
Angela Porter
Zentangle Inspired Drawing 29 July ’23 and why I’ve been missing…
A #DrawWithMe video tutorial featuring this design is available from 21:00 UK time today, 29 July 2023.
Missing from social media…
It’s been nearly two weeks since I last posted any art to social media. I managed to burn myself out with too much adulting, a people-y couple of hours, and pushing myself way too much to get all the sketches done for the Daydreams book. I just ended up exhausted, unable to focus, and couldn’t even muster the energy to draw for my own pleasure. That is a bad sign.
I’m having to learn and understand a lot about myself at this time in my life. Lots of things have changed – not the big things in life, but things of personal matters to me, including health, age and a couple of other things. This means I really need to make sure I start to set limits for myself as to how much I realistically can do. It seems that it may be better for me to do less, rather than push myself to my maximum limit which results in the start of burnout.
What does burnout look like for me? Intense fatigue, inability to focus, a loss of joy in things I usually enjoy, a desire not to communicate or leave my home, an upset digestive system, and frustration if I try to do anything slightly demanding.
I still remember how I was when I have my first huge burnout and all the health problems (physical, mental and emotional) that built up in the run-up to it. Back in February this year, I nearly ended up in such a state again. Just a few months isn’t quite enough to fully recover, however. It took me years to recover from the first two big burnouts, which happened within a year and a half of each other.
It’s taken me until now to recognise the connection between what’s happening to me, which is only being exacerbated by perimenopause.
This means that I’ve had two weeks without being able to make any social media posts. I’ve avoided social media, apart from reposting posts I’ve found interesting on the times I’ve checked in. I’m not the most sociable person, being an introvert, but am less sociable during times like this.
I’m exhausted not just from the pressure I’ve put on myself to get as much work done as possible. There’s also been the masking when I go out where people are so they don’t know how much I’m struggling inside. Keeping that appearance up is exhausting. I’m a bit like a swan – calm and serene above the surface, but underneath I’m going ninety-to-the-dozen to keep myself afloat and moving.
Yes, I know the expression is nineteen-to-the-dozen, but I really have felt like it’s ninety not nineteen.
The thing is, that’s how I’ve always been for as long as can remember. I didn’t have the words or way to describe how I felt or thought when I was a child or teen, or even an adult. In therapy, I had to learn what emotions were. I was astounded to discover that not everyone thinks or feels like I do.
Not having conversations about my constant anxiety bordering on fear, or my negative self-talk meant I thought this was all normal. If only I’d had those conversations as a child!
Still, I got there eventually…and am still learning about myself and how this impacts me, especially at this time. I have to know my own limits and do a lot more self-care of my energy and focus, mind and emotions, body and soul.
I’d like to think I’m making progress. However, when everything crashes in it can be hard to remember all of this. I get caught up in a maelstrom of fear and the old negative, destructive thoughts of that inner voice that is so damn judgemental.
The positive thing is I recognised that I was spiralling down back in February and sought out medical help. The hard thing is working out what my new limits are. I need to learn to stop before I start to crash and fatigue and low mood and other problems set in.
I think I may have overdone it today – I recorded, sorted out and am uploading a 2 hour how-to tutorial today. I enjoyed drawing and so on very much, but I feel so tired now. Perhaps all the social media was a bit too much! But I do want to do it and will take a break in a wee while for sure.
A collection of some of my recent ‘small art’

I’ve been doing smaller pieces of art lately, and here a just a small selection of them.
The top design is one I drew and started to add colour and highlight to in a YouTube #DrawWithMe video.
Small artworks are just the thing needed when I don’t have the energy or brain power to do anything larger. They do have, however, their own challenges!
What I had a flash of inspiration from somewhere, probably watching an arty crafty YouTube video. The inspiration was to use gloss Mod Podge to coat the artwork. The glossy surface really brings out the colour and cleans up the watercolour from the black lines. There is no, or very little, movement of colour when it’s applied, so long as it’s applied quickly with little fussing. I did apply a second coat as there were brush marks in the first one.
All are Zentangle and diaper patterns from Medieval Illuminated Manuscripts inspired, apart from one. The one with trees, birds and buntings was inspired by Danielle Donaldson in her book “Creative Girl”.
Two Stylised Flower Designs, Both WIP


Yesterday, 1 July, and today I had a lovely time drawing and adding colour to some stylised flowers. The designs aren’t complete.
I need to add a background texture and a delicate pattern to the one on the left. I’ll do that digitally. If I try to do it now, I’ll end up messing up as I used watercolour inks to add colour. I also recorded a YouTube video of the process (view it here).
A background pattern or texture is needed on the one to the right and textural patterns being added to the flowers. This time, I remembered to add some background colour using Distress Inks. Again, I used watercolour inks to add colour.
I am spitting feathers, though; as for the drawing on the right, I recorded a video and promptly managed to delete it … permanently. Duh! I feel such an eejit! So, I’ll remake the video soon, I’m sure.
A5 Sketchbook Page

Between some adulting today, I’ve drawn this design in my sketchbook. I’m quite pleased with it, unusually for me!
I like black and white drawings. I like texture and pattern, and I like to then add colour and/or contrast to my artwork. I’ve yet to decide what I’ll do with this, though digital colouring is likely to be my thing. Traditional drawing followed by digital colouring makes it tradigital art! Whoever coined that term is fab.
In the last few days, I have played around with using coloured inks to draw designs. I’m happy if I use one colour for the drawing, texture and pattern. If I start to use other colours, I become confused and not at all happy with the outcome. It never looks ‘right’ to me. Not for my own art, anyway. I do like how other people manage to use different colours for various parts of the lineart, pattern and texture.
Maybe this is because I’m so used to drawing with just one colour. I then use colour to bring out dimension in the finished artwork. I have drawn designs in a colour other than black, using just that colour; I’m quite happy with them.
So, onwards I go, continuing to learn more about my style as I go outside the area I’m comfortable in. I may return to the experiments with different ink colours another time, or not. Only time will tell, though.
Oysteroid and A Grid Pattern

I had a peaceful and content time this afternoon as I created this page in my sketchbook. Well, the pen drawing part with some examples of how I’ll colour it. And I filmed it too, and you can watch it on YouTube.
I started with the stack of Oysteroids, a tangle pattern that I particularly like. I decided that I’d like to use a geometric pattern as a counterpoint to the roundedly organic Oysteroid.
So, I did! I like the way that this instantly gives a feeling of layers or volume.
Colour always vexes me. So, I decided to stick with an analogous colour scheme, choosing Fern and Mustard Inktense pencils to create stripes on the Oysteroids. I carried this palette into the geometric pattern. That was fine until I foolishly decided to use some Red Oxide Inktense. I have no idea what I was thinking! However, it did give a very ‘earthy’ feel to the pattern, in contrast, perhaps, to the sea-related Oysteroid.
That led me to wanting to use colours that remind me of the sea on the right-hand side. I’ll hold judgement on those until more colour is added. If the red oxide doesn’t work out, I have a rather lovely gold ink that can hide it away! Or black with gold highlights…
I used my fine and extra fine nibbed TWISBI Eco fountain pens, which are filled with black Dokumentus ink.
As you can see, I couldn’t help adding some pattern and texture to one of the Oysteroids. I’m sure the others will be treated in a similar way!
Entangled Monograms – D and F
Over the past couple of weeks, I’ve been experimenting with monograms and my style of art. It’s fun trying out different things, and it leads to new insights into how I can express myself.
My self-expression is constantly changing and evolving. Sometimes I seem to make some breakthrough and go forwards with it for a while. But something happens, like a slip into poor mental and emotional health, and I retreat into my familiar styles. That doesn’t mean progress is not being made. When I look back, I can see how even my ‘comfort art’ has subtly, or not so subtly, changed as the breakthrough shares its influence subconsciously.
I keep returning to hand lettering, hoping to find out how I can make it work for me. Monograms really do seem to be the way forward.
I’m also thinking about my relationship with colour palettes. I really do struggle at times with the colours I put together, particularly when using traditional media. They seem like a good idea at the time…but…that isn’t always how I feel about them as I continue to add colour.
Contrast can be a thing I struggle with too. I really do think very simple colour palettes – monochromatic or analogous, are likely to be the way for me to go at the moment. They always seem to work nicely, monochromatic, especially as I can focus on contrast far more.
Digitally, I feel I do better, but again a limited palette is the best thing for me.
I know that, like my drawing/design skills, this will improve with time and practice. But I get so frustrated when I make the same silly mistakes over and over with colour choices.
Exploration of Zentangle Fragment A1
Link to the accompanying #DrawWithMe YouTube video tutorial.
This afternoon, I spent a lovely hour or so exploring variations of a simple pattern cell, or fragment in Zentangle terminology. I picked one of the most basic ones there is and just tried variations to see where it let me. In about 20 minutes, I’c come up with 12 variations.
I then chose one of the variations to turn into a grid pattern. I had a very pleasant surprise as the pattern started to build up and star shapes started to appear!
The Zentangle pattern Flux and a simple daisy motif complete the design. I did start this drawing off with the fluffy flux foliage!
The next thing to do is to add colour and/or shade with highlights. But not today. I actually feel I need to eat something. So, that’s what I’m going to do when I’ve finished all my social media posts.
A small Zentangle Inspired Tile; A WIP.

Accompanying #DrawWithMe YouTube video.
This was a lovely way to spend an hour or so this afternoon! The design isn’t quite finished. I have more colour to add, and textural patterns too. But this gives an idea of where I am going with it.
I started with a simple ‘fragment’ – a square with a diamond in it. From there, I built up the central panel of four motifs. I decided to use the same starting point for the outer borders, just a smaller and simpler version.
Colour was added using Kuretake Gansai Tambi Art Nouveau watercolours and Winsor and Newton gold calligraphy ink.
It will take me a wee while to finish. It depends on my energy levels and ability to focus on a task. I seem to be improving little by little – hurrah!
A peek inside my new sketchbook



Earlier this week, I started a new sketchbook. This is an A5-sized one from Royal Talens Art Creations range. The paper in it is ivory, sturdy and reasonably stiff. It’s smooth enough to be a pleasure to draw on with all kinds of pens, yet it has enough ‘tooth’ to work with coloured pencils. It will also take very light washes of water-based media. Distress Inks blend nicely on the paper, making less smoothly blended backgrounds easy.
Page 1 started the sketchbook off, and a dragon surprised me by peeking out of the entangled foliage and artefacts! That wasn’t a conscious decision; it just happened. This makes this dragon the guardian of this particular sketchbook!
The other pages are me trying out monograms, some more successfully than others. And that’s the whole point of a sketchbook; it’s a place to try things out, experiment, practice, and become familiar with new (or old) media and techniques. It becomes a storehouse of ideas, a record of my artistic journey.
I also allow myself to finish a drawing or leave it as it is. I can write notes and ideas, commentary and reflections on the pages themselves or if there’s not enough room on pieces of paper, that can be attached at an appropriate point. This way, it becomes more than just drawings. It really becomes that record of an artistic journey.
The A5 format means it’s easy to carry while away from home, along with a small pencil case with the bare essentials. I can record things I see that interest me.
There are elements of stylised art, abstract art, Zentangle-inspired art, Rebecca Blair-inspired patterns, botanical, architectural details, imaginative designs and intuitive work, to name a few!




