reMarkable tablet – my first impressions

cofFinally, today my reMarkable tablet has arrived, and I am so pleased with it!

I’ve had a few worrisome moments that I may have decided on something that wouldn’t be of much use to me, or wouldn’t work for me (as was the case with the Slate).

I need not have feared.

Although I’d like a bigger screen, one that is almost or a little bigger than A4 in size, the experience of writing or drawing on the reMarkable is as close to pen and paper as I think you can get.  The sound of the pen on the screen is even reminiscent of the sound of pen on paper.

The friction between the screen and the pen tip means it feels like writing on paper too.

A totally pleasurable sensory experience.

Setting up was easy enough, you’re walked through it by the device and the website.

Using it after that is easy too, it’s meant to be.

I love all the different templates for different paper types that are available; there’s even music manuscript paper, as well as an isometric grid!

I have looked at the simple sketch/doodle I’ve done on the screen on the Surface, and ok, it’s pixelly, which you’d expect from a 100dpi png image.  The page size is 8 x 10.5 inches (approx) which is perfect! It means I can export an image from the reMarkable to my puter and into Autodesk Sketchbook, adjust the resolution and then use the sketch as a basis for a finished drawing.

No scanning.

I detest scanning … but it’s now not necessary as long as I use the reMarkable.

Ok, there’ll still be times when I’ll need to scan work in, such as finished coloured works of art and so on, but as far as sketching out drawings and so on, well no more!

A  plus side of this is that there could be a lot less paper ‘floating’ around my home!  That would be great, there’s a big pile that is overdue for sorting and filing as it is.

Not only that, I can set up sketchbooks, yes books in the plural, on the reMarkable, so it should help me organise files on my ‘puter a bit better.

So yes, I’m happy.

Oh, did I mention that there’s different styles of pens and pencils, with different thicknesses?  No?  Well there is!  Ok, not as many as in Autodesk Sketchbook, but enough to keep me happy.

Did I mention that the pen and surface is pressure sensitive?  No?  Well it is.

Lots of playing around to be done by me with it, and a lot of work to be done with it.

Yes.  I’m happy.  Very happy with the reMarkable.

Artistic journeys…

Mixed media

IMG_0650My previous blog post about a mixed media work in progress is still on hold, although I have added a crackle paint to it in places, which has added some texture to it.  I’m pleased with the result, but I still am not sure what else to do to complete it.

I have completed a very textured background for some mixed media work; you can see it above.  What I’m going to do with it I’m not quite sure, but I’m sure it will all come together at the right time.

Abstract Line Art

I’ve been drawing more ‘Doodle Worlds’ images from time to time and now need to gather them together to see if there’s enough for another ‘book’ for the Colorist app.

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I also turned my attention to colour and pattern and the two images above are the results of around three to four days work.

I used A4 300g/m² smooth watercolour paper and applied distress inks to create the coloured areas.  I wanted to create the illusion of shadow and light in these areas.  Next, I used various drawing pens to add the patterns.  On the green piece, I’ve added copper and gold coloured metallic highlights.  The pink one isn’t quite finished yet.

Sketchbooks and my artistic journey

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As the days are becoming lighter and warmer, my thoughts are going to getting out to visit places and to do some sketching/drawing (intense anxiety and intense self-consciousness allowing).

With this in mind, I’ve prepared pages in an A5 and an A4 sketchbook.  I’ve used Distress and Distress Oxide Inks.

The image above shows the first page in my A4 sketchbook, a page full of daisies, worked using different media, trying out different styles and degrees of detail.

I like to work on a coloured background, I don’t know why, I just do.  I think it may be that I like to add shadows and highlights to create and image from the colour on the page.

I’ve not done much in the way of sketchbook work for a long while, but the need to revisit and to continue to explore different ways of expressing myself artistically has surfaced.  I think this is a much over-due response to the surfeit of work on colouring books in the past three or so years, as well as the struggle I’ve had with my mental health.

My energy, when mentally able, has been focused on completing the work I was contracted for with various publishers.  I enjoyed the work, the subject matter pushed my boundaries in the subjects I tackled.  I’m so grateful for that work as well as it allowed me to make changes in my working life that helps me to take care of my mental health.  It was/is also an activity that helps me manage my mood.  I lose myself in drawing/creating, finding myself ‘in the flow’ where my mind stills, or, rather, where I no longer pay attention to the inner critic.

However, the colouring book work was the focus of my artistic energies for much of that time, and I had little energy left to explore other areas of artistic expression.  I didn’t mind that at all, as I’ve said, I enjoyed all the work I did, and I will continue to create templates.  However, that is not all I want to do or to create.

I now have time to revisit ways of artistic expression I put to one side in my focus on the work for publishers, and I have the chance to see how my skills and expression have developed/changed.  I also get the chance to explore and discover new ways of expressing myself, using new media.

In this way I can continue to discover, practice and refine my artistic voice and vocabulary.  I still feel like a toddler in the world of art.  I wonder if I’ll ever progress from that state.

The biggest obstacle to me doing this is the lack of belief and confidence I have in myself and my artistic abilities.  I also have a problem in deciding on what to draw.  Then, there’s also the issue of finding themes/styles/media to explore that will challenge me just enough that I feel I can make a good attempt at them and gain confidence in them, but not so much that it overwhelms me and I fail before even trying.

The most important thing for me, however, is to enjoy my artistic journey, no matter where it leads me.  The pleasure and peace I get from creating will be something that will serve me extremely well throughout the rest of my days on this planet.