The things that make me different…

It’s been a few weeks or so since I last posted on here, YouTube, and other social media. The reasons are simple yet complex.

Simple because I’ve been low in energy and oompf once again. I’m not entirely sure why, and that’s why it’s also complex.

Having some people-y times is one thing. A kind of low mood and sadness have been lingering, and along with it, the shadows of comfort eating have encroached on my being. My ability to focus is limited, too. I have a fairly firm inkling that there are a couple of other things rumbling under the surface of the blanket of antidepressant meds. Ultimately, I think it may be a combination of menopause and the lingering effects of the huge burnout last year. Recovery from such burnouts can take a lot longer than I think they will. When I push myself, such as people-y times, then all I do is cause a bit of a relapse.

Still, throughout these weeks, I have been creating art. Creepy, Cute stuff was a staple of my arty being for a number of weeks, and I thoroughly enjoyed creating it. It makes me smile, and sometimes, it almost feels like there’s a tale to tell about the images.

Over the past week or two, however, I’ve been delving into the worlds of Danielle Donaldson. I have owned her two books for a while, though I haven’t done much with them. They’re based on watercolour, and that is still a medium that vexes me greatly.

I love her style of art very much. It really appeals to my sense of whimsy. So, as watercolour is something I struggle with, I thought I’d approach some of her exercises to develop some skills and understanding. I have to say that the ones that involve colour mixing and creating squares of colour have been a lot of fun! Some success has been had with the exercises, especially in mixing colours I never would’ve tried mixing. I am fascinated with watercolour’s ‘magic’ qualities, whether in paint form or watercolour pencils.

When I try to add watercolour to drawings, it all tends to go to pot …

As far as drawing goes, I got it into my head to try to draw some of Danielle’s ‘Littles’ – people, that is!

Yes, I know. I’ve always said I don’t do people! However, there is something quite delightful about her style of drawing ‘littles’. Also, it was a little change from the creepy-cute critters and characters!

I have had a lot of fun drawing ‘littles’ inspired by Danielle Donaldson. Indeed, the ‘little’ above is one I drew today, and it kind of represents me! Is it coloured with watercolour? NO! I gave in and used marker pens; that is the way forward for now.

Another thing I explored from Danielle’s tutorials in her books was using a fine mechanical pencil to draw the designs instead of ink.

Pencil instead of pen just doesn’t feel right to me. I don’t know why. I have, however, used a finer pen to draw the designs than I usually would. In the example above, I used a 01 Unipin fineliner; usually, I use an 05!

The hand-lettering in the drawing above *rolls eyes*has let me down. However, the words have meaning to me. Recognising and accepting the differences in me and understanding their source has been an adventure over the past twenty months or so. It’s an adventure that will continue for the rest of my days, I’m sure.

Naturally, I will persevere with the ‘littles’, which are delightfully wonky, as are the whimsical critters and creepy cuties I love to draw. Learning to embrace that wonkiness is a work in progress; the perfectionist in me demands symmetry, not wonky! I can see how wonky adds to the whimsy, interest, and delight of the drawings.

Meet “The Scribblings”

Meet the Scribblings! My kind of quirky, creepy, cute fellows!

The Scribblings is my working name for the wide community of fellows that are appearing in this style of art. That title may change, though …it’s not set in stone yet!

This one I really liked this until I added the greyish blue crosshatching background. I used softer colours that are still vintage. But, I think the background colour has detracted from them – too dark, too textured, both? I don’t know.

I do know, however, that I could kick myself for not scanning the drawing in before starting to add colour!

I know I want to add some shadow around them. Maybe I’ll see if I can lighten or remove the background digitally at some point too.

What I do know is that I have a few more characters to add to my “bestiary” to work with in different ways.

Even though I’m not fond of the background at all, the characters still make me smile. The softer colours have also entranced me too.

Creepy Cute Artwork and Burnout…Again!

I’m delighted with this artwork/illustration. I love the colours, the silly, creepy, cute characters, and the whimsical nature of the design. There was a smile on my face, a giggle on my lips and joy in my heart as I gradually brought the characters to life. The joy also came from the sensuous pleasure of working entirely with traditional media.

I hope I’m gradually getting to grips with using crosshatching and textural patterns to add shadows to the designs. There’s a way to go before I work out all the intricacies and the way I like to do this, but I’m quite happy with it for now.

To add colour, I used Chameleon Color Tones and Color Tops alcohol markers, with a couple of Winsor and Newton Promarkers in places. The Chameleons worked really well for me. Also, I remembered to use tip-to-tip blending so I could fade the colours out with the Promarkers, too.

Today, I very much needed some time to work quietly in an artistic manner. I’ve burned myself out through too much ‘peopling’ in the past couple of weeks. I’d nearly recovered, but an encounter with scammers threw me into total emotional overwhelm yesterday and I now need a few days to recover. Well, at least I will after I phone my bank again tomorrow to start the fraud investigation.

I love to draw and create. My creepy cute critters are currently my favourite thing to do. They’ve followed on from the colouring book I finished at the beginning of this month – “Haunted”, which is due to be released towards the end of October 2024.

Actually, as I think about it, I was playing around with silly creepy creatures about a year and a half ago, but put them to one side for a while.

Of course, the artwork above was entirely for my own pleasure and exploration of how I’d like to create these critters. I already know that some, if not all of them, will be featured in their own artwork, perhaps with a story to tell or some lore about them. I wonder what kinds of things that will be. I don’t know for now, but I trust my imagination will come out in words too. That won’t be now, however. I’m now tired for today and need to prepare for bed, for me and my creepy weirdies to rest and sleep and to dream up some joyful tales. And names. They definitely need names!

Entangled Art Infinity Card – Parts 1 and 2

I’ve had some fun with this, and there’s more to come. And a bit of a story to tell first.

I was asked on my YouTube channel how I know which patterns go with each other. That’s not an easy question to answer; experience, experimenting, trusting instincts, and having some patterns or motifs that are your go-to ones.

Then, yesterday morning, as I was slowly coming around from sleep, I watched a video on YouTube at Jen’s Arty Inclinations on how to make a fast and simple infinity card for a junk journal.

Jen recommended going to Lynn at Playing with Paper and Glue to watch her video about making a slightly different infinity card. So I did that.

And as I watched and saw how easy it was to make the infinity card (yes, it really is!), I realised that this would be a lovely and different way to collect together my favourite go-to motifs and patterns. And that thought linked back to the comment on my YouTube channel.

So, I made an infinity card, mucked it up a bit, but learned from that. Then I made a HUGE one, which was ridiculously big! So, I made another one to the sizes Lynn gave, which you can see me doing in part 1. Then, I had to add the first panel on the left of the image above.

I went with variations of pokeroot, pokeleaf and pokepods! I’m not sure there’s a pattern called pokepods, but there is now. I cut a notch out of the card and created a little pocket for a drawing, note, colour palette, or something else to be hidden.

I drew with Copic Multiliner Sp pens (0.5 and 0.25, I think). Colour was added with yellow-grey and neutral-grey Ohuhu markers. A white gel pen was used to add dotty highlights and the pattern to the back.

In the video for part 2, I created the panel to the right. Daisies are always a flower I love to draw; I have many variations of them in my memory hoard. The flowy pattern and Diva Dance are two of my go-to patterns; they share some similarities in my head.

For this panel, I used a Uni Emott 0.4 ever fine pen to draw the design, then green-grey Ohuhu markers to add colour. Then, I used a white gellyroll pen to add the dotty highlights.

I wasn’t sure about the Tim Holtz scrapbook paper I used to make the infinity card, but as I added the panels, it mostly got covered up, just a hint of a background behind the drawings.

It may not be the best choice of paper to make the infinity card from, in terms of colour and pattern. However, as I’ve never done anything like this, it was a sacrifice I was willing to make!

Actually, I wasn’t sure about the entire project. I thought it may be a bit odd, whacky, and weird. But, now two panels are done, I’m looking forward to completing the infinity card.

I will be adding more pocketses, possibly even panels that open out to reveal more. There are, possibly, 32 panels to be done, though I’m not sure as I keep losing count! But it’s a longer-term project.

Having said that, the panels are small. Cute even. Perfect for when I have just a little time to draw.

Medieval Inspired Botanical Bookmark

I have no idea why, but tall, thin drawings (bookmarks) just appeal to me. Indeed, they always have.

I enjoyed drawing this one, and I’m fairly pleased with the chosen colours. There’s a soft, muted, vintage palette along with the flowers, seed pods, berries and leaves mainly inspired by Medieval Illuminated Manuscripts and the work of the Arts and Crafts Movement artists.

If you’d like to follow a #comedrawwithme video for this design, just click on this link!

Two Seed Pod Posies

This morning I finished the posy to the right, and I thought it would be interesting to post both versions together.

The version on the right was actually drawn before the one on the left; it was the inspiration for yesterday’s drawing tutorial video on YouTube. I decided to add colour to it yesterday evening, and I added the subtle background pattern this morning.

I like both and would find it hard to pick one as a favourite. There are pros and cons to each for sure.

What do you think? Which do you prefer?

Whimsical, stylised Seed Pods #ComeDrawWithMe #DrawWithMe

I love seed pods! They are often so architectural in nature. They lend themselves to whimsy and stylised drawings so well too.

I love giving them sturdy stems with tops that look like column capitals. The leaves on these are inspired by medieval illuminated manuscripts, something else I absolutely love!

For the panel behind them, I decided to keep the pattern fairly simple – Tripoli, a Zentangle tangle pattern.

If you’d like to draw your own seedpods, then take a look at the accompanying draw with me tutorial on YouTube.

Hollibaugh and Kwazeela – Days 24 and 25 of Inktober Tangles 2022

Click on this link to watch the accompanying video tutorial on YouTube

Today’s tangle pattern is “Hollibaugh” by Zentangle Inc. It forms the white ‘beams’ that overlap and form the gaps between them. Instead of adding patterns to the beams, which is what I would usually do, I decided to add patterns to the gaps. In some of these gaps, I added Kwazeela, a lovely leafy tangle pattern by Eni Oken CZT.

I drew all of this design in today’s video, but I added the colour and highlights while the video was uploading and processing. To add colour, I used Ohuhu markers and a white Gelly Roll pen to add the highlights.

It was a nice way to spend a couple or so hours while I recover from a bout of tiredness, headache and upset digestive system as side effects of my ‘flu jab on Saturday.

#DrawWithMe – Adding colour and contrast with alcohol markers

Please click on the “Watch on YouTube” button. Cheers!

I had a lovely time this morning adding colour to yesterday’s drawing.

To be precise, I chose to use Arteza’s EverBlend markers. I’m not at all sure about that green at the moment, but it may look quite different when I’ve finished colouring the drawing in.

In the video, I focus on explaining my method of adding colour and showing how I’ll add colour and contrast to each section of the design.

#DrawWithMe – Botanical Motifs

In today’s YouTube video, I started to draw the design on the right. While the video was uploading, I finished drawing it. Also, I drew some motifs on a separate piece of paper so I could practice using alcohol markers (Arteza EverBlend).

Colour combinations do vex me, continually. And they certainly do on this practice sheet! But it’s best I practice somewhere before adding colour to my completed drawing. But first I’ll scan that drawing in so if all else fails I can add colour digitally!

Either way, it’s been lovely to spend time drawing and adding colour just for the joy of it. It is far too warm to do anything else.