Yesterday, I was working in my lettering sketchbook and came up with some letters embellished with mushrooms. That led to me having the idea to show you, step by step, how I draw some of my favourite mushroom motifs!
I absolutely love mushrooms. They’re fun and funky and the whimsical, fanciful, stylised versions here are simple to draw, one little pen stroke at a time. Why not have a go? Take a look at today’s ‘Draw With Me’ video tutorial on YouTube.
There are never enough flowers in my life. I’ve really enjoyed drawing flowers (and seed pods) over the past couple of days. So, I thought I’d make use of one of the flower motifs from yesterday to create a border on a page edge in my sketchbook.
I like the graphic contrast of the black background and the flowers and foliage. It’s going to be a lovely page to make notes or record thoughts about whatever I’m drawing in my sketchbook at this time.
If you’d like to see how to draw this, and follow along with me, then please take a look at today’s video on YouTube.
Today is one of them days when I really needed some flowers in my life. So, I decided to create a bunch of them in my sketchbook!
I started with the one in the top left and just worked on variations as I went. I’m absolutely positive that I’ve not created all the possible variations, but these will do for now. Any number of them are starting points for more variations at another time.
There is a simple contentment in drawing simply. Focusing on the essential lines. Adding stylised and simple details, one by one. Using colour to add shadow and volume brings the line art to life.
I invite you to join me, drawing your own versions of these flowers by watching today’s YouTube video tutorial.
Click on this link to see today’s tutorial on YouTube.
I’ve had a lovely time this morning working in my sketchbook, creating variations of one of my favourite things to draw – seed pods. I just love them! And they often appear in my drawings.
So, I thought a video tutorial on YouTube would be a good idea, sharing my thoughts and showing you step by step how to draw these variations.
No doubt, some of these lovely pods will be finding their way into other artwork of mine this week for sure.
Today, I start to draw a bookmark using the tangle pattern “Siros” by Simone Menzler CZT. I’ve yet to decide what I do with the background, which is why I’ve stopped part way through.
It was lovely to spend some time drawing variations of Siros, as well as gaining confidence in the steps needed. The reverse ‘fengle’ version vexed me for a while, but I think I’ve now got it!
The large, open spaces in each Siros were perfect for adding pattern to.
Here’s today’s video on YouTube. Please click on the ‘Watch on YouTube’ button, if you’d be so kind.
In today’s video, I do a little pattern exploration of two lovely, organic tangles. Ginili is by Randi Wynne-Parry, and Gingo is by Lisa Chang CZT. The deconstruction of the tangle patterns can be found on TanglePatterns.com.
On the face of it, they may appear to be rather different tangles. However, there are some commonalities between them. This means it was quite natural to look at them together.
I particularly enjoyed using the brown 01 Micron pen for the textural lines in the patterns. It really helps to separate the different ‘petals’ or ‘leaves’ of Ginili from each other.
Gingo, based on the lovely Ginko leaves (my favourites of all!) also benefited from the use of the brown pen. It gave a light, airy feel to the pattern.
Also, I made use of a white gel pen to add dotty highlights. Sometimes, however, I used a finger to smudge the gel ink while it was still wet to give a softer, more natural highlight.
This was a lovely way to spend a little while in my sketchbook this morning. I hope you have a look at the video and try drawing these patterns and variations too.
I always enjoy exploring tangle patterns and motifs. I never quite know what I’m going to end up with. Today, I stumbled upon ‘Flurry’, a tangle pattern by Suzanne McNeill CZT. It reminds me of ‘Shattuck’, which is one of my favourite tangle patterns to use as a border or ribbon filler.
So, I took a look at variations of Shattuck that I often use before having a little exploration of Flurry.
You can see these explorations, which are the top row of drawings, in today’s video on YouTube. Just click on this link.
So, as the video was uploading and processing, Used the time to draw some tripoli-style gridded patterns.
The one to the centre-right was not a happy outcome. The one to the left is much happier! It reminds me of the view through the Millenium Falcon’s windows when jumping to hyperspace, just a bit, not exactly the same. That was a fun realisation.
I didn’t do as many variations of the patterns as usual. I like the triangular shapes of the basic fragments too much.
On another positive note, I finally figured out how I can draw the tripoli style arrangement of triangles! I don’t know how long I’ve struggled with it, but finally, the penny dropped today. Huzzah!
And the third day of trees. Why? Because I can! And there’s so many variations on the theme I can share. It can be difficult to work out which to do so.
For this series of videos, I have drawn lots, and lots of trees in my A4 sketchbook (two pages full, near enough). Some are successes, others not quite so. Indeed, there were a couple of “Oh, that didn’t go so well” trees in today’s video.
All of this, however, is sketchbook work. It’s OK to try things out. It’s just fine that things don’t always work out the way you thought they might. It’s quite okay that what may have seemed like a good idea in the head doesn’t translate too well onto paper.
In fact, it’s the ‘oops’ trees (and other drawings) that lead to artistic growth. They make me work out what’s not right, what I don’t like about them, and what I can learn from this. Sometimes I have another go at the idea, but better informed from the first version. Sometimes I realise it’s a lost cause…for now perhaps. Other times, it’s worked out, but it’s not just my thing. And that too, is perfectly OK.
Without trying things out we won’t know what we do and don’t like. It’s like cooking and tasting to see if the seasoning and spices are right or need adjusting. And just like cooking, sometimes things just don’t work, and occasionally can’t be saved!
The only difference is I’m not likely to make someone ill by drawing in a sketchbook!
Today’s video really brought home how important colours is in artwork. And shadows/highlights. But colour especially. Colour serves not only to bring life to the drawing, but to lift it from the background.
Yes, that can be done with various ways of adding shadow – cross hatching, line width, stippling, and so on. But there’s just something about colour, even simple colour, that just helps things along.
Indeed, simple colour seems to be my kind of style. At the moment. And looking at the upper picture, mixing coloured elements with monochrome is an interesting approach too. That may be a way I can move forward adding more colour to drawings, but only to parts that are focal points or where colour would really help with the composition. Otherwise, shading is the way to go.
And not just graphite pencil shading. I need to spend some time experimenting with other media – alcohol markers, grey watersoluble media, Pitt Artist pens, and so on.
Lots of things to think about and consider today. All insights I may have missed if I wasn’t making videos and having to talk about what was passing ephemerally and abstractly through my mind. Giving those passing thoughts words results in awareness, understanding, and, perhaps, learning.
Talking of videos, here’s todays!
After several hours digitally inking in colouring templates for “Adorable Dogs”, I needed to do some pen drawing, on paper. So set to drawing … more trees. Even a couple of gravity defying ones!
I had a lot of fun with these. Some of them, I realised, would make fab earrings. Shame I can’t make jewellery! Though I would love to design jewellery, for someone else to make!
Of course there’s a video showing how I drew these trees, and here it is!
Art is the Adventure 