A different kind of mandala from me

August Mandala 9 © Angela Porter 2013

This one is a little different for me.  The colours are rather subdued for a start.  It shows the influence of my love of Romanesque architectural details, geometric patterns, natural patterns, doodly patterns, and, dare I say it, zentangles, though I do have to say the use of repeated patterns and doodly patterns has been around for thousands and thousands of years not just through the cleverly packaged and marketed brand of Zentangle!  I’ve used patterns like this in my art for a very long time, drawing on my own observations as well as those of others…

Anyway, this mandala has been created using Unipin pens, coloured pencils, a Pentel white hybrid gel pen, and gold and silver Sakura pens.  Yes, there are some very subtle metallic highlights on this one that don’t really show up in the scan.

Autumnal August Mandala 8

Yup, it’s the eighth one in the series this month.  I really have become hooked on mandalas this past week or two.  The repetition that’s necessary to complete them (well it is  the way I do them) is calming and meditative; that’s not just for drawing the outline, or for the colouring, but for all the texturing as well.

This one uses a rather unusual, for me any way, colour palette.  The background has been left white as I really don’t know what colour (or texture) to do it in.  Do I do earthy greys and black, rich earthy greens, blues the hues of autumnal day, twilight and night skies, or some other colour(s) that I’ve not considered yet?

It will come to me, and any suggestions are always welcome!

August Mandala 8 © Angela Porter 2013

And here it is with a background.  I’m ambivalent about the background; part of me likes it, part of methinks the colours are too similar to the mandala design, part of me wonders if I should have played around with colours more, and part of me thinks that the texture on the background should have been done in a copper metallic ink with dark inner shadows.

August Mandala 8 with background © Angela Porter 2013

August Mandala 4

I have just finished this.

It’s 18cm x 18cm and I used Unipin pens and coloured pencils on heavy, smooth acid-free cartridge paper.

I assert my rights as creator of this art; it may not be used or altered in any way without written permission from me.

August Mandala 4 © Angela Porter 2013

 

In creating a mandala we open ourselves to all the possibilities that exist inside and outside of us.

Carl Gustav Jung is credited with introducing the Eastern concept of the mandala to Western thought and believed this symbol represented the total personality, aka the Self. Jung noted that when a mandala image suddenly turned up in dreams or art, it was usually an indication of movement toward a new self-knowledge.

Within everyone’s psyche, to one degree or another, can be found a seed-center of the self surrounded by a chaotic maelstrom of issues, fears, passions and countless other psychological elements. It is the very disordered state of these elements that creates the discord and emotional imbalances from which too many of us suffer on a regular basis.

[From various comments on mandala’s pinned on Pinterest].

Arty busy I have been

Arty times

I really have been kind of busy with art during my long summer holiday from the madness that is teaching.  I have two more weeks until I return to that craziness, and working out how to juggle creating artworks for two books with the demands of teaching and a little bit of a social life too.  I’m sure I’ll manage it; art will be my solace at the end of a crazy day as it always has been, this time with the impetus to create to fulfil a contract too (which won’t take away my passion for my art).

Here are some of my creations over the past few weeks.

ImageTo Remember © Angela Porter 2013

 

You Are Amazing © Angela Porter 2013

 

I Love Myself Mandala © Angela Porter 2013

 

Change your thoughts © Angela Porter 2013

 

Be careful how you talk to your self © Angela Porter 2013

 

And there’s more of these at Artwyrd at deviantART.

I’ve also been busy with mandala type things too.

August Mandala 3 © Angela Porter 2013

 

August Mandala 2 © Angela Porter 2013

 

Again, there are more at Artwyrd at deviantART, as well as other pieces of art I’ve done.

Other things

I turned 50 last week.  I spent the day with a friend at the West Somerset Railway.  All too often in my life I have spent special days alone; days like birthdays, Yuletide/Christmas, New Year and so on.  This year I plucked up enough courage to ask him to join me knowing he also likes steam trains.

Yes, it took a LOT of courage.  I have a big problem in asking people to join me or help me.  I don’t like to be the centre of attention nor do I wish to be a burden to others, and I definitely don’t like the sting of rejection either.

All of that is a bit bizarre as I will help others, accompany them, accept invitations and so on if I am at all able to do so.

Yes, I have problems with self-esteem, self-image, self-confidence and a lack of social skills that others take for granted and it takes a LOT for me to do little things to learn and break down barriers that limit me in my life.

I am learning.  I am finding the courage.  Little by little.

Small chages © Angela Porter 2013

And that quote is quite apt for how life is being for me at this time.  Lots of little changes and challenges (well one rather big challenge).

All these little quotes are going into an A6 sketchbook which is for me to carry with me to remind me of the little things (or not so little things) I need to do or remember to help me change my view of myself and to change my life.

Well, that’s the plan anyway.  In itself, the writing of the little messages and the decoration of them is a pleasure.  I hope the work helps to cement them in my subconscious and to reprogramme the faulty thinking I still have, a lot of which stretches back to childhood.

I have finally found a self-help book that makes sense to me.  It’s Feeling Good: The New Mood Therapy by David Burns.  In the book he makes the point that it’s your thoughts that create your feelings and not the other way around.  Many thoughts we have we aren’t even faintly conscious of, yet they still have enormous power over the way we feel, which then feed back to the thoughts producing still more feelings.  We all have inner critics, negative automatic thoughts, and we can learn to change them, or at least reduce the power they have over us.

I’ve come across this idea in counselling in the past, but it’s never made as much sense to me as it does now.  I think the counselling I had helped me heal some aspects of myself, understand others, gave me strength to continue teaching, but, more importantly, it laid some of the foundations for me continuing to heal the mis-conceptions I have about myself and the resulting limits they place upon my life (or rather the limits I allow them to place upon my life).

I have noticed a difference in myself lately.  One big difference was me inviting someone to join me.  

A second difference was the way I accepted the offer to create the artwork for two books; I did this almost unhesitatingly.  The hesitation was about the number of art works needed and the time given to do them in.  Surprisingly, the hesitation wasn’t about my ability, my self-doubt, and that was a big step forward for me too.

Yet another is that I’ve noticed I’m a lot more at ease around people.  At one time I would be fidgety and eager to keep moving to move along to the next thing. Now, I can relax.  On my darker days, the days when I’m low and in tears I do tend still to be on the move constantly, running away from myself quite figuratively, not happy to spend time in my own company.  In the past this would have involved a lot of money being spent on pointless things, trying to buy a sense of ‘value’ of myself, or trying to show others I’m valuable as a person because of these things I have.

The truth is spend, spend, spend was only ever an Elastoplast over the wound called a huge lack of self-worth.

Comfort eating is a behaviour I still indulge in.  I comfort-eating to fill the gaping wound that is a lack of people and love/affection in my life on a consistent basis.  Oddly, the days I’ve spent with friends and the day or so afterwards are days where I have no overwhelming appetite, no need to stuff myself stupid to fill the hole, to hide the emptiness inside.  Other days, I often don’t consciously realise what I’m doing until it’s done.  I then feel stuffed full, and sick.  Sick of myself, of how it makes me feel fatter than I am (I am overweight, how much so I don’t know as my inner-mirror is warped and I see myself as huge as blue whale), ugly (well if you’re overweight, you are ugly, and not just ugly on the outside but on the inside too), useless, no one will want to be my friend…these phrases are often heard in the strident, bitchy, sarcastic tones of my mother’s voice.

I’m getting better at finding evidence to refute these erroneous beliefs about myself, to understand that beauty isn’t a dress size or an age.  I haven’t quite found the key to fit the lock to allow me to change these thoughts on a consistent basis.

Creating the quote artwork has been one tool in an increasingly large toolbox to help me find or forge the key that will dis-empower the negative automatic thoughts and allow me to believe I am the good, nice, beautiful person that others seem to think I am and that I deserve more good in my life.

The human mind always makes progress…

TheHumanMindAlwaysCard©AngelaPorter2013

Approx. 5″ square.  Unipin pens and Zig Art and Graphic Twin pens with water as a wash.  Metallic highlights.

Theta 2

Theta2©AngelaPorter2013

I completed this yesterday.  It’s approx. A4 in size.  The major outlines were worked with an Umber Letraset Promarker with an ultrafine point.  The fine details were done using a UniBall UniPin fine line permanent pen.  There are gold highlights worked with a UniBall metallic gel pen.  The shading was done using a Derwent Graphitint pencil, Storm shade, and a water wash.  It took many hours of work…I lost count!

I’ve discovered Zentangles over the past few days.  The similarities between them and my art are remarkable, though I think my art has incorporated such things for a long time now without knowing about them, though it seems the first Zentangles were names as such in 2004 by their creators, Rick Roberts and Maria Thomas.

I have also found out that NeoPopRealism was created by Nadia Russ in 1989, and she used lines and repetetive patterns as a way to heal herself and her life.  This is taken from her website

“In 1989, Nadia Russ (aka Nadejda Maloletneva) invented the new art style, very unique art form of visual arts. Sensitive and emotional, Nadia was trying to get rid of her stress and frustration when things in her life were going wrong. But wrong was, then in 1989 and a few more years, almost everything. She drew with ink pen the line, turning into different shapes, figures, faces. Sections, that appeared, she filled with different repetitive patterns. Nadia never uses eraser. If she makes a “mistake”, it disappears because of the following patterns that balanced the whole composition. This drawing is meditative. Later, she was using the same concept when she created her oil and acrylic canvases. This art form called NeoPopRealism; she created this term January 4, 2003. The artworks of Nadia Russ are in different museums’ permanent art collections worldwide and in private collections all over the globe. “

Of course, doodling has been around for a very long time … and I often think of this kind of art that I do as ‘doodling’.  It is also very meditative and it can be the one thing that cheers me up during one of my darker days, something I look forward to coming home to at the end of a tough day at work.  It has a similar effect upon my soul and mind that the first mug of hot tea on arrival at home does – a huge inner sigh on the conscious, subconscious, physical and spiritual levels.

I am finding it interesting to look at the Zentangle patterns and how they can be constructed, and I’m even trying some of them out in a sketchbook.  Ultimately, my art flows, with no conception of what the finished piece will be; that has always been the case with my art – I really do just go with the flow.

*Added Tuesday 11 Feb 2013*

I have been told that Indian Mendhi designs predate Zentangles and NeoPopRealism by a very long time thanks to 1artviewer on deviantART.  These are the kind of designs that are applied using henna to the hands/feet of brides.

You can read more about these designs on Wikipedia and can see more on this website.

Of course, and I’ve mentioned this many times before, I’ve drawn inspiration from prehistoric rock art, as well as neolithic and bronze age art, early celtic and anglo-saxon art too.

*Edit ended*

Half Term at last!

3pm last Friday didn’t  come around quickly enough.  It’s been a short yet incredibly pressured half-term.  The pressure has come from the inspection, voice problems, and another problem that has affected my sleep, stress levels and health adversely.  I’m glad it’s over and I can have a week away from the madness without anything hanging over my head.

My only plans for this week are art, reading and sleeping, well apart from the other absolute necessities of life such as bathing and eating and so on.

It’s always quite tough for me to be alone to start with, but by the end of the week I’ll value my solitude.  It will have allowed me the time and space to just ‘be’, to relax, to rediscover myself.  Then, I will feel thrown back into the fray for another manic half-term.

Emergence 2

Emergence 2 © Angela Porter 2013

Outlines worked using an Umber Letraset Promarker with an ultra-fine tip.  Colours applied using watercolours, watercolour pencils and metallic paints.

Approx. A4 in size.

As usual, I own the copyright to this work and it may not be used or altered in any way without written consent from me.

The letter P

P © Angela Porter 2013

Approx. 16cm x 16 cm.  Rotring pen on white paper.

Just playing around here…thought I’d try this idea out.  Not happy with the overspills into the white space of the P.

As always, I own the copyright to this work.  It may not be used or altered in any way without written permission from myself.

Theta 1 Coloured

Theta 1 Coloured © Angela Porter 2013

6″ x 8″ (15cm x 20cm).  Sharpie and rotring pens, Caran d’Ache watersoluble pencils with water wash and metallic paints and inks on heavy cartridge paper.

The colouring  has taken most of yesterday and another 3 hours today and it’s now done.

I own the copyright to this image and it may not be used or altered in any way without my written permission.

Theta 1

Theta1 © Angela Porter 2013

8″ x 6″ (20cm x 15cm).  Ultrafine Sharpie on cartridge paper.