Today, I start to draw a bookmark using the tangle pattern “Siros” by Simone Menzler CZT. I’ve yet to decide what I do with the background, which is why I’ve stopped part way through.
It was lovely to spend some time drawing variations of Siros, as well as gaining confidence in the steps needed. The reverse ‘fengle’ version vexed me for a while, but I think I’ve now got it!
The large, open spaces in each Siros were perfect for adding pattern to.
Here’s today’s video on YouTube. Please click on the ‘Watch on YouTube’ button, if you’d be so kind.
I used variations of the Zentangle tangle patterns Ginili, Gingo and Fragment D5, plus the little seeds/stones.
Not only did I use a limited number of patterns, but I’ve also used a limited colour palette too. That’s what I seem to do best with when it comes to colour.
As it’s grey and damp and a bit miserable out in the world here in the Valleys of South Wales, UK, warm, bright colours are very much needed. They serve as a reminder that spring is almost upon us!
This week’s colouring page (or template) is drawn and I’ve added a little colour to it. I decided to feature some of the tangle patterns I’ve been exploring in the last couple of days. These are Ginili, Gingo and Fragment D3.
It’s really unusual of me to stick to a fairly limited number of patterns/motifs in my drawings. It was a really good experience!
I was so tempted to use the space between the stems of the Gingo leaves to add various blues, making it a bit like stained glass. I didn’t this time. Maybe for tomorrow. I’m not too keen on my colour choices today. Perhaps I really do need to get to grips with the idea that a limited colour palette is best for me and to stick to it!
That’s if I can drag myself away from the hand lettering course and practice that I’m so enthused about. I quickly show the pages completed so far in my lettering sketchbook in today’s video.
Hand-drawn typography. Stylised botanicals. Some of my favourite things to draw along with one of my core beliefs!
I’m not at all sure about my colour choices. I think I could’ve done the gradient rainbow first, then taken my palette from that to use with the outer border of botanica. It’ll be easy to sort out though. I added colour digitally, but drew the design with pen on paper.
Today, I made a greetings card! The top layer can be seen in the picture.
I chose to create a Zentangle Inspired tile for the card. I’m actually fairly happy with the end result. I even managed to mount the tile on the cardblank centrally. Now that’s a first for me!
I had the devil’s own job getting the video sorted and uploaded. My head is full of mush still. This time as a result of a not nice upset tummy yesterday afternoon and evening.
All the same, I got there in the end. And that is all that matters methinks.
Here’s today’s video. If you would be so kind as to click on the Watch On YouTube, I would be very appreciative as it helps with YouTube’s arcane algorithm!
Please click the ‘Watch on YouTube’ box, if you’d be so kind.
After several hours adding colour to a drawing, I needed a change of pace and activity. So, some entangled art was just the ticket. With a pen. And paper.
I really did enjoy adding colour to the cover drawing for the next colouring book after Adorable Dogs. I do love working digitally. But, there’s only so many hours I can do of it, or any one activity really, before my brain turns to mush.
I now have mushy brains. Between my ears, not as some weird delicacy. Worth having them though. The cover is complete!
I love playing around with motifs, letting variations appear on my paper. So, having a day dedicated to exploring in such a way is, I think, a good idea for me!
Today, I chose two templates. One ‘seedling-y’, the other ‘coral-ish’. I ended up with this page (A5) full of possibilities and potential.
I worked in an A5 Arteza plain paper notebook rather than a sketchbook. I’m getting papers all over the place again. As much as I like the discbound sketchbooks I have, I just felt the time was right to dedicate a casebound book to my motif, tangle and fragment pursuits.
The paper reminds me of dot-grid notebook paper, without the dots. I didn’t expect it to work well with the washes of colour. However, as a sketchbook, it’ll be fine for me. The smooth surface of the paper is a pleasure to draw on. Also, I won’t wreck the nibs of my fineliner pens so quickly!
Oh, I also used a matt graphite pencil to add shadows – no tortillon or paper stump, just using pressure and/or layering to increase the depth of the shadow. I also worked with texture in the shadow in the blue seed-pod/sea anemone/round thing. That is something I want to look at a bit more going forward too.
Having fun today, combining drawing and cardmaking! Zentangle inspired drawing of course.
This card is 2½” x 7″ in size, and the paper I drew on is a 2½” x 6″ piece of Canson Imagine paper.
I chose to use Sandswirl and Holly tangle patterns in the design. After all, they were my tangle pattern and fragment of the week! Plus a couple of other bits and bobs – flowers, crystals, a bit of mooka and a sprinkling of flux.
I did make a boo-boo though. I didn’t let the silver ink dry long enough before I used an eraser. I checked that it was touch-dry, but it wasn’t eraser-dry. Ho hum, dash and darn it!
I used the same metallic silver to draw a border and add a little bit of embellishment. The embellishment is under my fingers, duh!
The sketchy diagram to the right are the dimensions for making an envelope for the card. Red means cut out, blue add glue.
It’s that time of the week again! Template Thursyay is here once more! Yay indeed!
This week it’s a mandala design. I love mandalas and like to put my own twist and style on them. This one is no exception. Typically ‘Angela’ or ‘Entangled’ in feel.
The template is available to members of Angela Porter’s Colouring Book Fans Facebook group.