Hope – flowerpunked. Art and my mental health.

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Just finished this one.

Hope.

Sometimes I have to walk away from something I’m working on as I despair it will work out to be anything near good enough.  Actually, it’s not sometimes, it’s most of the time!  However, I do persevere.

When I went to bed last night, this one was looking horrible.  I had the background done, the first layers of collaged patterned paper and the kind of hessian looking die-cut added too  I really wasn’t happy with it at all.

However, a good night’s sleep and a bit of inspiration on waking meant I knew where I wanted to go next, especially after I sorted out the jumble of die-cuts I have (note to self-get some way to organise these!).

Once started from the point of inspiration, the picture just grew to it’s finished state (well, I think it’s finished, that may change when I look at it again later on).

Hope.  A really good word here.  There’s always hope that no matter how bad I think something looks, , pushing past that often results in something good.  Indeed, sometimes the work can just be cut into pieces for use in another piece, which is how the iridescent, textured circles came to appear in this one.

Hope.  Making art always gives me hope that I can overcome the trials I face when my anxiety/depression/complex post-traumatic stress disorder kitcks itself up a few or several notches.  Art always gives me a place where I can lose myself in something that is meditative, mindful, self-soothing, and shows me that I can succeed even when the self-critic is telling me I’m useless, I can never get anything right, nothing is good enough, I’m a failure, and so on.

This past week or so, challenging myself to work with mixed media – something I’ve tried in the past and not really felt I was successful at – has been good to help me with the aftermath of a couple of rather strong anxiety attacks.  I’ve not had any for around a year now.

I was surprised by them and at their intensity and how they have impacted on how I live my life at the moment.  I find it difficult to go out into the world, want to hide away from people, and when I do go out it’s often in the dark hours so I’m not seen.

It also surprised me that this is how I used to live every single day for a very long time, most probably most of my life, until a few months ago.

Even though these two episodes have happened, I know I’ll get past them; I have in the past, and I can learn more about the triggers for them and also where this all comes from, which will help greatly in the counsellinge process.

So there’s hope I’ll improve in the long term, and blips are just that.  Just as I’ve hoped that my confidence and skill and expression via mixed media would improve.  I’ve just had a look back at the mixed media I’ve done in the last fortnight or three weeks, and even I can see how it’s all developed, in a positive way.

What’s made the difference for me with mixed media is finding the confidence to do my best to do it my way and to explore it in my way.  I have a lot more exploring to do, and a lot more confidence building in what I do with it. I will journey along this road, along with my drawing and illustration skills, maybe even writing, and with healing what I can of my mebtal health issues.

So, choosing the word hope for it to appear on this piece of art was most appropriate.

Distress Oxide Inks – my first play.

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Today, I picked up the first 12 colours in the new Distress Oxide inks from my fabulous local art shop – Dandie Crafts. I’ve been looking forward to getting them since I saw them launched by Tim Holtz just prior to and during the Creativation 2017 craft show.

The above image is a typical ‘Angela-doodle’ drawn using Sakura Micron and UniBall UniPin pens on a background prepared using the new Distress Oxide inks.  Before I let you know what I think of them, here’s a little bit about them.

The Distress Oxide inks are designed by Tim Holtz and made by Ranger. This is the description of them from the Ranger website:

Tim Holtz Distress Oxide Ink Pads are water-reactive dye & pigment ink fusion that creates and oxidized effect when sprayed with water. Use with stamps, stencils, and direct to surface. Blend using Ink Blending Tools and Foam. Re-ink using Distress Oxide Reinkers.

My first job on opening my ink pads was to test them out on different papers so I gained an idea of the colours they’d be, as well as how they react with water.  To create these test swatches I stamped two ‘feathers’ with each colour on the paper/card.  I then used an ink blending tool to smear some colour onto the paper.  Next, I used a wet paintbrush to add water to the second feather before swiping the paintbrush across the smear and adding droplets of water to it.

Here’s the inks on watercolour paper:

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Secondly,  here they are on Kraft card:

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Finally, I made test swatches on black paper:

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The first thing I noticed was how easy it was to stamp with the Distress Oxide inks.  The original Distress Inks tend to stamp ‘blotchy’ – that’s the nature of them though!  These, because of the pigment portion of the formulation, stamp with a more solid line.  Not only that, the Distress Oxide inks are much more opaque than Distress Inks.

Blending the Distress Oxide inks using a mini Smoothie blending sponge by Crafter’s Companion was an absolute dream!  The inks went on so smoothly and, because they stay wetter for longer than Distress inks.  Admittedly, I may not have picked the best paper for applying the Distress Oxide inks to, and there was some unevenness in the blend/smear, but it was much better than I’d manage to get with Distress Inks, unless I used a stencil brush to apply the Distress Inks very thinly and build the layers up.

I don’t think I let the inks dry for long enough before adding water as I did note that some of the pigment moved when I brushed the feather with a wet brush, and the smear.  That may be because I used a brush rather than using a spray bottle to mist water on them.

It took longer for the Oxide effect to develop as I’d added more water than a misting would have, but the colours kind of soften on the white watercolour paper, and brighten on the Kraft and black papers.  The opacity of the pigment ink is increased by the addition of water, and the colours really seem to glow.

I then just had to go and create a background using the Distress Oxide inks.  I used mini ink blending tools this time, and I used Strathmore Bristol paper with a vellum surface.  The inks didn’t want to blend all that smoothly on this surface, however I wasn’t really too concerned as I just wanted a background to draw on.  When I was happy with the colour blend, I did mist the surface with water to bring up the Oxide effect, as well as to have a few small water splatters on the surface.

The Distress Oxide colours are much more ‘me’ than the original Distress Inks. They’re so creamy and rich in colour thanks to the pigment part.  I also love the suede-like feel that results after a light misting with water.

I’m really happy with these new inks and I look forward to experimenting with them more.  I plan to use them like watercolour paints, I want to try using stencil brushes with them to blend the colours out, and no doubt I’ll find other ways to make colourful backgrounds for me to draw upon.

Starting an art journal

For a long, long while I’ve wanted to keep an art journal. However, I’ve been puzzled and confused and not sure what to do with it.

Yesterday, I decided the only way to find out how to do it or what to do with it was to just do it, and to use it as a way to experiment with media/techniques I don’t usually use (certainly when I’m doing the black and white line art for the various publishers I’ve done/doing work for).

It’s actually quite fun. I’ve found a way to make use of the sheets of Gelli printed patterns which aren’t much use for anything else as I’m playing with the Gelli plate(s). I’m using Tim Holtz’s Distress inks with sponges and home-made stamps/texture plates too.

It’s also a way for me to combine words and art, something I’ve never really been happy with.

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