Fifty-something, quirky, arty wordsmith (wyrdsmith). I live in South Wales, UK.
Illustrator for Color Me Calm and Color Me Happy, released Nov 2014, and many more since then.
Freelance artist, digital artist. Available for commissions.
Good news – the headache has gone! Yay! The sun is shining, I have uplifting music playing, and I’ve spent some of the morning practicing watercolour skills and working out how to subtly draw/paint on top with white.
The little tiles at the bottom have designs painted on them with white gouache. There’s a lot more variability in line width with these.
The book marks have had the designs drawn using a white Soufflé pen by Sakura. The ink goes on clear but dries a matt and opaque white.
I used som Molin du Roy watercolour paper from Canson for these. The tiles are approx 2″ x 2″, the book marks are approx 2″ x 7″.
I may mount the tiles on greeting card blanks. The bookmarks need a hole punching in the top and then some string/ribbon threaded through.
I did try out the Sakura Quickie Glue pen and embossing powder yesterday, but really wasn’t happy with it. I also tried using a variety of Sakura pens to draw the outlines before watercolouring – black Glaze, metallic siver Gelly Roll and silver Stardust. They were waterproof, but just didn’t give me the borders for the patterns that I wanted. The black was very bold and gave a rather stained-glass feel to the tile. But, white turns out to be my favourite.
It’s been nice to spend quite a few hours working with watercolours and trying out ideas without any pressure to create anything that is finished. Sometimes making art for the fun of making art is enough and much needed to soothe some rather battered emotions.
Another day, another migraine type headache. Nothing helped yesterday, not even painkillers. I woke up with the same headache, though some painkillers did ease it somewhat, eventually. Enough that I could go out for a short walk around my local cemetery.
I needed to create in order to create a mindful space within me. So, I thought a collection of square tiles may be a nice thing to do. A way to practice with watercolours and to do a bit of pattern making on them.
I used a square template to mark the squares out, not very evenly it has to be said. Faint pencil lines that would, hopefully, become part of the watercolour.
I used Daler-Rowney Aquafine Smooth watercolour paper. That shows how little I was thinking clearly. I really don’t like working on this paper at all. The watercolours dried too quickly, and when they were just wet enough to drop more wet colour into them, they just didn’t flow and mix as I like them to.
I tried using watercolour pencils, with similar frustrating results. So much for this being a meditative, mindful, relaxing exercise!
Oddly, they all look fairly OK in the photo.
Once they’d dried, I used a mixture of metallic silver, silver glitter and white gel pens to add patterns to each tile. I could’ve used white gouache and/or pearlescent watercolours or pearlescent acrylic inks with a fine brush. However, by this point I was so frustrated with brush and wet media that I just wanted to draw. So I did.
It may not be a wonderful, finished, polished piece of art – it was never meant to be. It was practice.
What I may do, on a larger scale, is to heat emboss a design in white and then add watercolours. I can do this using a Sakura glue pen or a versamark embossing pen with embossing powders. Maybe not today, but another day. And I need to use a different paper to the Aquafine to avoid frustration.
Just a little something I wanted to try out – using hand-drawn typography to create illustrations. I chose a mushroom, for no other reason than I like mushrooms.
It’s more about practising the hand-drawn typography or hand lettering than anything else.
What I realised, when I completed the black and white version, is that I could’ve varied the weight of the letters to produce highlights. That’s for another day, I think.
I also had to try adding colour, and in that way adding highlight and shadow.
I like both versions, but I think I like the coloured one a bit more.
I mentioned I’m following the Sarah King Domestika course – Hand-Drawn Typographic Portraits. I have started work on my first portrait, but it’s going to take me a while to do. In the meantime, little projects, like the mushroom, will give me plenty of practice as well as a chance to work out my process and way of working, as well as how I’d like to use it so it adds a note of harmony to my artistic song.
I started with a pencil sketch of the mushroom. Then, I added the words in rough with pencil. I scanned the sketch into Autodesk Sketchbook Pro. I then used my Microsoft Surface Slim Pen, to hand-draw the typography. Even though I’m using digital media. Autodesk Sketchbook Pro is a lot like working on paper, but it streamlines the process and allows me to skip a lot of the tedious steps. It also lets me take a black and white drawing and add colour quite easily.
I’ve done this while I’m waiting for a migraine-type headache to subside enough that I can return to bed and sleep the dregs of it away. I’m nearly at that point now as I’m beginning to feel tired and sleepy. So, I’ll get the rest of the social media postings done, and then crawl back into bed to sleep.
I started with the hand-drawn typography. I’ve just started another Domestika course — Hand-Drawn Typographic Portrait by Sarah King. The first exercise is to letter words boxes divided by wavy lines. Then, creating letters in different weights. And of course, practice is something that needs to be done.
There was just something about her approach to this that grabbed me, and so, I now have many boxes with words and quotes in.
The first lesson shows how to use Photoshop to edit your lettering outlines and fill them with black. I found the process rather clunky and long-winded. Perhaps that’s because I’m used to working in Autodesk Sketchbook Pro with a pen on a screen as if they were pen and paper, that I could do this in my own way.
So that’s what I did. I used one of my pencilled samples to create the typography for the centre panel.
Then, it was adding the background. I just went with the flow on that one. I made use of the symmetry tools in Sketchbook Pro, and just had fun with a limited colour palette and my favourite kinds of shapes.
The course is about portraits. However, I have zero interest in drawing people. However, the techniques shared will spark ideas for how I can use them.
I’ve long been trying to incorporate words, quotes into my artwork and struggling to find my own style. I’m not sure if this will help, but I’m really quite happy with this particular artwork.
It’s #TemplateThursday when I create and post a colouring template to the Angela Porter’s Coloring Book Fans facebook group. The template is free to members, though there are a few terms and conditions associated with it’s use. It’s also free to join the group!
This week, I decided to draw some cute and whimsical bugs, each having their very own portrait. Lots of small, individual pictures that a perfect for quick, mindful colouring.
I know I often get overwhelmed by a huge artwork I’m working on and that is most likely to happen when I’m experiencing a lot of anxiety, and I seem to have waves of anxiety the like I haven’t seen for a long time, most related to the pandemic.
When I need to take time out, to do art that will soothe me, calm me, let me relax and find that mindful, content space within myself, I turn to creating small artworks.
I drew this template with a Faber-Castell Pitt Artist pen on ClaireFontaine dot grid paper. Colouring has been done digitally in Autodesk Sketchbook Pro.
7″ x 2″, St Cuthbert’s Mill Bockingford watercolour paper, White Nights watercolours and a Faber-Castell Pitt Artist pen.
Abstract patterns, bright, almost 1960s psychedelic colours and a small project that doesn’t overwhelm me are what I need today. I’m feeling under the weather, and bright cheery colours and a simple project are what I needed to do.
Yesterday, I spent some time adding colour to paper to add to my custom sketchbook. This is one of the papers that I created, with an abstract drawing on it, that is finished enough for the sketchbook.
The artwork measures approx 4″ x 6½”. I used a piece of ClaireFontaine Paint-on mixed media paper which I coloured with Distress Oxide Inks followed by some sprays and splatters of water to create a distressed look. The colours used were Seedless Preserves and Fossilised Amber.
I first drew the basic outline of the design with a M Pitt Artist pen from Faber-Castell. To add colour to the design, I used Distress Inks in Seedless Preserves, Fossilised Amber and Ripe Persimmon like watercolours.
Then, I started to add patterns, lines and stippling to the design to bring out the patterns and add depth, interest and dimension.
I think it’s worked out fairly well. I may well go back to yesterday’s ‘Blessings’ artwork and add colour and more patterns to it at a later date.
I went out!
My blog post is a little later as I decided to go out for a walk this morning. This was a big deal for me. Especially after the effects of the high anxiety/stress I experienced last week.
I went to my local cemetery, Glyntaff Crematorium. It’s fairly large, with lots of paths and roads sectioning the cemetery up. I wandered around the older section, which is full of fascinating funereal sculpture. I had my DSLR camera with me, and managed to take over 100 photos this morning, not just of gravestones, but textures too.
It was so nice to be out in fresh air, moving my body around more than I have done for nearly four months. I had nice music on earphones so that any loud sounds wouldn’t startle me. There was work going on around the crematorium as well as grounds work.
It was also nice to drive my car again. It’s been a week, and I really miss the freedom of just being able to take a drive. It’s important that we still stay home as much as possible and to limit our time where there are people. I think my choice to visit the cemetery was a good one. Very few people, alive or dead, haunt cemeteries!
I think I fall into the group of people known as tapophiles – people who are interested in cemeteries, gravestones and funerals. It’s not a morbid interest, just an interest about the changing styles of funerals, funerary sculpture , practices and how they change over time with society and culture.
I discovered the fascination with gravestones when I walked to and from school through this cemetery. It took me longer to get home than it did to get to school. On the way home I had the time to linger and explore and indulge my curiosity. I remember being too scared to look in the chapels there, but enjoyed popping into the columbarium, which has recently been renovated and reopened.
I think I’ll be looking for other cemeteries fairly local to me to visit in the weeks ahead, ones that offer me a good walk as well as interesting graves to look at.
Wibbly-wobbly sculptural columns and arches surrounded by layers and layers of abstract bubbles, ripples and swirls of thoughts, wishes, blessings. Well, that’s what came to my mind as I added the architectural details.
No highlights, no sparkle, limited pattern and texture. Just flowing line work, for the most part. I’ve even left some ‘white space’ in the design, which is becoming less unusual for me.
Rounded arches with patterns reminiscent of Romanesque architecture. The columns are, however, more delicate, which is more reminiscent of the move towards Gothic architecture. Both forms or architecture have long been a source of artistic inspiration for me.
Soothing, relaxing and meditative to draw. Circles and spirals, arches and patterns are always comforting and endlessly fascinating to me.
Drawn using Faber-Castell Pitt artist pens on paper coloured by PaperArtsy Fresco paints. The drawing is approx. 2½” x 6¾”.
I used a variety of PaperArtsy Fresco paints to colour a 5¾” x 3⅜” piece of ClaireFontaine Paint-On mixed media paper. I chose, for me, an unusual mixture of colours. It’s ended up looking like old, distressed and grungy painted walls.
Next, I drew the abstract design with Faber-Castell Pitt Artist pens. I did the basic outlines, leaving my decision whether or not to add details for later on.
Then, I tried adding some colour to the background with Inktense Pencils and a damp brush. As this is a sketchbook page, I tried different colours out to see which ones would work well with the background. The finish on the Inktense-d areas was rather chalky and dull, though a subtle colour was achieved on the acrylic paint background. I’m not sure if I like it or not.
I find it difficult to resist a bit of shimmer and shine on my art, so I used a Uniball Signo gold glitter gel pen to fill in some of the circles in the design.
Finally, I added some more complex patterns to some areas in the design. I could’ve filled in more areas, but I’ve decided that this is enough.
This wasn’t the only piece of paper I coloured with the Fresco paints. As they’re for the sketchbook, I coloured each piece on both sides. So, I now have quite a few prepared pages in my custom sketchbook to draw on as time goes by.
I think I’ve finally settled down after the trip out on Tuesday. I seem to be more settled, for sure. Meditation, self-care, self-soothing and enough rest has worked it’s magic once again. Sunshine today is helping as well, along with the refreshing breeze that is gently flowing in through the windows.
The simple things in life are often the ones that bring most peace to me – art, meditation, quiet times, sunshine.