Inktense Sketchbook Abstract Art

I am so, so tired today. So tired that my head feels heavy and my thoughts are slow. All due to me waking around 5 am and not being able to get back to sleep. So I drew. In my sketchbook. With biros.

I thought I’d like to see how adding colour to these drawings changes them. If it’s an improvement or a mess up. Whether it’s best to put the biro down first, or the colour, or a little bit of the biro shading.

So, with that intention I set to making today’s vlog.

I’ve found that either way of adding colour works, though it seems the pen lines are a little darker over the Inktense. Colours bring the drawings to life. The uncoloured biro drawings (other than the colour from different biros) work really well and nicely, but that addition of colour.

I’ve said (typed?) it before; I’m enjoying this journey of exploration with abstract art, the humble biros in particular.

Pebbles and Seaweed Abstract Art WIP

This is the start of a watercolour and, probably, pen artwork based on fronds of seaweed and pebbles. If you’d like to see it from the start of adding watercolour to where it is at this moment, then I did record a vlog. It’s a chatty one, about the art and other stuff.

I used my biro sketch that I did yesterday as inspiration for this. I drew from memory and intuition, using red and black fine ballpoint pens on a 16cm x 16cm (6.25″ x 6.25″) piece of Canson Moulin du Roy paper.

Next, I applied watercolour, wet into wet. I realise I need to dig out my craft heat tool to dry the watercolour quickly when it’s spread in a way I like it. Well, at least try that out! I’ve not quite learned when is the right amount of wetness for this to work to the extent I’d like it to. Having said that, I did drop clean water to push some of the darker colours back in places, though not always successfully to my taste. However, as I plan to draw on top of the colour this may not be an issue.

For the seaweed I chose to use yellow ochre no.1, burnt sienna and light red. Indigo, Van Dyke green, indigo and peacock blue are the colours used for the pebbles.

I have no idea what I’m going to use for the central part of the fronds, yet. It’ll work itself out I’m sure.

I waited from the fronds to dry before doing any neighbouring fronds. I started doing this with the pebbles, but a happy accident reminded me of how much

Sketchbook Flip Through Vlog

Today’s vlog is a flip through the work in my sketchbook during the past month, give or take a week!

I take the time to look at my work with fresh eyes after some time away from it. I also explain some of my thinking and methods along the way.

Mandala

Today was a day to create a mandala! I just felt the urge to do so as I was playing around with traditional media and abstract art.

It is lovely to change the pace and media being used from time to time. I needed this today, I think. It’s been a while since I last created a mandala. I’m also still trying to understand the symmetry tools in Clip Studio Paint.

The limited colour palette I used is this month’s for the color palette challenge for the Angela Porter’s Coloring Book fans facebook group.

I had some fun playing with contrast to create the illusion of volume, depth, dimension.

It was a lovely way to spend a couple of hours this morning, and I created a speeded up / time lapse version you can view on my YouTube channel.

I did a voice-over chat to go with the video. I updated on various things going on, and talked about my struggles with imposter syndrome, lacking self-confidence and confidence in my art too.