This week’s colouring page for the Facebook group “Angela Porter’s Coloring Book Fans” is a Hallowe’en themed mandala. It combines two of my favourite things – mandalas and Hallowe’en!
This design has a whimsical feel, but that is one of my default settings! And adding colour to it makes me feel much happier about the design.
Slowpoke, by Cris Letourneau CZT, looks complicated, but it’s actually quite simple to draw, one step at a time! The fun comes in adding embellishments, which I did with a gold Uniball Signo gel pen. The central coloured panel with Slowpoke on is the only part that I did during today’s video on YouTube.
I coloured the paper with various Distress Inks before I started to draw. In person, the colours aren’t so garish, honest!
Around the panel with Slowpoke on, I’ve added a border of stylised flowers and leaves, all in a very Arts and Crafts Movement style. I need to fill out a couple of areas a little more, but I quite like the simplicity of the coloured panel with the black and white and rather dense border around it.
Today, I took a look at two quite delightful #zentangle tangle patterns – Dinovel by Susan Yeo CZT and Lollywimple by Sally Hunter CZT.
The fabulously floral Dinovel lends itself so easily to variations, only a few of which I drew.
Lollywimple is an interesting and lovely pattern that I haven’t used before, as far as I know. It reminds me of a knobbly branch, and so I kind of used it that way.
I really did need a calm, quiet start to my day. Indeed, I still need a calm quiet day.
I had a lovely time drawing many variations of Slidehat by Karin Frank earlier today.
Although not all the ‘hats’ worked out well, they were still fun to explore as possibilities. As this is a sketchbook page, the permission to experiment, explore, and try things out is implicit. A sketchbook is a place to do all these things and more. You can finish a piece of art or not. You can show people or not.
A safe place to be artful, that’s how I think of my sketchbooks more and more. I put too much pressure on myself to always finish a drawing, to have it polished and “imperfectly perfect”. If I don’t finish something, I can beat myself up. But I’m learning that in a sketchbook, I can do all I need to learn, grow, and develop. And sometimes that includes knowing when enough has been done!
It may take me a long while to be able to set aside my perfectionism to fully embrace this, but like everything in life, it is a work in progress!
I’m having one of those days, it seems. You know, the kind of day when you’re careless in deleting files, thinking that the video that’s processing is today’s. The reality is different. I managed to delete today’s video, and reprocess yesterday’s video as today’s!
I’m not going to repeat what I called myself when I discovered that… but at least I discovered what I’d done before I uploaded it to YouTube!
I added ‘Finery‘ to the top right of my Inktober Tangles ‘sampler’ today, using its sections as a ‘reticulum’ to contain other patterns. To fill one part of Finery, I used Isea-u from day 3. I also used Well and B’tweed for two other sections. The last one is one that is a bit of a nod to one of the sections of ‘Souk‘, the tangle pattern for day 4.
I used Finery as a kind of reticulum (grid or net for a repeating pattern of fragments) as I, yet again, struggled with this tangle. I don’t know what it is about it, but I always mess it up somehow! However, if I hadn’t messed up this time, I may not have got the idea to fill the spaces with other tangles! So, it worked out fine(-ery) in the end!
It’s a shame I managed to send the file into the netherworlds of the recycling bin, never to be recovered or seen again. I realised my mistakes (yes, there were more than one!), but persevered saying that I had to trust I could recover from it(them). I think I did. As Adam Savage would say, I managed to ‘hide the crimes’!
Suma (to the bottom and left of the drawing) is a lovely, lovely pattern, deconstructed by Lin Chiu CZT. It very much reminds me of Medieval manuscripts and architectural sculpture. So, it was a given that I’d love it, just like Tomàs Padrós’ “Snack” in Day 8 of the Inktober Tangles 2022 challenge.
Although Lin Chiu has given many possible variations, just as Tomàs did for Snack, I kept it simple, repeating the basic form around the bottom and left of the Heartfully ‘rug’. It also had to have that architectural, sculptured, carved ‘feel’ to it. Not sure I’ve quite managed it, but it’ll do!
My design is looking a bit higgledy-piggledy at the moment; I’m just going to trust the process and see how it works out at the end of Inktober.
Snack is a lovely pattern and Tomàs Padrós CZT has created a great step out for it, which includes lots of suggestions and variations.
I have to say, it is a motif I’m familiar with, probably early Celtic art or architecture. It was great fun for me to draw, and in keeping with my rather higgldy-piggldy arrangement I chose to use it in that way. As a nod to the architectural origins of this pattern, to me anyway, I’ve worked with shadow and highlight to practically ‘scuplt each ‘snack’ element. I particularly like the ‘half snack’ versions; again, they are familiar to me but not connected to Zentangle, and there’s nowt wrong with that at all!
FluxEcho, a lovely floral tangle pattern by Lynn Mead CZT, was a delight to draw this morning. you can see my variations of the pattern to the centre-left.
I had decided to stick to a monochrome colour scheme for my Inktober Tangles, but today I decided to go a bit analogous! I’ve added some purple and blue to the design. Analogous colours are next to each other on the colour wheel – so green, blue and purple work well together. Even more so as the background is a grey-green colour.
Something had to be done about the hand-lettered panel. I’d added some colour with Inktense pencils and a water brush, but I wasn’t happy with the finish. So, I filled the panel with black ink and added the hand lettering using a white gel pen. I’m happier with this.
Thursday is the day I create a colouring page for Angela Porter’s Coloring Book Fans Facebook group. This week, I tapped into my need to create a calming, peace-inducing, relaxing mandala. I’ve been looking a lot at the work of William Morris, and this is rather influenced by that but in my own way.
I chose a rather vintage colour palette; the muted tones suit my mood today. It never ceases to amaze me how the addition of colour, even done fairly simply as is my wont, and as very much the style of William Morris.
I’ve added the next three tangles in the #InktoberTangles2022 challenge to my drawing. I’m fairly happy with how it’s looking, but not too chuffed with my photography/scanning skills! I seem to be able to do a fairly good job when it comes to steam locomotives, but when it’s my artwork… *rolls eyes*. But I’m sure you get the idea!
Here’s the list of tangles added in today’s video:
Day 4 – Souk by Steph Kiefhaber CZT
Day 5 – Molygon by Zentangle Inc
Day 6 – Heartfully by Helen Willams CZT
These are all lovely tangles. Souk caused me some problems and with them an unexpected variation. Molygon I’ve not been able to draw successfully before. Heartfully is a lovely tangle, but not as easy to draw as it seems!
I’ve added a lot of white highlights with either a Sakura Soufflé pen or an 05 Gelly Roll. I like the way the white seems to glow against the grey-green colour of the paper I’m working on (it’s not the pale green it appears in the scan above!). Also, I’m so glad I’m sticking to a colour palette of greens with a blue-green aquamarine.
I wish I hadn’t added colour to the title label, however. For some reason it’s really patchy. I’ll work out how to improve it, eventually.
I’m going to add background shadows/highlights when the whole page is complete. But I have added a background pattern to a couple of areas at the top of the design.
Art is the Adventure 