Inchies

Inchies ©Angela Porter | Artwyrd.com

Inchies

Teeny, tiny one inch square works of art are called inchies. Here are two sets of six inchies.

For each set, I cut an ATC sized (3.5″ x 2.5″) Distress Oxide coloured mixed media paper into one inch squares.

I took the chisel nib of a black Copic Ciao marker to the edges, and then drew on the squares using either Copic Multiliner SP or Faber Castell Pitt artist pens. When I was happy with the designs, I added metallic watercolours to bring out some highlights.

What to do with them? I don’t know…yet. All I know is they were fun to do and quite satisfying.

Under the weather

I’ve not been feeling too grand, hence the lack of a blog post yesterday. I had a stomach upset on Saturday night, along with headache, tiredness and loss of appetite.

I’m still not right today – tired, another headache and an uncomfortable digestive system still. I think it’ll be another quiet day for me.

Sketchbook Saturday

Sketchbook Saturday 2 May 2020 ©Angela Porter | Artwyrd.com

I am enjoying working a little either on my sketchbook-journal or preparing bits and bobs for it each day.

The main thing I wanted to do this morning was to get some little word tags prepared and in use.

I created a list of words I’d like to add to bits and bobs of art. I copied the list, using different fonts, then printed out an A4 sheet of the words. I made a second sheet using different words and different fonts. Then, I cut the sheets up into smaller pieces for storage.

Then, I realised I’d need to create a storage space for them in my sketchbook and thought an envelope would be the easiest way. I do have some commercially produced envelopes, but I thought it was time to use my We’R’Memory Keepers envelope punch board for a more custom size.

I cut an 8″ x 8″ piece of ordinary printer paper. I coloured the paper with distress oxide inks (old paper, tea dye and dried marigold) and then made an envelope that measures 3.5″ x 6″.

I then realised I needed a way to keep the envelope closed. I could tuck the flap inside the envelope, but as I used copy paper I didn’t know how durable it would be. So, I came up with the idea of having a little pocket to tuck the corner of the flap into. And that meant I could cut out “words” from one of the lists and add it to the little pocket.

Before I did that, I aged the edges of the label with Distress Ink. Next, I glued it to a an old book page and cut it out with a border of text. That layer was also edged with Distress Ink, then it was added to the pocket. I used a metallic Gelly Roll pen to draw around the label.

On the page, you can see some small drawings I’ve done over the past couple of days.

On the left of the page are three ATC cards (2.5″ x 3.5″) made from a piece of mixed media paper coloured with the same Distress Oxide Inks.

On the right, is a larger artwork, an experiment and exploration of what I could do. I collaged some Distress Oxide coloured pieces of paper on to the background. I added metallic gold and copper paint to some of the pieces, and also to create patterns behind them. I drew little designs too, including a Dangle Design from one.

I’m not all that happy with the ‘explore’ card. There are bits I like, and other bits where I think I messed up. I think if I’d left it with the gold patterning on the background and just some simple patterns on some of the collaged rectangles, maybe some gold paint on the smaller ones, then it would’ve worked out better.

I think I’m going to make a vellum envelope or pocket to store the ATC cards in. Vellum in translucent and so will provide a tantalising glimpse of the card(s) safely stored within.

The ‘explore’ card will be placed into the sketchbook, with notes and reflections about it. It’s one that will be a learning experience more than anything else.

Entangled Art – 1 May 2020

This morning, I finished this Entangled Art drawing.

The background was created using Distress Oxide inks and sprays of water on mixed media paper then scanned in.

The drawing was done digitally using Autodesk Sketchbook Pro.

A very intricate, detailed drawing in my signature ‘Entangled’ art style, that includes inspiration from nature, architecture, geometrical and repeating patterns, and overlaps a little with zentangle.

A new month!

While we may all be in lock-down, the days still pass us by and go into the past.

I sit here, at my desk and looking out of my window as I work. Sunshine, blue sky with some heavy grey clouds cover the world. Fluffy dandelion seeds are dancing around in the air, thanks to a fairly swift breeze. The trees that cover the valley sides are all cloaked in their spring green finery. It’s a fitting view for Beltane, May Day.

The world is now fully awakened from it’s winter sleep. The long, dark days of winter are now behind me and the days have been rapidly lengthening towards the longest days around the summer solstice in June.

In years past I’d be looking forward to days out, enjoying evening activities and meetings in daylight. I was looking forward this year to going out with my DSLR to take photos of flowers and plants, architecture, and anything else that grabbed my attention. That’s not to be. However, I will be looking forward to doing this in the future.

As much as I would like to be wandering around with my camera, I know it’s more important to be at home, to avoid contact with others, and to help slow down, if not halt, the spread of the Covid-19 virus.

The most difficult thing is not knowing when the current restrictions will safely be lifted. And when they are, the number of cases is likely to increase once again and we’ll return to lock-down.

I am so grateful that I am able to work at home, am happy to stay at home, for as long as it takes. The longer this goes on, the easier I find it to remain at home. I do worry that when the lock-down is released I may find I’m filled with fear and anxiety about leaving my home. I struggle with that anyway, but I do wonder what effect this will have on me.

Still, I can still think of things I’d like to do, places I’d like to visit, once it is safe to do so once again, even though that particular point in time is, as of yet, not in the calendar.

Sketchbook Page

Sketchbook Page © Angela Porter | Artwyrd.com

I’ve been awake since stupid o’clock, which roughly translates to 3:30am BST. While I was trying to get back to sleep I watched a youtube video about making pockets and tuck-ins for an altered book journal.

I thought that could be something good for my sketchbook-journal. I have worried a little about gluing my little artworks into it, but pockets, tuck-ins, see-through envelopes could be a good way to both show the work and store it in a non-permanent way.

So, with my mind now working and sleep eluding me, I decided to have a go at making my own pockets. You can see the result at the top right, with a journalling card popped in one of them for now.

How I made the pockets

I used some ordinary white card, cut it into what I thought would be good sizes to make a set of stacked pockets for the ATC sized cards I’ve been working on.

I then coloured the cards with Distress Oxide Inks. For one of them, I used a brayer to add ink to a gelli plate. Before pulling a print, I spritzed the gelli plate with water that had some white perfect pearls added to it.

For another panel, I used the brayer to add ink directly to the paper. It did that unevenly. So, I used a ball-tool to carve some texture into the black side of a piece of cut and try foam and used that to add colour. That worked really well! Dabbing the foam added a lovely textured layer of colour. A spritz of water activated the dusty, chalky, soft nature of the Distress Oxides.

I enjoyed the look I achieved with the distressed foam that I coloured the remaining pair of paper panels in the same way.

I then tore the top edge of each panel, for added interest, then used a piece of foam and Rich Mahogany Distress Ink to add grunginess to the edges of each panel.

I wanted to add some embellishments to each panel, so I used a copper sparkle Gelli pen to draw patterns on them.

Finally, I used Tombow Mono adhesive to stick the panels together.

When I put the panels on the page in my sketchbook-journal, I thought a panel behind them. So, I coloured a panel of the same card with Distress Oxide inks and the distressed piece of foam and used the same gelly roll pen to add some sparkly patterns. Then, I adhered the back panel and pockets to my sketchbook.

When I tested some ATC cards in the pockets, I realised I need to work out a way for some more ‘give’ in the pockets as they’re too tightly put together to slip more than one ATC card in them. Also, I placed them just low enough down the page so the ATC card doesn’t stick out of the sides of my sketchbook.

I’m not well known for my fore-planning projects like this, though I do try to learn as I go along.

Inchies and Twinchies

My mind was working in weird ways this morning. As I was making the pockets, my mind strayed to inchies and twinchies. I’ve not made any of these for a long, long time. I thought it could be fun to do so and add them to my sketchbook-journal.

I cut two 1″ wide, and one 2″ wide strips of card. I used the distressed foam to apply Distress Oxide inks to them, spritzing with water to add to the distressed look. Then, after drying with a heat tool, I cut them into squares – 1″ x 1″ inches and 2″ x 2″ twinchies.

I decided to use metallic watercolours from Cosmic Shimmer to add a sparkly, shimmery border to each tile. I used rich gold, pale gold or copper on each tile.

Then, I got to draw on the tiles. Teeny, tiny zentangle-style drawings. That was fun to do!

After adding some dots using a white Sakura Soufflé pen, I adhered the inchies into my sketchbook-journal. I’ve left the twinchies for decoration later.

Journaling cards

I realised that I could stored journalling cards in the pockets. All I needed to do was to colour the back of one of the ATC cards I coloured a few days ago. I also just realised that I could have added a layer of squared, dot grid or lined paper to write on too. That’s an idea for another time, maybe.

After drying the ink, I used a rollerball pen to add what notes I wanted to about this mornings creative sessions.

In fact, I’ve just created another journaling card to jot down ideas and notes to self as a result of reflecting on my pre-dawn arty activities!

Entangled WIP

Entangled WIP 27 April 2020 ©Angela Porter | Artwyrd.com

This morning started early and I played around with metallic paints along with Distress Oxide inks in my sketchbook / art journal. I have some interesting backgrounds as a result.

I also created a background for today’s artwork. I have tweaked the colours a little, digitally. I don’t know what WordPress does to the colours, but they look different in Autodesk Sketchbook Pro. I used Distress Oxide inks and have ended up with a rusted, weathered, kind of distressed/grungy texture.

Of course, I can always alter the background later on, if I wish.

I used the symmetry tool to reflect my drawing. You can see I’ve laid out the bare bones of the design and have started to fill the sections in with texture and pattern. I have a lot more work to do to complete the drawing. Then, I’ll think about shadow and highlight to help to bring the design to life some more. Or perhaps I’ll make it look like a stencilled design on the background, one that has some dimension to it.

Tranquility

Tranquility ©Angela Porter | Artwyrd.com

Not sure I’ve captured the sensation of tranquility all that well. All I can say is that I gained a sense of tranquility whilst drawing the mandala.

I’m tired today. Again, I woke way too early and couldn’t get back to sleep. So, I thought I’d try to do some art to soothe and relax me.

Background texture – Distress Oxide inks on Daler-Rowney mixed media paper.

Mandala – Digital art using Autodesk Sketchbook Pro and Microsoft’s Surface Studio and Surface Slim Pen.

Zentangle ‘toppers’ for cards

©Angela Porter | Artwyrd.com

I’ve been awake way too long already today. I just couldn’t settle to get back to sleep when I woke around 4am. I gave up trying just before 6am and thought I’d do some drawing to see if it would settle me.

The soothing style of choice at the moment is zentangle, so I made use of some of the coloured ’tiles’ I made yesterday, and these are the result. I’ve yet to decide whether I will actually turn them into cards, or whether I’ll just keep them as references for the future.

I thought plain black line looked a bit ‘flat’. That may be a consequence of me working digitally so much and the way I achieve dimensionality in my art.

So, in the top design, I used brush, water and some colour from Zig Clean Colour Real Brush Pens by Kuretake. I enjoyed adding shading with colour, though it was hard work with the fine brush I’d chosen, especially when I turned my attention to the one on the bottom left. So, I used a Tombow Blender pen with the colour for the third card on the bottom right. I’m much happier with the smoothness of the gradients here, compared to the other two.

What I’m not happy with is the way the pigment from the black lines seems to move, particularly when I used the brush. I’m not sure whether this is a result of me drawing on top of the distress ink coloured paper, or whether it’s to do with the friction of brush on the lines. I did get a little bit of movement of the pigment with the Tombow blender pen, but not so much it seems.

As I’m digging into my stash of media from past times, I remembered I had some Nuvo Drops from Tonic. So, instead of using a metallic gel pen to add some embellishments, I added some of these drops.

I’m not entirely sure they work. I think I’ll have to look at these cards again after I’ve had a good sleep and a break from them

I am glad I tried adding more saturated colour to the designs to give that illusion of dimension, even though I had to rediscover the joys of using a blender pen. I do find pens so much easier to work with than brushes, that’s for sure. That may be a knock on effect of me using pen ‘brushes’ so much in digital art.

I’m exhausted now, but I won’t go back to bed until my grocery deliveries have arrived.

Zentangle Greeting Card

©Angela Porter | Artwyrd.com

I needed to draw something that would be calming and also purposeful. So, as I’ve been enjoying drawing zentangle-style designs, I thought I’d create a greeting card.

How I made the card …

To start, I cut some Claire Fontaine mixed media paper into a 5″ x 5″ tile. Then, I used a mini foam blending tool to colour the paper with Tea Dye and Old Paper Distress Inks. A quick spritz with water to add some more texture followed by a blast with a hair drier, and the paper was ready to draw on.

I used the tangle pattern generator to give me some patterns to use. Today they were:
*Scena (bottom and middle top)
*Sedgling (the weird mushroomy things)
*Squill (the top left pattern)
*Well (the top right pattern)
*Arukas (the central pattern)

I also added some gold dots to the centre of the ‘flowers’ that make up the Well pattern, as well as to the central circle of Arukas.

Before adhering the design to a blank kraft paper card, I used a piece of foam to add some Black Soot Distress Ink around the edges of the card. Once adhered, I used the gold Gelly Roll pen to draw a line around the design.

It was then the envelope’s turn for attention.

I started with a lower border of Scena with some Sedgling growing from the top left and right. To finish the envelope, I added some gold dots.

Reflecting on the finished card

I actually quite like the design of this card. I started with Scena at the bottom and it ended up looking like hills and fields. So, it was a natural progression to add the Sedgling as mushrooms or trees growing on top of Scena.

The next two patterns were geometric ones, and it felt natural to join them with some more scena at the top. Scena also looks like clouds. Arukas was the final pattern to be generated, and it fit perfectly in the space left, filling it like a brightly shining sun.

I had no idea what I was going to create today, just let the random patterns lead me forward.

The only thing I need to do now is to find someone to send the card to! Mind you, I do have quite a few cards in my stash, so I need to find some ones to send them to!

Monday mood

©Angela Porter

Another day on lock-down, and I started the day by colouring a Strathmore Bristol Board tile with Distress Inks, then drawing. You can see the result above, sorry for the poor photo.

The random generated tangle pattern for today is ‘BB‘, and it’s the wavy set of blocks across the middle of the design. The rest of the design is made up from some of my favourite patterns and motifs, as well as a few dangle designs.

The overall design doesn’t feel as if it flows. That may be a reflection of my emotional state, which is a mixture of anxiety, fear, being overwhelmed and exhausted.

So, self-care is in order. So that’s doing things that won’t frustrate me, or that won’t having me feel that whatever I do is rubbish.

Sunday tangling

Sunday Tangling ©Angela Porter | Artwyrd.com

This morning, I was in the mood to do a bit of tangling/zentangling. I used a random tangle pattern generator to choose the main pattern for my design and it threw ‘Purk’ at me.

Yesterday, I spent some time creating some backgrounds digitally. So, I decided to use one of those and to tangle digitally too. This is the result.

It took me a lot longer to finish than if I’d drawn with pen on paper. Mainly because I spent time adding shading and highlights to the image. That let me play around with different kinds of layers and brush effects yet again. Bit by bit I’m learning how I can make them work for me.

I need a break from this for a while. But I can see how I need to add more shadow/depth to the background patterns.

So, Angela, how’re you doing today?

I’ve suddenly come over all tired. My sleep is all over the place. Despite me feeling content, there’s still a deep seated anxiety about the pandemic and how life is at the moment. That anxiety is draining me emotionally. I feel emotionally out of sorts today, even though I can still feel that contented touchstone inside me.

I’m surprised I settled to do some drawing this morning. Yesterday, I had trouble settling to anything to the point I was going to throw out my yarn stash. Whatever I’ve tried in terms of knitting or crochet has just frustrated the heck out of me rather than settled me down.

I found myself swearing at my phone yesterday as it pinged with alerts. I’ve now put my phone on silent. I will check in on messages etc in a short while, but they are going to be silenced until I am no longer getting so angry I’m swearing and shouting at the phone. I’ve never done that before and it’s a sign of how much on edge I am, even though I feel content.

Yesterday and today I’ve not known what to do with myself. I’ve not felt that way for a long while for such an extended period of time. There was a time when I’d be like this for days or months. I’ve not often felt this way in the past year or two as my healing from cPTSD has really kicked in.

Still, I will be kind to myself about this as these are unusual times; unfamiliar with increased fear, anxiety and uncertainty. The last day or two my usual coping strategies haven’t helped me to distance myself from the overwhelming pervasiveness of constant news and articles, posts and memes about the Covid-19 pandemic.

It’s not just a break from my phone I need; it’s a break from the news and views too. A retreat from the world and everything is needed. For a while at least.