Thinking of you – dangle design card and envelope

Thinking of you © Angela Porter | Artwyrd.com

Dangle designs

Today, I have a dangle design card along with a coordinating envelope for you. I’ve kept the construction of the card simple with just one layer on the card blank. The dangle design and hand lettering are also quite simple as well as whimsical in character.

If you’d like to find out more about drawing dangle designs, then
A Dangle A Day is my book about dangle designs with plenty of inspiration and suggestions.

Materials and dimensions of the card and envelope

The yellow card blank is 5½” x 4″ in size with a top fold. So, I started with a piece of card measuring 11″ x 4″.

I also cut a piece of Winsor and Newton Bristol board to 5″ x 3½” for the top panel.

Next, I used some thick printer paper to make an envelope. I used the We R Memory Keepers Envelope Punch Board. The size of paper needed and the position of the first score line are printed on the board. This tool from WRMK makes it so easy to create custom envelopes.

To make an envelope to fit a 5½” x 4″ card I needed to cut a piece of paper measuring 7⅞” x 7⅞”. I used 120gsm white printer paper for the envelope.

Pencil guide-lines

Before I started, I used a ruler and pencil to draw in some faint guide-lines for the banner ribbon and the hand lettering on the top layer. I also pencilled in the hand lettering.

On the envelope, I added some guide-lines on the left and bottom to give me a border.

Hand-lettering and drawing the design

I started by hand-lettering the sentiment, then I drew the ribbon banner around it.

My next task was to draw the dangle comprising of beads and hearts.

Finally, for the top layer, I drew in the arrangement of plants and added some shells and butterflies.

I didn’t use a pencil to sketch the design before I drew it in ink simply because I’m confident in drawing these kinds of designs. However, it is a good idea to do so if you’re less than confident. I started with the central flower pot and let the design grow out from there.

I then took my attention to the envelope. I started by drawing in the ledge on the bottom. Next, I added the plants, flowers, shells and butterflies. I then drew a black border around the envelope, just inside the edge. This line gave me something to hang the dangle from; I added a dangle similar to the one on the card.

Adding colour

With all the drawing complete, it was time to add some colour.

I’d received my Chameleon fineliners yesterday, so I thought I’d try them out as there are lots of small areas in this design. I love my Chameleon markers, but using them to add colour to tiny spaces can be a little tricksy.

I did try the Chameleon fineliners out yesterday for drawing lines and hand lettering. I found that they give a very long gradient, even with the shortest of touches of the cap to the pen. I thought this might work well in colouring the flowers in. I achieved a pleasing change of colour of the petals on each bloom from just one blending process. This blending also worked well for the butterflies.

What I did notice is that the fineliners moved some of the black pigment from the Uniball Unipin pens that I used to draw the design with. That was a bit disappointing. It may be that in the future I will need to draw, scan and then laser print the design out. That’s a bit of a faff, but it’s doable.

I’ve never been a fan of fineliners for colouring; I find they leave lines and tend to pill the paper. This is just a personal gripe about all fineliners.

The Chameleon fineliners are pleasant and comfortable to write with – comparable to other fineliners. So, unless I want to add colour using lines and cross-hatching, writing is going to be my primary use for these pens.

To colour the pots, banner, leaves, cacti, shells and ledge, I used some of my Copic Ciao markers. I chose to use these as the brush nib lets me colour tiny areas. Also, I wanted to use pastel-ish colours to tone in with the colouring from the Chameleon fineliners.

I did add some very simple Copic shading to the design.

The Chameleon fineliners had spread the black dots I’d added to the flower centres. So, I broke out a gold Uniball Signo pen to colour in the centres of all the flowers. I also used it to add a sprinkling of little dots around the design.

Reflections

I enjoyed creating this card and envelope. It was a quick, simple project. I also do enjoy drawing whimsical designs.

I like the sunshiny yellow card blank; it makes me smile, especially as it is currenty a grey and rainy day here in the valleys of Welsh Wales.

I think the card may benefit from the use of a bit of Wink of Stella to add some shimmer and shine to the wings of the butterflies and maybe the hearts.

I could’ve ink blended a background to the design using Distress Inks. I also could’ve added a drop shadow around the design to give it some dimension. Today, I chose not to do these things to keep the card relatively simple.

I also only added one layer to the card. I could’ve cut a piece of contrasting colour to go beneath the top layer to give a bit more of a layer. Alternatively, I could’ve used amarker to colour the edge of the layer to give a border, or ink blended some distress ink around the edge. Again, I chose not to do so; I wanted to keep the card simple and easy to do.

I think the result is cute and whimsical. I now have to find someone to send it to! I think that I’ll use some Distress Micro Glaze to protect the artwork on the envelope before posting it though.

Hand writing matters!

In a blog post called “Handwriting matters!” by Marie Celine she discusses why she thinks handwriting still matters in this age of digital communication.

I agree that handwriting does matter. Handwriting is as unique and individual as the person creating it. It’s also a much more personal way to communicate with others. It takes longer to handwrite a letter, note or memo and then deliver it either to the person or the post office.

It’s always nice to receive chatty, friendly emails from friends, and of course this is a quick and instant communication. However, there’s something to be said about the slower nature of communication by traditional post and that personal touch that handwriting gives.

I make these cards but rarely send them to another person, let alone include a handwritten note or letter. The cards sit around my home and never get shared with another person.

I think that needs to change, don’t you?

Not sure how to go about it, but if anyone who reads this would like to receive one of my cards and maybe a letter then leave a comment or contact me via social media or email.

I actually do love to hand-write; I always have and I’ve always taken a lot of pride in my handwriting. I remember making a huge effort to change it when I realised it was looking like my mother’s writing.

My preferred way of learning was to write and re-write my notes, condensing them into just a few lines of ‘memory joggers’. If my notes in lessons or lectures were messy, I would make it my task to tidy them up as soon as I could, which was also a way for me to review, consolidate and learn.

I have the facilities to hand-write digitally. I could keep a journal by writing on the screen. However, such activities frustrate me as I can’t turn the writing area to the angle I like to write at!

Also, as much as I love working digitally in so many artistic pursuits, there’s nothing quite like the feel of pen on paper, and I do love pens! I have a bit of an obsession with stationery, even though much of my work is digital these days.

Handwriting and therapy

Nowadays most of my handwriting is in my journals. It’s not as neat as I’d like it to be. I make mistakes. I like to hand-write my journals as the process of putting pen to paper slows my mind down. It gives me a chance to reflect and review what’s been going on in my life and also with my emotions.

Of course, reflecting on my thoughts and emotions, catching them in action is important to me as I continue with my journey to recovery from CPTSD. It also helps me to record events, emotions and thoughts that need to be discussed in EMDR therapy.

Handwriting vs Hand Lettering

Handwriting is that almost unconscious way we write things down – thoughts, notes, memos, to-do lists etc, as well as our signatures.

Hand lettering is a much more deliberate activity. It is like drawing the shapes of letters, not writing the whole word in one go. It’s consciously deciding what the shape, size and embellishments of a letter should be.

I enjoy hand lettering and I do tend to use the shapes of letters that I use in my handwriting. But that’s where the similarities end for me.

Do you still hand-write? How do you make use of handwriting? Do you think it’s still an important skill?

Leave a comment, I’d be really interested to hear what you think?

Some More Reef Illustrations

More Reef Illustrations ©Angela Porter - Artwyrd.com
More Reef Illustrations ©Angela Porter – Artwyrd.com

Reef Illustrations

Yesterday, I had an interesting day. I did manage to get these two illustrations done in between listening to a friend in need and taking care of a very upset tummy along with quite painful cramps.

I used 5″ x 7″ pieces of Winsor and Newton Bristol board along with some Uniball Unipin pens to draw the designs. This time, I didn’t add any grey shading. I will scan then print if I decide to colour them with traditional media.

The drawings turned out well, I think. I chose the size of paper for a reason, which I’m not about to divulge! It’s just an idea rattling around my noggin.

It’s Monday, so that means it’s EMDR therapy day.

I know on a Monday that my day can be broken up with a 3 hour or so trip to Neath and back for EMDR.

Today, I’m feeling more like I did last Monday before I received some post that threw me a curveball. I am tired as rather painful tummy cramps woke me from time to time through the night. I’m still getting them now, but a couple of Anadin Extra has taken the edge off them. I must leave early enough to pick up some more painkillers on my way to therapy.

I’ve had some flashbacks this week to events I thought I’d put to bed via EMDR. It seems that these events have several facets to them. Each of these facets relates to a negative belief I hold about myself, so each will need to be processed separately.

I’ve been trying to keep a record of the insights I gain from these flashbacks, and also any other negative beliefs that crop up from them. However, they often happen when I don’t have my BuJo to hand, and by the time I do, they’ve evaporated from my mind.

Hmm. Not really evaporated, the flashbacks have just been automatically shut away in their box once again.

I’ve learned not to try to second-guess what is going to happen in therapy each week. Whatever I have thought may happen rarely if ever happens. So I try to go with an open mind unless something has cropped up in the week that needs discussing.

A colourful, small reef illustration

Reef Illustration ©Angela Porter | Artwyrd.com
Reef Illustration ©Angela Porter | Artwyrd.com

A little reef illustration.

Yesterday, I got round to colouring my little reef drawing. And it is a little drawing – the paper is just 4″ square (10cm square).

To colour it, I used my Chameleon pens – both the Color Tones and Color Tops. I finished the illustration off with some small dots from a white Uniball Signo gel pen.

What I didn’t expect was that the pigment from the Uniball Unipin pens bled somewhat. I don’t remember that happening before. Mind you, I usually scan and print my black and white line art and colour the print. I didn’t do that today — something to remember for future reference. This is why some of the colours look a little dirty.

All the same, it’s a colourful, happy little illustration. I also like the thickness of the main lines with the variation in line thickness in the details. Diversity in line weight is something I need to remember when I draw digitally. Looking at my latest colouring templates, I think I may have used a line that was too fine. Again, this is something that I need to consider in the future.

It’s always lovely to do artwork like this, using traditional media and working in a familiar, comfortable style. It gives me a chance to reflect on what I’m doing elsewhere and to adapt and change what I’m doing to improve it.

Creating this artwork has given me ideas for some projects in the future. More on that when they come to fruition.

So, Angela, how are you doing today?

I’m doing OK. I’m feeling a lot brighter as the aftermath of Monday’s bombshell fades.

I’m aware I really don’t get out of the house and move my body around much. I either get engrossed in art and the day slips past me quite quickly. Or, my anxiety rears up and try as I might to overcome it, I just can’t seem to make it out of the house.

After a conversation with a friend the night before, I remembered that I like to walk around cemeteries and that my local cemetery might be the perfect place to go for a stroll.

And I did. Go for a stroll.

My love affair with cemeteries started when I used to walk to and from school when I was 11 and 12 years old. Walking to school was always a bit of a dash. However, I could take my time on the walk home to wander and explore the cemetery.

Even on the gloomiest, darkest winter afternoons, I never got freaked out by the cemetery. The dead have never scared me. The living, however, are an entirely different matter. The living people around me were the source of my traumas and CPTSD. The dead could do nothing to me that was any worse than the living.

I found the variation in headstone styles fascinating. I found I could chart the change in fashions over time. I also found reading them fascinating as some of them could tell me about the deceased and their families. It was history related to real people and brought them back to life. It wasn’t the dusty, dry, uninteresting facts in the history lessons I had to endure in school.

And so began my love of wandering around cemeteries.

I find them soothing, calm places to be. They’re quiet, not many people visit them. And there’s plenty of wildlife in them if you’re quiet and take the time to look.

Perfect places for me to walk and explore. Even on the days when anxiety stops me going to more people-y places like towns or parks, a cemetery can offer me that quiet space I need to take a walk.

If you’d like to see some photos and read some words about my walk and the cemetery, then please visit my other blog, Curious Stops and Tea Shops.

A little reef tangle

A little reef tangle ©Angela Porter | Artwyrd.com
A little reef tangle ©Angela Porter | Artwyrd.com

I’ve had a quietly arty morning today. I’ve been adding to my visual zibladone (journal, reference book).

Then, I had the urge to create a little tangled, entangled drawing. So I did.

I cut up some Winsor and Newton Bristol Board into 4″ squares (approx. 10cm squares) and used some Uniball Unipin pens to do the drawing and shading.

I’m quite happy with the result. I may add some colour, perhaps with my Chameleon pens and pencils; I may need the sharp point of a pencil to get into some of the small spaces to add some shadow.

I do need to get out for a walk today. I’ve been letting myself stay in the safety of my home. Mind you, and I think that’s what I’ve needed this week as part of my self-care.

However, I now am feeling a lot less anxious than at the start of the week. So, it’s time to venture forth for more than just a quick trip out for vittles.

Maybe. I do need to have breakfast first. Oh, I’ve just seen the time. I need lunch first!

Drawing Practice, and other stuff.

Drawing Practice ©Angela Porter | Artwyrd.com

Drawing Practice.

The other day, I was drawing a design for the book I’m working on. I wasn’t at all happy with the way I was drawing. I’ve been working so much digitally that I feel out of practice with pen on paper.

I may end up re-drawing my illustrations for the book digitally, but I want the option of doing that.

So, yesterday evening, as some self-soothing, and this morning, I’ve been drawing in my ‘visual zibladone’, my A5 dotgrid where I keep all the patterns and motifs, well maybe not all but most, that I like to use. It’s a little book that I can flip through to find inspiration if I need it.

Adding designs, even if they’re duplicates, is a nice way to practice my drawing skills with pen or pencil.

When I work digitally, my pen strokes are much bigger, longer and involve me using my whole arm and wrist a lot more than when I use pen on paper.

I’m perhaps a lot bolder with my lines as I work digitally than I am when working on paper. I’m still precise with my lines, but the way my muscles work when I’m working digitally is different.

I hadn’t realised this until today.

Don’t get me wrong, I love drawing both ways, with traditional tools or digital tools.

However, I’d not really noticed the way that I move my fingers, wrist and arm when I work is different with each media. How curious!

So, I need to make time every day to draw with pen on paper to keep those skills just ticketty boo.

Just a little warning.
The words that follow may contain material for some that may be upsetting or triggering.
Please feel free to skip it.

So, Angela, how are you today?

I’m ok. Tired. EMDR yesterday was very emotional and exhausting.

I arrived at the session after having some snail mail which had me doubting my abilities as an artist/illustrator/author and it triggered that inner critic inside.

I felt warmth drain from my body. I started calling myself a failure, useless, delusional of my abilities and talent, that I really am worthless and useless, and that I’ve let people down. I even questioned my abilities as an artist, if I was deluding myself and others, living in a fantasy world rather than reality. Part of me just wanted to give it all up.

Another part of me told me that I wasn’t being silly, what I was hearing was not myself but the inner critic who had attacked me at the point of vulnerability and tried to stick its claws in once again and continue the job of so many people in my childhood and beyond of keeping me down and thinking the worst of myself.

This all tracks back to the earliest days I can remember in my life, and most of the days beyond. Nothing I did was ever good enough, and if I did good at something there was always someone who was either better or potentially was better. Always the slap-down. Every time I thought I’d done something good and tried to show it, I was always told I was wrong and everyone else was right and better.

By the time I got to therapy I was in a bit of a state. I do have to say nowhere as near as bad as I would’ve been even a few months ago, let alone a year or more ago. But still in a bit of an emotional state. Tearful. Worried. But not with the level of anxiety I’d usually feel, which surprised me, even though thoughts were running around my head like crazy.

Some of the thoughts were fairly rational, sensible, logical. That also surprised me.

Jung would call this an prime example of synchronicity – there’s no such thing as something being just a coincidence. Last week we started working on the negative belief I have that I’m a failure and useless and a disappointment. What a bit of synchronicity is that, eh?

We talked about what had triggered me and how I don’t need to go into or stay in full panic/flight/freeze mode, and about the confusion I felt that I should be really anxious and panicked, but I wasn’t. But we did use those negative thoughts for EMDR.

Lots of tears and physical pain and discomfort with the session yesterday. The negative beliefs I had changed into one of being deeply disappointed in myself and of having let others down.

At the end, I left feeling more upbeat than I arrived, even though I was absolutely bushwhacked emotionally.

I eventually got home, after a stop to get supplies to make some cucumber sandwiches. For some reason I really fancied them. I was hungry as I hadn’t eaten since breakfast early that morning.

I was tired, but knew that I couldn’t nap as it would wreck my sleep pattern, which was likely to be wrecked anyway.

And it was. I had a broken night’s sleep. I kept waking up and started fretting a little about yesterday’s mail. In the end, I gave up trying to go back to sleep and got up, breakfasted and determined I’d do some drawing.

I seem to be OK at the moment. My mind isn’t dwelling on the mail. I still feel a bit nervy though. That will pass.

Even though it was a challenging day yesterday, I think it’s shown me how far I’ve come. Not that long ago this would’ve absolutely floored me. Now, I seem to have a little resilience, and I reached out to people for some more information and explanation and advice too.

The rest of my day is going to be spent in self-soothing activities, which do include art!

Hello July!

July 2019 Colouring Template for members of the Angela Porter Illustrator's Coloring Book Fans facebook group ©Angela Porter 2019 | Artwyrd.com
July 2019 Colouring Template for members of the Angela Porter Illustrator’s Coloring Book Fans facebook group ©Angela Porter 2019 | Artwyrd.com

Can you believe it? Half of 2019 has passed to history. Time has flown by.

With the start of July I also have an exclusive coloring template available free to members of the Angela Porter’s Coloring Book Fans facebook group.

This is my way of saying thank you to those who follow my work, particularly the colouring books I have created.

If you’d like to download and colour, you need to be a member of the group and agree to follow the T’s & C’s.

I’m looking forward to seeing what members of the group will do with this one! I love to see the different colour schemes and media that they use to bring the drawing to life with the magic of colour.

To create this template, I started with a sketch on square gridded paper. It was a very basic sketch with just outline shapes, lines and so on. I then scanned it into the Surface Studio and completed this drawing using my Surface Pen along with Autodesk Sketchbook Pro.

I had to include some of my favourite design elements – butterflies, stars, flowers, fungi, seed pods, arches and geometric patterns.

It was fun to draw, even the sketch was as I love to use a Koh-i-Noor Magic pencil to do the sketching with, one that has quite different colours in the lead so that I get a fair rainbow of colours.

I’m warming to sketching things out before drawing them in ink (either traditional ink/pens or digital) to give me a skeleton I can put flesh on in terms of details and patterns.

So Angela Porter, how are you feeling today?

I’m feeling contented. My stomach/digestive system is back to normal. All just in time for today’s EMDR session this afternoon.

That’s all I have to say about that today. I’m sure I’ll have more tomorrow post EMDR.

Golden memories – a dangle design

Golden memories dangle design ©Angela Porter 2019 Artwyrd.com
Golden memories dangle design ©Angela Porter 2019 Artwyrd.com

As it’s Friday it’s time for a dangle design, and here it is. All in monochrome, well nearly. I added some subtle colour to the photograph.

If you’d like some ideas and step by step instructions on drawing your own dangle designs then my book “A Dangle A Day” is a good place to start. Just saying like.

I decided to use one of the images from the ‘Photobooth’ collection in the Idea-ology range by Tim Holtz. I thought that around it it would be nice to create an entangled frame, and to add a simple dangle design to this frame.

With the vintage nature of the photo I thought that the hand lettered sentiment of ‘golden memories’ would be a good one to add.

In keeping with the vintage design I thought a monochrome colour scheme would be appropriate. Mind you, a color palette of subtle vintage colours would work quite nicely too. It would be nice if I’d changed the colours from greys and blacks to sepia tones.

I drew the design and did the hand lettering with Unipin pens on Winsor and Newton Bristol board. I then cleaned up the scanned image, and added the subtle colours to the photo, using Autodesk Sketchbook Pro, Microsoft Surface Pen and Microsoft Surface Studio. I also added some subtle grey shadows to the design.

This would look absolutely charming framed, a lovely way to display cherished photo-booth images. I drew this image on a sheet of A4 paper (approx. letter size).

However, this would work on a smaller scale for a scrapbook, journal or even a BuJo. It would also make a lovely greeting card or note card for someone too.

It’s also an idea that can easily be altered for a more masculine tone, perfect for father’s day or a male birthday.