Little drawings

img_0564

Today, I’ve taken a bit of a break from drawing doodle art and played with Distress Oxides and other media.  The photo above shows just a couple of the small pieces of art I’ve created.

The top two are drawn on Strathmore Bristol paper with a vellum surface which was prepared with Distress Oxide inks brushed on using a stencil brush.  That worked really nicely!  I used a Faber-Castell Pitt Artists pen to draw the design on and then I used Inktense pencils to deepen colours and add shading, before adding just a few metallic highlights here and there.  I really enjoyed drawing these ones, and I have some more pieces of the inked paper ready to draw on – that’s the rest of my evening sorted then!

The bottom two are from some experimenting I did earlier in the day. Both were drawn using a Sakura Glaze pen.  I used Derwent Color Soft pencils to add colour to the design drawn on Kraft paper, and Inktense pencils with a damp brush on the other.

I also had some 3D Crystal Lacquer made by Sakura Hobby Craft arrive today, so I added dots of that to various elements in the bottom two to see what it’s like.

I have been trying out watercolouring with the Distress Oxides, and they end up with a finish that is similar to gouache.  I’m not sure I like using them in this way, however.

Distress Oxide Inks – my first play.

angela-porter20170217_0022

Today, I picked up the first 12 colours in the new Distress Oxide inks from my fabulous local art shop – Dandie Crafts. I’ve been looking forward to getting them since I saw them launched by Tim Holtz just prior to and during the Creativation 2017 craft show.

The above image is a typical ‘Angela-doodle’ drawn using Sakura Micron and UniBall UniPin pens on a background prepared using the new Distress Oxide inks.  Before I let you know what I think of them, here’s a little bit about them.

The Distress Oxide inks are designed by Tim Holtz and made by Ranger. This is the description of them from the Ranger website:

Tim Holtz Distress Oxide Ink Pads are water-reactive dye & pigment ink fusion that creates and oxidized effect when sprayed with water. Use with stamps, stencils, and direct to surface. Blend using Ink Blending Tools and Foam. Re-ink using Distress Oxide Reinkers.

My first job on opening my ink pads was to test them out on different papers so I gained an idea of the colours they’d be, as well as how they react with water.  To create these test swatches I stamped two ‘feathers’ with each colour on the paper/card.  I then used an ink blending tool to smear some colour onto the paper.  Next, I used a wet paintbrush to add water to the second feather before swiping the paintbrush across the smear and adding droplets of water to it.

Here’s the inks on watercolour paper:

angela-porter20170217_0019

Secondly,  here they are on Kraft card:

angela-porter20170217_0020

Finally, I made test swatches on black paper:

angela-porter20170217_0021

The first thing I noticed was how easy it was to stamp with the Distress Oxide inks.  The original Distress Inks tend to stamp ‘blotchy’ – that’s the nature of them though!  These, because of the pigment portion of the formulation, stamp with a more solid line.  Not only that, the Distress Oxide inks are much more opaque than Distress Inks.

Blending the Distress Oxide inks using a mini Smoothie blending sponge by Crafter’s Companion was an absolute dream!  The inks went on so smoothly and, because they stay wetter for longer than Distress inks.  Admittedly, I may not have picked the best paper for applying the Distress Oxide inks to, and there was some unevenness in the blend/smear, but it was much better than I’d manage to get with Distress Inks, unless I used a stencil brush to apply the Distress Inks very thinly and build the layers up.

I don’t think I let the inks dry for long enough before adding water as I did note that some of the pigment moved when I brushed the feather with a wet brush, and the smear.  That may be because I used a brush rather than using a spray bottle to mist water on them.

It took longer for the Oxide effect to develop as I’d added more water than a misting would have, but the colours kind of soften on the white watercolour paper, and brighten on the Kraft and black papers.  The opacity of the pigment ink is increased by the addition of water, and the colours really seem to glow.

I then just had to go and create a background using the Distress Oxide inks.  I used mini ink blending tools this time, and I used Strathmore Bristol paper with a vellum surface.  The inks didn’t want to blend all that smoothly on this surface, however I wasn’t really too concerned as I just wanted a background to draw on.  When I was happy with the colour blend, I did mist the surface with water to bring up the Oxide effect, as well as to have a few small water splatters on the surface.

The Distress Oxide colours are much more ‘me’ than the original Distress Inks. They’re so creamy and rich in colour thanks to the pigment part.  I also love the suede-like feel that results after a light misting with water.

I’m really happy with these new inks and I look forward to experimenting with them more.  I plan to use them like watercolour paints, I want to try using stencil brushes with them to blend the colours out, and no doubt I’ll find other ways to make colourful backgrounds for me to draw upon.

Drawing with colour…

I’ve been taking a little break today from the doodle art I’ve been doing lately, and the above is the result of a couple of pleasant hours this evening.

The image on the left has been drawn with Caran D’Ache Supracolour Soft watercolour pencils and a brush and water has been used to blend the colours.

On the right, I’ve used Derwent’s Inktense pencils, again with water and a brush to blend out the colours.

In each case, no sketch was made before drawing; I used the colours to create the patterns as I went.  So, I’ve been ‘doodling’, but in a different way to usual!

Some rainbow doodles and a bit of a rant

The rant

Over the past week or so I’ve been feeling incredibly stupid and naive. I’m quite proud of the art I create; the process of creation brings me a lot of pleasure and I like to share images so others can share in the pleasure when they see the art and appreciate it.

I’ve had to think long and hard about whether to share my drawings on the internet, and if I continue do how I stop them from being treated as if they are free for all and sundry to print and use as they wish.

My art is how I make an income now, having gone self-employed last summer. Some of my recent images I shared and naively thought that I’d be able to put them together in some kind of publication to sell.

That is now impossible for many of the images as they’ve been declared and shared as ‘freebies’, even though I never gave express permission that this was the case.  I deliberately uploaded images of relatively poor quality and small size to discourage this from happening, and it’s still happened.

I feel really upset and rather low as tam really proud of my latest drawings and I thought they’d be of some commercial value.

Now they are of no value, to me or to anyone else.

Stupidly, naively, I forgot that as soon as you post something on the internet, you lose control of it, you seemingly lose your rights as the copyright holder.

A lesson to learn for me.  And I’m trying to remind myself constantly that the more I draw in this style, the better I get at it and the more ‘Angela’ it becomes.

Despite this, I still want to share some of my drawings, and I think the best way to do this will be to colour the images in someway to discourage this happening again.  I know it won’t discourage the determined die hards who have no conscience, but I do hope that it will make others stop and think about the consequences of their actions.

I do, from time to time, draw images that I do offer as ‘freebies’ via my facebook page, and I always say they are such.  What I don’t do I tell people that something is NOT a ‘freebie’, and I suspect even if I said that there would be some who would ignore it.

I hope that I have found a way round this…and that perhaps these words will make people stop and think.

What I’m trying to do is to learn from this, to take it as a message that I need to protect my work more when I put it on the internet, and to take it that the last few images I have been serving my apprenticeship in a slightly different art style as I make it ‘mine’, and keep work back that won’t be seen unless it’s published or in a portfolio for prospective employers.

If anyone has any suggestions to help me with this, apart from to never show my work (which I generally don’t do if I’m working for a publisher, but even then I do the odd sneak peek), I’d appreciate it greatly.

Rant over.

Rainbow Doodles

So, one of the things I’ve done to try to protect my work is to colour it in.  It takes way too long to break out media to colour in everything I draw, so I’ve made use of Autodesk Sketchbook to apply a rainbow colour gradient to my drawings.

I’ve also uploaded them to artwyrd.deviantart.com so they become watermarked as an added bit of protection.  I need to learn how to do that somehow…

I quite like the rainbow gradients.

Today’s doodle

Me and people … it’s kind of a ‘meh’ thing.  I try … and it’s never right.  All the same, here’s today’s doodle, with a kind of fairy/angel person in the middle…

angela-porter20170130_018small

Top 20 Doodle Artist Sites and a coloured Doodlededoo

I had a big surprise earlier today when a facebook tag led me to a list of the top 20 doodle blogs/sites, and I appear on it at number 14!  I’m honoured to be listed alongside such great artists as are in the list.

Here’s the link to the list: http://blog.feedspot.com/doodle_blogs/

I also have used my trusty Copics to colour in one of the doodlededoos shown in the last post.  I think I’m getting a bit bolder in my colour choices. I’m also choosing to use a flat colour in background elements; on marker paper, the ink blends smoothly and seamlessly so large areas can be coloured in without any streakiness.

angela-porter20170130_017

Doodledoos from 29 Jan 2017

I drew two doodledoos yesterday; no colouring though.

Yesterday’s doodleedoo all coloured

I had a moment of ‘genius’ and printed out the drawing on Winsor and Newton Marker paper.  I checked my printer could take such light-weight paper, and it could, and am I glad it can!

Marker paper makes it so much easier to blend alcohol markers, such as Copic, and it’s very white colour means the marker colours remain luminous.

angela-porter20170128_014

Today’s doodlededoo!

A little bit different, just a little, but fun all the same!  I’m really going to have to print and colour this one I think!

angela-porter20170127_013small

Coloured doodle-de-doo

Between a couple of ‘meh’ days, busy days with appointments, I’ve managed to colour this particular illustration of mine.

angela-porter20170127_012

I coloured this one using copics, and the scan has washed some colours out.