This mandala took an unexpected turn as I was adding colour. I was experimenting with brush settings in Autodesk Sketchbook Pro, particularly the ‘colour’ setting. This will change the colour of any area, but preserves the shadow/light values. I thought I’d see what happened when I used grey as the colour, and I liked the monochrome that resulted. So, I completed the mandala in a similar way.
So, quite a different kind of mandala from me, and very different from my usual bold use of colour.
It took me some time, but I got the video edited and uploaded to YouTube. I’ve left it in real-time with the hopes that people will find it relaxing to watch.
I do have some things to learn about editing still. Not so much the mechanics but the aesthetics and flow of the video. I’m trusting that as time goes on and I make more videos that I’ll get to understand this a bit more.
I also need to try to control how I move the image around as I draw, and also placement of it on the screen. I created this mandala digitally, using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio.
One advantage of recording the screen, is that my hands and pen don’t get in the way of seeing what I’m doing.
I have to say that Movavi is quite simple to use, yet has plenty of features that are quite powerful. Cutting the video, adding music, intro and outro screens, as well as fades are really easy. I can also add transitions, which will help when I can focus long enough to edit out the crazy whirling bits of the video!
As with everything in life, learning to create videos is a work in progress.
I am hoping to get one video done a week. Well, that’s my aim. Life really can get in the way at times.
I’ve been busy this morning, working out how to video record the screen of my computer as I draw digitally.
I found a YouTube video about using OBS Studio to do this. I followed the instructions, problem solved, and after three attempts I had a poor quality video that I wasn’t happy with.
So, I went to Movavi, a video editor I’ve used previously. It has an app that will record the screen, easily. It’s a one button click to launch. A simple, small, and minimalist control panel sits in the bottom right corner of the screen. I can record, pause, start again easily.
I recorded myself drawing the mandala above. The video is currently processing and being saved. I’ll then need to edit it. The still of the video I can see while this is happening is of a fab quality it seems. So fingers crossed the video will be too!
I didn’t think to look at Movavi before Googling for advice on recording the screen. I did have to buy the software, but it wasn’t extortionately expensive and I’m sure that it will meet my needs.
So, once the video is saved, I can spend sometime today editing it and I hope to upload it tomorrow, as long as the recording is of a good quality.
Yesterday, I had a day out with my friend Liz. We visited Hay On Wye for a walk around and lunch. It was one of those glorious winter days where the sun shines warmly and the air is crisp and cool. It was mild enough for me to walk around without a bulky coat.
This is a drawing I did late last night as I settled down to sleep. It feels quite disjointed in places, which was how my mind felt in it’s state of tiredness. Even though I was tired, I wasn’t ready to sleep.
I thought I’d work with it, adding a background and colour to it. I wonder if adding colour will resolve the disjointed areas as it breathes life into the design.
I’ve only taken a short time this morning to ad some colour. I do have to do other things today. The colour certainly helps to lift it from the background, as well as adding dimension to the design.
I’ve chosen fairly dusky, dusty, pastel colours which seem to glow against the darker background. The pinks remind me of faded Victorian velvets.
I drew the design traditionally, using a Tombow Fudenosuke pen and ClaireFontaine dot grid paper. The flexible nib of the fudenosuke pen results in lines of varying thicknesses, and a drawing that reminds me of linocuts or woodcuts.
After scanning the drawing, I removed the dot grids and cleaned up the drawing digitally before adding a background.
I felt this needed quote to go with it, and this one spoke to me today. For the typography, I used Affinity Publisher. The rest of the digital work is being done in Autodesk Sketchbook Pro, using a Surface Pen and Surface Studio from Microsoft.
My art is always ‘pretty’, it’s how I express myself artistically. Some of my inspiration for patterns and motifs comes from things that other smay not consider ‘pretty’, such as rust, run down old industrial machines, ruined buildings.
My art does, I think, speak of who I am. It shows what I’m interested in, what patterns, motifs, shapes, textures, colours, and so on that I find aesthetically pleasing. It also shows, to those who look and think a bit deeper, what things interest me, from prehistoric art to Romanesque architecture to La Tene and Celtic art to Illuminated Manuscripts to flora, foliage, fungi, and lichen to fossils and shells to nature in general, and more besides.
I work very intuitively. It’s when I think too hard about what I want to do that things go to wrack and ruin.
By letting my intuition flow, then drawings have a way of coming together in a way that expresses how I’m feeling and what is fascinating me or soothing me at that time.
This drawing is an example of how my feelings come out. It’s only now I can recognise how disjointed I was feeling within myself last night, how I was out of sorts. I think that’s why the art jars with me today as that feeling has now passed by, like clouds in the wind. It’s a drawing that shows the weather my emotions were experiencing yesterday, weather that just happened and has no real source for it.
This morning’s warm up art is this mandala featuring some flowers as well as some zentangle and geometric patterns.
I’m not entirely sure this works, but sometimes an idea just has to be tried out. The flowers are a bit ‘flat’. The zendala/mandala background may be a bit too busy or just not the right colour. I’m really not at all sure.
However, whether it’s worked out or not, it’s been a relaxing process. It’s always pleasant to create for the sake of creating, and also working digitally too.
I used Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio to create this design.
The days are slowly lengthening here in the Northern Hemisphere. The first signs of nature waking up can be seen in the form of snowdrops and crocuses. It can also be heard in the raucous and beautiful birdsong.
To the template. I drew this on Rhodia dot grid paper using a Sakura Pigma PN pen. For my partially coloured version, I added a coloured background and colour digitally.
I managed to miss #Inktober52 weeks 3 and 4 so I thought I’d combine them into a sketchbook page along with week 5.
The prompts were *week 3 – brick *week 4 – snake, and *week 5 – balloon.
I’ve not been imaginative with those prompts. I’ve included some sinuous snake borders and bricks. Some classic brick patterns. I’ve only added a smattering of balloons, and a repeating balloon pattern.
Of course, I’ve also practised my hand lettering.
I hand lettered and drew this page on ClaireFontaine dot grid paper and I used Uniball Unipin pens to do so.
I added the kraft paper background and colour digitally. It never ceases to amaze me that, as much as I love my line art, colour really brings it to life. I especially like the way the colours seem to glow against the kraft paper.
I’ve just had a giggle. I realised I coloured the balloon that is hanging down in leaden greys, almost like it’s filled with mercury. That was a totally unconscious decision of mine!