Link to the #DrawWithMe YouTube drawing tutorial.
Entangled Samplers Cover Page
I’ve finished adding all the main patterns on the cover page for my Entangled Samplers collection. I’m happy with the result, which is something I rarely say!
However, I needed a regular grid pattern to contrast with the more organic patterns and motifs. So, I added the gridded tangle to the top right.
At the bottom right is a variation of the Zentangle tangle pattern ‘Rixty’. The plain white paper behind it was crying out for some texture. So, I added some ‘Printemps’ spirals using a 0.1 light grey Unipin pen. As a subtle reminder to use colour and line thickness variations to bring interest into a drawing, this was a good idea.
I have a couple of things to decide before fully finishing the page. Firstly, how do I want to add shade/highlight/contrast to the drawing? Secondly, do I want to add a pattern to the wide border around the title text?
There’s no rush for me to decide. What’s the saying? ‘Act in haste, repent at leisure’? I can let these issues wander around my noggin until the perfect methods come forward.
Exploring ‘Lunaria’ by Ute Andresen and a wavy leafy pattern
I had some time and energy left to do some more drawing. So, I grabbed (gently) a fresh sheet of A5-ish paper and used some patterns from last Tuesday’s Tea and Tangle With Tracy.
The first one is based on waves with leaves. I like the very graphic, high-contrast leaves, for sure. Adding colour between them helps to make sense of the pattern as well.
The second one is my take on a tangle pattern by Ute Andresen called ‘Lunaria’. I like branching and organic patterns. In this drawing, I wanted to explore variations on the ‘fruits’ at the end of each branch. This is always a fun thing to do! No doubt I’ll do another branch of Lunaria explorations in the space beside this one at some point.