The things that make me different…

It’s been a few weeks or so since I last posted on here, YouTube, and other social media. The reasons are simple yet complex.

Simple because I’ve been low in energy and oompf once again. I’m not entirely sure why, and that’s why it’s also complex.

Having some people-y times is one thing. A kind of low mood and sadness have been lingering, and along with it, the shadows of comfort eating have encroached on my being. My ability to focus is limited, too. I have a fairly firm inkling that there are a couple of other things rumbling under the surface of the blanket of antidepressant meds. Ultimately, I think it may be a combination of menopause and the lingering effects of the huge burnout last year. Recovery from such burnouts can take a lot longer than I think they will. When I push myself, such as people-y times, then all I do is cause a bit of a relapse.

Still, throughout these weeks, I have been creating art. Creepy, Cute stuff was a staple of my arty being for a number of weeks, and I thoroughly enjoyed creating it. It makes me smile, and sometimes, it almost feels like there’s a tale to tell about the images.

Over the past week or two, however, I’ve been delving into the worlds of Danielle Donaldson. I have owned her two books for a while, though I haven’t done much with them. They’re based on watercolour, and that is still a medium that vexes me greatly.

I love her style of art very much. It really appeals to my sense of whimsy. So, as watercolour is something I struggle with, I thought I’d approach some of her exercises to develop some skills and understanding. I have to say that the ones that involve colour mixing and creating squares of colour have been a lot of fun! Some success has been had with the exercises, especially in mixing colours I never would’ve tried mixing. I am fascinated with watercolour’s ‘magic’ qualities, whether in paint form or watercolour pencils.

When I try to add watercolour to drawings, it all tends to go to pot …

As far as drawing goes, I got it into my head to try to draw some of Danielle’s ‘Littles’ – people, that is!

Yes, I know. I’ve always said I don’t do people! However, there is something quite delightful about her style of drawing ‘littles’. Also, it was a little change from the creepy-cute critters and characters!

I have had a lot of fun drawing ‘littles’ inspired by Danielle Donaldson. Indeed, the ‘little’ above is one I drew today, and it kind of represents me! Is it coloured with watercolour? NO! I gave in and used marker pens; that is the way forward for now.

Another thing I explored from Danielle’s tutorials in her books was using a fine mechanical pencil to draw the designs instead of ink.

Pencil instead of pen just doesn’t feel right to me. I don’t know why. I have, however, used a finer pen to draw the designs than I usually would. In the example above, I used a 01 Unipin fineliner; usually, I use an 05!

The hand-lettering in the drawing above *rolls eyes*has let me down. However, the words have meaning to me. Recognising and accepting the differences in me and understanding their source has been an adventure over the past twenty months or so. It’s an adventure that will continue for the rest of my days, I’m sure.

Naturally, I will persevere with the ‘littles’, which are delightfully wonky, as are the whimsical critters and creepy cuties I love to draw. Learning to embrace that wonkiness is a work in progress; the perfectionist in me demands symmetry, not wonky! I can see how wonky adds to the whimsy, interest, and delight of the drawings.

Meet “The Scribblings”

Meet the Scribblings! My kind of quirky, creepy, cute fellows!

The Scribblings is my working name for the wide community of fellows that are appearing in this style of art. That title may change, though …it’s not set in stone yet!

This one I really liked this until I added the greyish blue crosshatching background. I used softer colours that are still vintage. But, I think the background colour has detracted from them – too dark, too textured, both? I don’t know.

I do know, however, that I could kick myself for not scanning the drawing in before starting to add colour!

I know I want to add some shadow around them. Maybe I’ll see if I can lighten or remove the background digitally at some point too.

What I do know is that I have a few more characters to add to my “bestiary” to work with in different ways.

Even though I’m not fond of the background at all, the characters still make me smile. The softer colours have also entranced me too.

Creepy Cute Artwork and Burnout…Again!

I’m delighted with this artwork/illustration. I love the colours, the silly, creepy, cute characters, and the whimsical nature of the design. There was a smile on my face, a giggle on my lips and joy in my heart as I gradually brought the characters to life. The joy also came from the sensuous pleasure of working entirely with traditional media.

I hope I’m gradually getting to grips with using crosshatching and textural patterns to add shadows to the designs. There’s a way to go before I work out all the intricacies and the way I like to do this, but I’m quite happy with it for now.

To add colour, I used Chameleon Color Tones and Color Tops alcohol markers, with a couple of Winsor and Newton Promarkers in places. The Chameleons worked really well for me. Also, I remembered to use tip-to-tip blending so I could fade the colours out with the Promarkers, too.

Today, I very much needed some time to work quietly in an artistic manner. I’ve burned myself out through too much ‘peopling’ in the past couple of weeks. I’d nearly recovered, but an encounter with scammers threw me into total emotional overwhelm yesterday and I now need a few days to recover. Well, at least I will after I phone my bank again tomorrow to start the fraud investigation.

I love to draw and create. My creepy cute critters are currently my favourite thing to do. They’ve followed on from the colouring book I finished at the beginning of this month – “Haunted”, which is due to be released towards the end of October 2024.

Actually, as I think about it, I was playing around with silly creepy creatures about a year and a half ago, but put them to one side for a while.

Of course, the artwork above was entirely for my own pleasure and exploration of how I’d like to create these critters. I already know that some, if not all of them, will be featured in their own artwork, perhaps with a story to tell or some lore about them. I wonder what kinds of things that will be. I don’t know for now, but I trust my imagination will come out in words too. That won’t be now, however. I’m now tired for today and need to prepare for bed, for me and my creepy weirdies to rest and sleep and to dream up some joyful tales. And names. They definitely need names!

Intricate Intuitive Art | 24 Feb 2024

These three works show my love of intricate, intuitive, flowing art. I continue to explore the use of colour to work on gaining more confidence in using it. I can appreciate how colour brings the drawing to life and sets the mood, too. I find using a fairly limited palette really helps me appreciate this.

I’ve worked on these over two or three weeks, give or take. It’s been a slow process as I’m recovering from a period of burnout from too much adulting and peopling. None are finished yet as I still have to indulge my love of pattern/texture to create more volume in the designs. Also, dots of gold acrylic paint have been added for that little bit of glitz and glimmer – something that makes my raven mind happy!

Entangled Drawing Practice

I’ve been slowly working on this drawing over several days. Little by little, it’s been finished and brought to life with colour.

I’m not quite finished yet; I’m still adding white dots as highlights! That’ll take me a goodly amount of time, no doubt.

Slowly is the correct description of my ability to work, slowly and a little at a time with breaks in between. This muscle healing process is very slow and I’m really learning I can’t push myself too hard. But I really do feel I’m making some kind of progress, which is all that matters.

Entangled Art Infinity Card – Parts 1 and 2

I’ve had some fun with this, and there’s more to come. And a bit of a story to tell first.

I was asked on my YouTube channel how I know which patterns go with each other. That’s not an easy question to answer; experience, experimenting, trusting instincts, and having some patterns or motifs that are your go-to ones.

Then, yesterday morning, as I was slowly coming around from sleep, I watched a video on YouTube at Jen’s Arty Inclinations on how to make a fast and simple infinity card for a junk journal.

Jen recommended going to Lynn at Playing with Paper and Glue to watch her video about making a slightly different infinity card. So I did that.

And as I watched and saw how easy it was to make the infinity card (yes, it really is!), I realised that this would be a lovely and different way to collect together my favourite go-to motifs and patterns. And that thought linked back to the comment on my YouTube channel.

So, I made an infinity card, mucked it up a bit, but learned from that. Then I made a HUGE one, which was ridiculously big! So, I made another one to the sizes Lynn gave, which you can see me doing in part 1. Then, I had to add the first panel on the left of the image above.

I went with variations of pokeroot, pokeleaf and pokepods! I’m not sure there’s a pattern called pokepods, but there is now. I cut a notch out of the card and created a little pocket for a drawing, note, colour palette, or something else to be hidden.

I drew with Copic Multiliner Sp pens (0.5 and 0.25, I think). Colour was added with yellow-grey and neutral-grey Ohuhu markers. A white gel pen was used to add dotty highlights and the pattern to the back.

In the video for part 2, I created the panel to the right. Daisies are always a flower I love to draw; I have many variations of them in my memory hoard. The flowy pattern and Diva Dance are two of my go-to patterns; they share some similarities in my head.

For this panel, I used a Uni Emott 0.4 ever fine pen to draw the design, then green-grey Ohuhu markers to add colour. Then, I used a white gellyroll pen to add the dotty highlights.

I wasn’t sure about the Tim Holtz scrapbook paper I used to make the infinity card, but as I added the panels, it mostly got covered up, just a hint of a background behind the drawings.

It may not be the best choice of paper to make the infinity card from, in terms of colour and pattern. However, as I’ve never done anything like this, it was a sacrifice I was willing to make!

Actually, I wasn’t sure about the entire project. I thought it may be a bit odd, whacky, and weird. But, now two panels are done, I’m looking forward to completing the infinity card.

I will be adding more pocketses, possibly even panels that open out to reveal more. There are, possibly, 32 panels to be done, though I’m not sure as I keep losing count! But it’s a longer-term project.

Having said that, the panels are small. Cute even. Perfect for when I have just a little time to draw.

Medieval Inspired Botanical Bookmark

I have no idea why, but tall, thin drawings (bookmarks) just appeal to me. Indeed, they always have.

I enjoyed drawing this one, and I’m fairly pleased with the chosen colours. There’s a soft, muted, vintage palette along with the flowers, seed pods, berries and leaves mainly inspired by Medieval Illuminated Manuscripts and the work of the Arts and Crafts Movement artists.

If you’d like to follow a #comedrawwithme video for this design, just click on this link!

Two Seed Pod Posies

This morning I finished the posy to the right, and I thought it would be interesting to post both versions together.

The version on the right was actually drawn before the one on the left; it was the inspiration for yesterday’s drawing tutorial video on YouTube. I decided to add colour to it yesterday evening, and I added the subtle background pattern this morning.

I like both and would find it hard to pick one as a favourite. There are pros and cons to each for sure.

What do you think? Which do you prefer?

#DrawWithMe – Botanical Motifs

In today’s YouTube video, I started to draw the design on the right. While the video was uploading, I finished drawing it. Also, I drew some motifs on a separate piece of paper so I could practice using alcohol markers (Arteza EverBlend).

Colour combinations do vex me, continually. And they certainly do on this practice sheet! But it’s best I practice somewhere before adding colour to my completed drawing. But first I’ll scan that drawing in so if all else fails I can add colour digitally!

Either way, it’s been lovely to spend time drawing and adding colour just for the joy of it. It is far too warm to do anything else.

Fineliners, alcohol markers and contrast – hints and tips video

The past couple of days have seen me creating videos that go in a slightly different direction to my usual.

Yesterday’s YouTube video was a look at using and blending coloured pencils – not a skill I’m great at, especially when it comes to choosing colours.

I carried on experimenting with my drawing and trying out various media either alone or in various combinations – coloured pencils, Inktense, and/or graphite. I quite like the way graphite dirties up the colours and creates an almost metallic feeling. Not a shiny metallic, but a dull kind of one.

Today’s video was a response to a comment left for me on YouTube about fineliners smearing with alcohol markers. So, I thought I’d do a look at some of the various fineliners I have, the tricks I use to avoid this, and a bit more about achieving contrast, volume and blending markers.