Over the past three or four days, I’ve been quietly working at Sketchtember. I’ve veered away from the list of herbs to enjoy drawing, and colouring, all kinds of seed pods – real and more imaginative.
Working with alcohol markers – Chameleon and Arteza – is the only way to get to grips with them. Marker paper does make it a little easier to blend. But not much more than the drawings on the SeaWhite all media paper that I’ve been using.
Adding highlights, lowlights, and embellishments with various Sakura and Uniball gel pens is a lovely thing to do. I have, possibly, gone a bit over the top on the poppy seed heads! Still, it’s all experiencing and learning from it.
I have quite a few more seed pod drawings done to add colour to, though not enough to see me through to the end of Sketchtember. So, I may change my theme for daily sketches when I start to come to the end of them.
This morning has been an arty filled one. I woke around 5am and have been artsy-busy since then, apart from when having breakfast!
I spent time in bed drawing this design and listening to podcasts. An 0.5 Copic Multiliner on a sheet of Canson XL marker paper were used.
Next, it was time for some breakfast. Then, fuelled up, I did some pen sketches of bay leaves for Sketchtember Day 7. You can see this page in today’s vlog.
Yesterday, I had a delivery of Arteza Ever Blend Architectural Tones marker set. I bought these markers with my own money. I’m not paid, gifted anything nor sponsored by any product/company I mention. Just dropping that in here!
Anyways, I started by doing a swatch of the colours before starting to make today’s vlog.
This set appealed to me because of the more earthy, muted, vintage-y colours in the set. They were affordable, and so I bought the set, thinking that it could be useful for pens to add to an out and about sketching kit.
I had hummed and hahhed about getting the set for a while. After all I have a set of Chameleon color tones (and the color tops). And a set of Copic Ciao markers. Did I really need any more markers?
Well, the Chameleons are my favourites, but they don’t have many earthy colours. It seemed to me that these would fill in the gaps in my Chameleons.
I’m no expert on marker pens, nor in assessing their quality and so on. But they seem to work well on marker paper. They blend well, either on the paper or in the ‘tip to tip’ method.
I have no idea how long they’ll last in terms of ink. Unlike the Chameleons and Copics, they aren’t presently refillable, even though replacement nibs can be bought. Maybe that is something that Arteza is thinking about in the future.
The other thing that I’d like is a brush nib instead of the chisel nib. A brush nib that is more like the ones on Copics than the Chameleon so that I can get into teeny-tiny spaces in my artwork. The fine/bullet nib is OK for this, but won’t work on the tiniest spaces in my art.
Other than that, they do what they’re supposed to do! Color, blend well, and have a nice range of colours, apart from R13 Red which is glaringly bright against the other pens in the set. Personally, I would’ve liked another muted orange, or perhaps a soft greyish mauve or lavender.
Another bit of nit-picky-ness; a colourless blend would’ve been nice in the set. I find them useful, especially if I want to fade a colour out to practically colourless. That is something that is really easy to do with the Chameleons. No doubt I’ll try this out with a tip-to-tip experiment with either a Copic or Chameleon colourless blender to see how things go.
Oh, the pens have a triangular barrel, which means they don’t roll around the desk. My small hands do find it a bit chunky and a bit awkward to hold. That’s only because I’m used to slimmer barrels on pens/pencils/brushes/digital pens that I do most of my work with.
So, overall I’m really pleased with the pens for the price I paid. I’m sure I’ll use them an awful lot, as much as the Chameleons and Copics no doubt, especially as I’ve rediscovered markers and how much I enjoy adding colour to them.
Continuing with DeadlyDots’ prompt list for Sketchtember. Thyme was day 4’s prompt, and Basil is today’s. I’ve got the title for tomorrow done (Bay leaf).
Plenty of pen drawing and some coloring with Chameleon color tones markers. A little bit of messing around with patterns on the thyme page.
It’s an enjoyable process, though today I think I’ll take a little break from it and turn my attention to projects that need some work done on them, and maybe new drawings to be done.
I’ve had fun creating art this week. Here’s some highlights.
The rediscovery of how much I love my Chameleon markers was a wonderful thing. I love the way I get a smooth gradient of solid colour from them. Such a stark contrast to my bumbling, chaotic attempts with other media.
Taking up the Sketchtember challenge was a good idea to dust off some of my neglected drawing/sketching skills and ways of adding interest to a sketchbook. It’s also made me try to think differently to how I would when creating entangled art.
Hand lettering, and some typographic art today, has made a reappearance in my work. That’s a good thing; it’s something I would like to do more of.
Adding a rectangle of colour behind a drawing and adding handwriting to create texture is something I’ve not done before, but I like the results.
Thyme is the herb for today, day 4 of Sketchtember and my offering is in the photo at the top of the page.
There’s been some real lowlights too. Colour choices, mediums and doing things that seemed like a good idea when I started them! There’s a lot more about this in today’s vlog on youtube.
Even with the facepalm moments, it’s been lovely to spend time just drawing with no expectation of a finished project, polished work, or even perfection.
It’s hard work trying to convince myself that it’s ok to make mistakes, to mess up things as long as I learn from them.
Here are my sketchbook pages for days 2 and three of Sketchtember. I’m using DecayingDots’ list of herbs and spices for this one.
I’m enjoying working in a different way to my usual entangled art. And, I’m making some awful mistakes/art in these pages. However, these are learning moments, not least of which it’s ok to do things that are grim, mainly my use of colour. But, if I didn’t try things out and learn from the mistakes I’d not progress at all.
What I think it shows me is that pen drawing, with just shading or monochrome colour is my strength, colour my weakness. As if I don’t keep saying that, yet I keep going back to using colour.
Today’s vlog focuses on Day 3 – Saffron. Tomorrow’s vlog will be a look at all the art I’ve worked on in the past week.
I’ve decided that it would be quite nice to take part in a monthly art challenge, perhaps as a warm up to Inktober next month. Maybe.
So, I looked around at the challenges I could find, and settled on one from @DecayingDots on Instagram and Twitter. Their list of prompts is all herbs/plants. That, unlike others, inspired me to take up the challenge.
It’s been a long time since I used a sketchbook truly as a sketchbook. It may take me awhile to get back into such things. I do have some lovely, pre-coloured pages to make use of as a start.
Not only will I practice my kind of sketching – which is usually with a pen – I can practice hand lettering and handwriting. My idea is not only to sketch the day’s plant/leaves, but to add notes and information. Those notes may be about the plant, or about the colours I’m using, or even recipes/uses for the particular herb.
As it’s a sketch challenge, there’s also no pressure to complete every drawing, or even to do perfect drawings. It’s all about observational drawing for me.
Now, as i don’t have green thumbs (I can kill any self-respecting plant in a matter of hours, well days maybe) and I’m not feeling able to visit shops or gardens at this time ( social anxiety is a heckofa thing), photographic references will have to do. But that’s ok.
So, here’s my page for day 1, which is all to do with sage. In today’s vlog I talk about this page, the media I’ve used, and I add some drawings to day 2’s page – Rosemary.
I’ve got some work still to do on both pages I think … but that’s the fun of a sketchbook. It’s not meant to be finished at one go, pages can be revisited and added to as needed!
This drawing was finished a couple of days ago. I like the graphic nature of black and white, so am not at all sure if I want to add colour to this. I think this is a case of scanning the drawing in and adding colour digitally before deciding. My fingers, however, would like to make use of the Ecoline watercolour inks.
Time will tell what I decide to do. After all, there is no rush.
I have an introvert ‘hangover’ today. This has absolutely nothing to do with alcohol, just a bit too much socialising on Zoom yesterday! The headache will lift soon. The tiredness will gradually go, especially after some more sleep. It was lovely to spend time with like-minded people, particularly Brett from the Angela Porter’s Coloring Book Fans facebook group.
So, doing some entangled, intuitive pen drawing was just the thing to start the day off. Gentle, familiar, enjoyable, calming and peaceful.
I have no idea what this drawing is going to turn into. Time will tell.
I have created a time-lapse vlog of this drawing. Not only do you get to see how this WIP drawing was done, I also show some of the other work I’ve been doing in my sketchbook as well.
This drawing is a work in progress. I started it yesterday and filmed it’s continuation this morning, and I’m enjoying the process very much.
It’s another blessedly cool day here. The skies are, again, grey. I find the coolness and freshness of the air invigorating.
I did get out for a walk yesterday and I thoroughly enjoyed it. It was a delight to listen to the sussuration of leaves in the strong breeze. The remaining dampness brought out colours that seemed so bright against the grey skies. The wind caused tree trunks and branches to creak and groan. It was an absolute pleasure to be moving my recently indolent body surrounded by all these wonders.
Smiles, both on my lips and in my heart and soul, accompanied this feeling of awe and wonder. With my first steps from my car, I felt my whole body exhaling and relaxing, continuing the process started with the breaking of the heatwave.
Even now, as I write about my walk, I find those smiles returning and a sense of relaxation returning.
Caution in walking was my focus, however. I wasn’t sure if my foot had recovered from my last tumble. I was aware that on certain paths I needed to watch where I was putting my feet. But soon, I was on more even paths and roads and could look around, and even take a few photos of interesting textures, patterns and colour combinations.
Haunting the local cemetery again was a pleasure. You’d think I’d be bored with the place after all the times I’ve walked there in the past year. I’m not. Each walk is different. The presence of place is determined by the weather, time of day, season, my mood, my wellness, and the route I choose to take around the necropolis.
Pleasure may seem a strange word to describe visiting a cemetery. Yet that is how I feel each time I visit. It’s a peaceful place, full of interest both from artistic and social commentary/history points of view. Each time there, I notice new and different things. It’s also one of the few places I feel safe when alone. There are no crowds of people. It’s quiet and calm, meditative and reflective, and familiar.
I’m eager to go for a walk again today. It will be later this afternoon, as long as the rain holds off.
It is deliciously cool today. I woke up with strong winds blowing refreshing, cold air across my head and body. Loud thunder with the odd flash of lightning added a twist of excitement. The heavy rain showers have washed the dust from the world around me too.
I love sunshine, not the heat though. And for the heatwave to break is such a lovely, invigorating experience for me. I can cope with the grey skies and rain for a while.
To be able to spend time drawing in my usual studio space, with a fresh breeze blowing in through the open windows was so, so beautiful this morning. I know my heart and soul let out sighs of relief and contentment.
In celebration of a return to this comfortable creative space, I decided to draw with pens, a Tombow Fudenosuke (hard) pen in particular.
This drawing is by no means complete. Once it’s completed, I’ll scan it in and then think about adding colour. I may very well use the Ecoline watercolour inks on the original, but digital colouring could be interesting too. But first, the drawing needs to be finished!