Template Thursyay! Adding colour to the template…

Yesterday, I shared a partly digitally coloured version of this week’s coloring template. Today, I’ve coloured some of the original template using Tombow Dual Brush markers with a waterbrush.

The template is now available in the Angela Porter’s Coloring Book Fans facebook group.

I filmed this process and turned it into a vlog. I speeded the footage up, as the original colouring took over an hour and a half.

I then spent another half hour or so experimenting with fineliners and white, metallic and glitter gel pens to add texture and pattern to the coloured areas. I didn’t film that though, but the results are in the photo above.

I set myself three intentions for this morning:
a) enjoy the process of working with the media
b) experiment with fineliners and pens to add pattern, highlight/shadow and texture
c) to not invest in the outcome or fret about colour choices

I think I achieved those intentions.

Sometimes, often even, just enjoying the process of creating, with no expectations or pressures of any particular outcome is so important. To be able to relax and enjoy the process, the colours, the way the media work is as valuable an experience as producing for a specific purpose.

It’s nice to be able to take the time to do this, without worrying about any particular project. Being able to put aside the “I should be doing x, y and z” and realising that just taking time to do something that makes me smile inside is as important as doing projects that fulfill a contract or business thingy.

Template Thursday… on a Wednesday?

Full Vlog | Time Lapse Video

This morning, I drew this week’s coloring template / coloring page. The template itself will be available in the Angela Porter’s Coloring Book Fans facebook group tomorrow.

I did film the process, and two videos are available on Youtube. Both show the process of drawing, not adding colour. One is a vlog of the process, with about half in time lapse. The other is the time lapse version.

It was lovely to spend time drawing in a style that is very familiar to me. It’s lovely as a bit of a break from the more challenging explorations into abstract art I’ve been doing.

And of course, while the videos were uploading and processing, I decided to start to add some colour to the template.

Abstract, entangled, zentangle inspired coloring pages are not just fun to draw but to colour. They’re non-representational so any colours at all can be used.

I got carried away with the process of adding colour. The videos have long been uploaded and published.

Biros and Inktense Sketchbook Abstract Art

I am so, so tired today. So tired that my head feels heavy and my thoughts are slow. All due to me waking around 5 am and not being able to get back to sleep. So I drew. In my sketchbook. With biros.

I thought I’d like to see how adding colour to these drawings changes them. If it’s an improvement or a mess up. Whether it’s best to put the biro down first, or the colour, or a little bit of the biro shading.

So, with that intention I set to making today’s vlog.

I’ve found that either way of adding colour works, though it seems the pen lines are a little darker over the Inktense. Colours bring the drawings to life. The uncoloured biro drawings (other than the colour from different biros) work really well and nicely, but that addition of colour.

I’ve said (typed?) it before; I’m enjoying this journey of exploration with abstract art, the humble biros in particular.

Pebbles and Seaweed Abstract Art WIP

This is the start of a watercolour and, probably, pen artwork based on fronds of seaweed and pebbles. If you’d like to see it from the start of adding watercolour to where it is at this moment, then I did record a vlog. It’s a chatty one, about the art and other stuff.

I used my biro sketch that I did yesterday as inspiration for this. I drew from memory and intuition, using red and black fine ballpoint pens on a 16cm x 16cm (6.25″ x 6.25″) piece of Canson Moulin du Roy paper.

Next, I applied watercolour, wet into wet. I realise I need to dig out my craft heat tool to dry the watercolour quickly when it’s spread in a way I like it. Well, at least try that out! I’ve not quite learned when is the right amount of wetness for this to work to the extent I’d like it to. Having said that, I did drop clean water to push some of the darker colours back in places, though not always successfully to my taste. However, as I plan to draw on top of the colour this may not be an issue.

For the seaweed I chose to use yellow ochre no.1, burnt sienna and light red. Indigo, Van Dyke green, indigo and peacock blue are the colours used for the pebbles.

I have no idea what I’m going to use for the central part of the fronds, yet. It’ll work itself out I’m sure.

I waited from the fronds to dry before doing any neighbouring fronds. I started doing this with the pebbles, but a happy accident reminded me of how much

Mandala

Today was a day to create a mandala! I just felt the urge to do so as I was playing around with traditional media and abstract art.

It is lovely to change the pace and media being used from time to time. I needed this today, I think. It’s been a while since I last created a mandala. I’m also still trying to understand the symmetry tools in Clip Studio Paint.

The limited colour palette I used is this month’s for the color palette challenge for the Angela Porter’s Coloring Book fans facebook group.

I had some fun playing with contrast to create the illusion of volume, depth, dimension.

It was a lovely way to spend a couple of hours this morning, and I created a speeded up / time lapse version you can view on my YouTube channel.

I did a voice-over chat to go with the video. I updated on various things going on, and talked about my struggles with imposter syndrome, lacking self-confidence and confidence in my art too.

Abstract Art WIP

Another day, another abstract WIP. This is an iteration of the first one from earlier this week. This time, I’m using analogous colours – Fuchsia, Thistle and Mauve Inktense pencils. I’m also using Canson Moulin du Roy 100% cotton paper, which allows the inktense pigments/dyes/inks to spread far more smoothly than other papers. The photo makes it look like the gradients aren’t all that smooth, but they are much better when seen with the eye. Though, I do have a little work to do with the purple mauve areas.

There is a vlog available for this work.

Today, I’m at a bit of a loss as to what to do with myself. I’ve done all the work I can on Whimsical cats for now. There’s just one template needed to make the total up to 31. I’m awaiting the review of the one I sent over recently. Then, I’ll need to work on colouring three templates, which are yet to be chosen.

I suspect I’ll spend some time today working on art. I’m lucky that it’s both something I love to do as well as my source of income too. Today, though, I get to spend as much time as I like on some personal projects, such as these abstract art experiments I’ve been doing.

Template Thursday

It’s Thursday, so time for another template for the Angela Porter’s Coloring Book Fans facebook group.

This week’s template is a template I created for the Whimsical Cats book that didn’t make the cut. So, what a better way to make use of it than to release it for the members of the group to colour.

I did the inking in of the sketch in Autodesk Sketchbook. The colour was added using Clip Studio Paint.

I do have a timelapse video of how I added colour to part of this sample. Unfortunately, I forgot to record sound so it’s just video with music.

I like working on a darker, or coloured, background. The colours seem to much more alive than on white. Also, it saves me some eye strain!

It’s always fun to see how the template comes to life with colour. I’m often really unsure about my templates. Are they too simple, too naive, too intricate, not intricate enough. Adding colour helps me to see that they’re good enough, and also that they are created in my own artistic style. Cute, whimsical, imaginary. Places to play with colour and not worry too much about realism, if you wish. A skeleton that can be fleshed with colour however you wish.

I like that. It ties in with my exploration of abstract art. That’s on hold until later today, maybe tomorrow. I first need to focus on getting the last couple of templates inked in, though I am awaiting the review of the final one submitted. I have three to do, plus that last one. So, it shouldn’t take me all day to do!

It’s always exciting coming to the end of a book. Though not quite the end. I will still have three templates to colour in. I let the editorial team choose them; I never can! Also, they have a more objective view about what images will best represent the book.

Each of those images will take me a couple of days to add colour to, each! Not a quick process at all.

So, It’s time for me to finish my social media posts for today, get some breakfast while my computer installs and update, and then settle to work.

More Abstract Art…

Vlog on YouTube

Please note that I am not sponsored, paid or have products gifted to me in return for a review or promotion. I mention the products I use in case you’re interested, and my opinions are my own.

Yesterday, I finished adding colour to the abstract artwork I’ve been working on for a couple of days. I’ve spent between 5 and 6 hours on it. The paper is approx 6″ square, so that gives you an idea of the size. I do have a thing for creating small artworks!

I’m not sure if I am finished with it, however. I have a yearning to add metallic dots and patterns, but not sure I should. I’ll let it be for a while. If I do decide to do this, then it will be no big problem if I don’t like the outcome. This is something experimental for me, to try things out and to learn from.

This morning, before I turn my attention to inking in some coloring templates, I decided to use this first painting to abstract a pattern from for a new artwork.

This time I’m using a 16cm x 8cm piece of Canson Moulin du Roy 100% hot pressed watercolour paper. And it is a joy to use in comparison to the Aquafine. I’m sure there’s nowt wrong with the Aquafine, it just doesn’t suit my way of working. Which is fine. We’re all different.

After drawing the design in pencil, I started to add watercolour. I’m using my Mijello Mission Gold Class set of colours along with a Caran d’Ache water brush.

I had some hiccups with the waterbrush and working with a different paper. All part of the experimenting, exploring and learning process!

I did a little test of the Inktense pencils and the watercolours on the back of the paper. The Inktense pencils worked so much better on this paper. That is a lesson for me for sure. Time to add Moulin du Roy paper to my shopping list!

Abstract Art WIP | Part 2

Time Lapse Video

I spent nearly an hour adding colour to the inner section of this artwork yesterday afternoon. This morning, I started work on adding colour around them. Again, I spent nearly an hour doing this.

I’m trying to play with where the lighter and darker areas of colour in the sections. I want dark next to light. It’s a kind of play with highlights and shadows, though I’m not quite sure how well it is, or isn’t, working.

Once I’ve completed this, I need to decide what to do with the tiny gaps between the various motifs. I’m tempted to fill them with black and then some metallic over it, gold or copper maybe.

Then, I need to decide if I leave the rest of the colour as it is, or whether I add more to intensify areas that are a bit insipid and to increase the contrast in colour saturation.

Finally, do I use a very fine brush to add metallic patterns/highlights to areas of these motifs, connecting them to the tiny pools of metallic between them. That’s if I use the metallic colours of course.

I think I may try this out first on the experiment I started with and see how I like it, or not.

The rest of the day…

For now, though, I need to get along with another sketch for the Whimsical Cat books. I realised I can’t count! I thought I’d done the requisite 31, but I’ve only done 30. So, if I can get one done and off, I’ll have it approved (or not) soonest.

I did get all the approved sketches inked in yesterday. So I’m now just waiting for approval/feedback on the sketches I submitted for review last Friday.