Wednesday means it’s time for a sneak peek at this week’s coloring template for the facebook group “Angela Porter’s Coloring Book Fans”. And here it is!
Autumn is really beginning to show her splendour in the world around me in the Valleys of South Wales, UK. I know that not everyone is in the Northern Hemisphere, but even though this mandala is autumn themed, any colour scheme you like would work with it!
I do enjoy drawing mandalas, and this one was fun to do, that’s for sure. It’s also nice to see how the bare lines become fleshed out with colour.
I always enjoy seeing the many different ways people add colour to the templates I design.
The sketchbook page for pattern 1 is filling up nicely! Some more variations added today. The pinky-purple and greens look nice together, adding a kind of playful feel to the drawing added today. Joining the motifs in a Morrisseau tangle pattern way also adds interest and plenty of spaces that may be begging for colour and/or patterns! Who knows what tomorrow will bring.
Here’s the video/vlog that shows the addition of the next bits and pieces of this page.
Sample is quite an apt word as this drawing does remind me a bit of an embroidery sampler. It’s been a while since I last designed one of these, and it’s always fun to do.
This kind of sampler template is perfect if you get overwhelmed by the thought of completing a full sized, intricate template. As this one is split up into small sections for you, you can spend as much, or as little, time as you wish adding colour.
Then, I turned my attention to drawing this week’s template for the Angela Porter’s Coloring Book Fans facebook group. I did video the process, but realised close to the end of the drawing I’d mostly worked out of view of the camera. Duh! I got so engrossed I forgot to check the part of the page I was working on was in frame.
Members of the facebook group suggested things to include in the template. I’ve included a fair number of them, but others will have to be included in future templates.
This was a really fun drawing to do. I pushed past the various points where I wasn’t sure about what I was drawing. The end result is something I’m quite happy with.
I’ve been awake since before 5am, UK time. It’s now nearly half past midday (UK time again!) and I’m so tired! I think a nap is in order very soon.
It’s a new month. Inktober is behind me, so today I start a new series of explorations of motifs, patterns and tangles.
To begin, I decided to start a new A5 sketchbook. The pages are coloured and patterned with Distress Inks and stencils. I do like a coloured background to work on. White is so stark, clinical, austere, even cold, and often intimidating. A coloured page feels so warm and inviting. Drawings instantly feel they have some life in them.
That’s not to say I always draw on coloured paper, as I often do draw on white, especially if I’m planning to add colour digitally.
The very first motif/pattern I chose is one I’ve used a fair number of times in the past. I don’t know where the original inspiration for it came from. Maybe scientific botanical illustration or microscopic images, or maybe something else. I like the shapes and the possibilities that they present.
I’m not aiming to fill and complete one page a day; that would be too much given my contractual obligations for Adorable Dogs. That also takes some of the pressure to complete artwork every day that I feel with challenges like Inktober. Instead, I can do as much or as little as I like in a day. Video or not. All depending on time and inclination.
Today, I drew and vlogged.
The Last Hallowe’en Drawing of 2021
I spent much of a sleepless Saturday night, as well as most of Sunday afternoon, drawing this hallowe’en artwork. The original is a black and white pen drawing, but I added colour to the lines digitally. I’d run out of time to actually colour the drawing in.
There are bits inspired by A Nightmare Before Christmas. I had to turn some Trelina tangle patterns into oogie-boogie men!
There are places that I wish I’d added shading with lines to add the illusion of shadow. However, I can always return to this drawing when I need something relatively simple to do.
After I’d posted this in the Angela Porter’s Coloring Book Fans facebook group, there were requests for it to be available to colour. So, I did just that and posted it as a template for coloring for members of the group.
Effie, by Annett Rumpler CZT, is a lovely floral tangle pattern and one I’ve enjoyed creating variations of, and also different ways of adding colour. For the more brightly coloured flowers I’ve used Sakura Gelly Roll Moonlight, Starlight and Metallic pens along with a damp water brush to create gradients. Just another way of using supplies in a stash! Add the colour before adding detailed lines, however.
It’s been a really interesting month with the Inktober Tangles 2021 Challenge. It’s prompted me to explore patterns, create variations. This is something I don’t do much; I tend to draw intuitively.
However, I now understand the benefits of this practice, and I intend to continue to do this kind of stuff going forward. I had started doing this in an A4 sketchbook, but I’ve found the size of the page a bit daunting and everything looks a bit disorganised. The A5 sketchbook I’ve used has been the perfect size. If I need more space for more variations/ideas I can turn to a new page.
That means I’ve had to order some A5 sketchbooks!
I did film the drawing of the first few Effies, and here’s the video :
Template Thursday
It’s Template Thursday! So the uncoloured template will be available in the facebook group in a little while.
Yesterday, I set up a poll in the group so members could vote on options or make suggestions for this week’s template. As you can see, a mandala with a hallowe’en theme, including cats and spider webs, is the result. Of course, there’s some drunken skulls – no party hats this week!
As I created this digitally, I didn’t film the process. I do have, however, a short vlog where I show the uncoloured template and a couple of other pieces of art and waffle on a bit!
As October has progressed, my weekly coloring templates (or coloring pages if you prefer!) have grown increasingly spooky. All in a cute and whimsical way, of course! It is now only 10 days away from Hallowe’en after all!
I’m particularly fond of my potion bottles and the drunken party skulls. Colour really does bring the line drawing to life.
I fell quite ill yesterday afternoon, digestive issues once again. I’m feeling better this morning, but still a goodly way from being ticketty boo.
I’ve yet to sort out my sketchbook page for today’s tangle pattern for Inktober Tangles 2021. I’ll do that once I’ve finished the social media stuff and had a mug of tea.
This tangle, with it’s use of heavy lines for shadow/dimension is just up my street. Or so I thought. I ended up experimenting with how the thicker lines can change whether the layer appears to be growing up from or digging down into the page.
I enjoyed varying the inny or outy nature of each layer in the pattern, but I’m not entirely sure I’ve got the shadow and highlight right for the innies!
I’m going to put it down to sheer tiredness. I had a poor night’s sleep again. I’ve been up since before 5am and I’ve done nearly a day’s work already, and I still have more to do. But first I really do need to go sleep for a while. I’m just about falling asleep at my desk.
Taking part in Inktober Tangles 2021 is spilling over into this week’s coloring page for the Angela Porter’s Coloring Book Fans facebook group. The result is a rather geometric design which has a very tiled floor or stained glass feel to it. The quadrants could be coloured in separate colour schemes to, say, represent the four seasons, four favourite colours … well anything really. I’ve just completed one quadrant as an example.
The tangle pattern for today is ‘Morisseau’ by Cheryl Moore CZT. I’ve included it, and a couple of other tangle patterns, in my typically entangled artwork to the right. I’ve started to add colour in rusty browns and oranges with blues. The brighter colours are Ecoline Brush pens. The more muted areas are Graphitint pencils with a damp brush. I think I prefer the Graphitint areas. They have a much more aged, vintage, weathered feel to them.
Art is the Adventure 