Spectrum Noir Illustrator pens – Review

Today, I popped into my local craft shop – Dandie Crafts (Dandie Crafts Facebook Page)- in their new premises in Caerphilly.

The shop is larger, smells fresh and new, has more space for stock and much more space for classes and demos.  The warm welcome was very much the same.

I had gone there to stock up on paper for my printer; I like their own range of acid-free heavy-weight paper (usually 160g/m²) and found the Spectrum Noir Illustrator  twin-tip alcohol markers in stock.

I bought the six packs of pens, which cost £12.99, so the pens work out a little over £2 each, which is about half the price of a Copic Sketch marker, Promarkers you can get for a little over £1 each at the moment.

Debbie, the lovely lady in charge today, told me they’re supposed to be a new formulation of ink that blends more easily with quality Japanese nibs.  One of the nibs is a bullet nib, the other a brush nib.

On the Illustrator marker packaging it says:

For smooth, natural linework and detailed colouring.  Fully blendable, streak-free coverage.  Perfect for drawing and illustration.

So, I just had to buy and try them out!

I drew the design using the True Black marker and the bullet tip.

The bullet tip isn’t as fine as I thought it would be.  The tip is softer than the bullet tips found on the Promarker pens.  Personally, I’d prefer the bullet nibs to be firmer.

The pen drew nicely with plenty of ink in the new pen (something that hasn’t always happened with my experience of Spectrum Noir pens in the past).  Also, the ink seems jucier in a different way that I can’t describe.  It does seem to be a different formulation.

The black lines are thicker than I’d usually draw, but I’m hoping they’ll give a stained-glass kind of feel to the art.

Once I’d inked out the design on 160gsm smooth white card, I started to colour in the design using just two colour blending.  That was going to be a bit of a challenge as I have eight of the six pen sets which aren’t the full range of colours in the Illustrator pens.

What I did notice is that the colours do blend much more easily than the original Spectrum Noir markers, and also the Promarkers and the Copics!  The ink in the Illustrator pens is definitely different to the others.

Also, where I coloured fairly large areas with one colour, there was no streaking!  Admittedly I didn’t colour a huge area, but so far so good.  The lack of streaks was the case with both the bullet nib and the brush nib.

For the green leaves, I also used a tip-to-tip method to transfer a little of the darker colour on to the lighter colour to help blending with two quite different shades of green. That worked well.

The brush nib is made up of fibres that do spread out – more like the Chameleon pen nibs than Copics.  I don’t now how that will affect their ability to get into small nooks and crannies as they are used over time.

I also noticed that the inks are a lot more vibrant and ‘cleaner’ in colour than the original Spectrum Noir pens, which is a huge plus for them.

The only downside is that as I was colouring, the inks would blend out the black ink, so some of the lines have bled where I don’t want them to bleed.

I do need to test them out with the usual pens I use for drawing and also with the Epson Ultra-brite ink I favour, which hasn’t been affected by alcohol markers previously.

Overall, I’m happy with the pens.  I most probably will get the full set of 96 and will use them along with my other alcohol markers as I’m sure they’ll work well with them.

 

 

 

It’s been a while…

Untitled 8 March 2014 by Angela Porter

 

It has been a while since I last made a post to my blog.

I have been struggling with vagueness and lack of focus with the medication I’m taking, and this one I’m on now doesn’t suit either. As well as the vagueness, I’m constantly on edge and fidgety, and the medication is supposed to treat that not cause it.  Have to give it a couple more weeks before it’ll be changed though.  I’m still away from work as a result.

In spite of all of this I’ve still been busy with art, though the focus for the projects I’m involved in has been lacking at times, but just ‘doodling’ with no constraints or requirements does help me settle a little and also is something I can do that doesn’t need that focus.

In the summer I signed contracts to do the artwork for two books linked to art therapy.  In the last week I was approached by another company to do one book for them in the first instance, and if it goes well then there could be a whole series of them.   My hope is that I’ll have enough contracts and work lined up that I can go kind of part time at work.  That won’t be for a while and I need to get myself better first, but the part time may be a way of helping me remain ‘better’ in the future.  Time will tell.

A different kind of mandala from me

August Mandala 9 © Angela Porter 2013

This one is a little different for me.  The colours are rather subdued for a start.  It shows the influence of my love of Romanesque architectural details, geometric patterns, natural patterns, doodly patterns, and, dare I say it, zentangles, though I do have to say the use of repeated patterns and doodly patterns has been around for thousands and thousands of years not just through the cleverly packaged and marketed brand of Zentangle!  I’ve used patterns like this in my art for a very long time, drawing on my own observations as well as those of others…

Anyway, this mandala has been created using Unipin pens, coloured pencils, a Pentel white hybrid gel pen, and gold and silver Sakura pens.  Yes, there are some very subtle metallic highlights on this one that don’t really show up in the scan.

Emergence 2

Emergence 2 © Angela Porter 2013

Outlines worked using an Umber Letraset Promarker with an ultra-fine tip.  Colours applied using watercolours, watercolour pencils and metallic paints.

Approx. A4 in size.

As usual, I own the copyright to this work and it may not be used or altered in any way without written consent from me.