Monogram P – entangled art

©Angela Porter 2019 - Artwyrd.com
©Angela Porter 2019 – Artwyrd.com

This became yesterday’s self-care drawing. When I’m not feeling all that right my default setting is this kind of drawing. It really does help soothe my unbalanced mental and emotional health. Thank goodness that today I’m feeling a lot more myself, whatever that means. In this context I think it means more emotionally calm and kind of content and a less worrisome and fretting mind. My background anxiety levels are still a tad elevated, but not as bad as they were over the weekend and through to yesterday.

I hand lettered the monogram on an A4 sheet of Daler-Rowney Bristol Board using Uniball Unipin pens. I then just let my pens draw some new and old favourite motifs and patterns to create this abstract, entangled art.

Yes, the P is a bit off-centre, but I didn’t measure it out! I just drew it. I didn’t plan on doing the entangled drawing stuff. I was just going to spend sometime with hand lettering…just goes to show that instinctively I knew what I needed yesterday to help soothe me. I could lose myself in the flow and give my mind and emotions a bit of a break.

It took me several hours to complete, and this morning I scanned it in, added a background texture and the watermarks with digital wizardry.

My only consideration for it at the moment is whether to leave it as is (black and white), to add shading in greys, or whether to add colour. I’m also quite tempted to add some gold to the monogram, just in places. I could print it out and try that on a copy before I commit myself to altering the original.

Today I do need to settle to inking in some sketches for the next coloring book. Maybe do some more sketches as well.

Entangled Art

©Angela Porter 2019 - Artwyrd.com
©Angela Porter 2019 – Artwyrd.com

This morning I started my day with some warm-up drawing. I drew this one with Sakura Pigma Micron pens on Daler-Rowney Bristol Board that measures approx. 7cm x 30cm. I added the coloured background digitally, along with the watermarks.

You may be curious why I use a square of coloured and textured paper behind my art work. Well, for Instagram, a square image fits perfectly without being cropped weirdly, and as many of my pieces of art are not square…well, you get the idea! So, for consistency across my social media, I use the same image.

I enjoyed drawing ths one. There’s some new patterns and motifs in it. I spent yesterday looking at ‘Art Forms in Nature’ by Ernst Haeckel for inspiration to add new patterns and motifs to my visual reference book. This little A5 dot grid notebook from Claire Fontaine is becoming rather useful. I add my favourite patterns, new patterns, motifs, doodles to it as I need to. I make use of the idea of ‘threading’ used in Bullet Journals to help link sections together.

What a brilliant idea ‘threading’ is. I used to get so frustrated with either folders with drawings in or having sections scattered in a book with a clumsy index to help find them. Now, I just follow the page numbers to direct me to where the particular collection continues. The index then lists just the first occurrence of that particular collection. My collections include abstract botanicals, foliage, floral, fungi, trees, feathers, crystals, Christmas, favourite patterns, dangles and charms.

I’m sure that when I start a new book, there’ll be a way to thread to the new book!

Why am I doing this? Well, as well as keeping track of patterns and motifs I like and organising them roughly into collections it’s also a source book of inspiration for art when I feel I’m lacking in inspiration or I feel my work is getting more than a bit samey.

It’s also something that is part of my self-care on days where it’s too much of a challenge to do something completely new and different. Sometimes this means adding familiar patterns and motifs. At other times it means researching new ones.

Yesterday I was really tired and feeling quite low after a very tiring day on Saturday followed by a poor nights sleep. Last night my sleep was even worse. I woke from disturbing dreams with my mind busy, busy, busy. Not sure why this is, or why I just feel more anxious than usual. There’s no reason at all for me to feel this way. Just some stormy emotional weather in advance of EMDR today and starting to process something new to EMDR but old to me. The CPTSD recovery journey continues…

Transition 2 – Mental health quote and entangled art

Transition v2 © Angela Porter 2019 - Artwyrd.com
Transition v2 © Angela Porter 2019 – Artwyrd.com

Today it’s just a quick post, with a variation on yesterday’s art and a bit of a waffle about EMDR yesterday.

. I replaced the symbol with a quote about my journey to cPTSD recovery, something I realised in EMDR last week and talked about again yesterday before the EMDR session itself.

I have secrets. There are events in my life that have resulted in me not being honest with myself, telling myself a ‘story’ about them to avoid the painful feelings and thoughts that are associated with them, to turn the events into something pleasant, something I wanted it to be rather than the reality of it. I can’t speak about these events, but I can write about them and have started to do that.

The painful feelings I’ve kept secret from myself, and it’s now time to be honest with myself and to face the things I never have that are eating me up inside. The writing is to help me be open and honest with myself about the thoughts and feelings and the resultant behaviour and thoughts/beliefs about myself that I’ve pushed away by changing the story. The story is how i would’ve liked things to be, not how they really were for me. However, the emotional pain and mental torture was still there and not dealt with, just hidden away to continue to damage and cause suffering.

Writing itself will only help me bring to the surface and onto the light of the page that which I’ve hidden from myself so I can identify what needs to be healed and put right.

That’s what this quote is all about to me, and this is how EMDR has helped me to reach this point. As well as the final understanding and acceptance that I don’t have to tell my therapist everything, she facilitates the process, aids me where necessary, helps me to learn new tools, new ways of thinking, as well as helping me find the bravery to face these things and process them at long last.

This is a transition for sure. Not a transition involved in ‘finding myself’ but in losing all the ideas and beliefs about who I am, how I should think, how I should behave, that have been imposed by others throughout my life.

It is now me making the decisions to change these and to change my relationship with myself.

It’s growth. So green is a very apt colour scheme for that.

And growth did happen yesterday in EMDR. To both of our surprises, the cluster of memories I was working on in EMDR which Linda thought I may never clear was cleared. And the pennies dropped about how much metaphorical images are powerful for me and stand in perfectly for memories I don’t have, only the emotional memories and resultant/concurrent thoughts about myself. So metaphoric is the way to go for me!

Entangled Art – Transition

Transition © Angela Porter 2019 - Artwyrd.com
Transition © Angela Porter 2019 – Artwyrd.com

Yesterday I had some fun drawing some postcard sized pieces of Entangled art. Especially fun as I stumbled across a book I’d bought some years ago and had forgotten about. The book is “Zibu – The power of angelic symbology” by Debbie Zylstra Almstedt.

As it says, the book contains loads of symbols with different meanings and I think that’s what drew me to the book in the first place. It was nice to stumble upon it and it seemed to be a moment of synchronicity as I was thinking about what I could put on the postcards, so this was perfect!

Transition was the first symbol I turned to, particularly symbolic for me as I’m going through a transition via my CPTSD healing journey. And in the book, the author suggests aquamarine and green are colours that go with this particular symbol, so that’s the choice of my colour scheme.

I drew the design on an A6 sized piece of Bristol Board using Sheaffer and Pilot medium point pens. After scanning the design in I coloured it digitally using Autodesk Sketchbook Pro, a Microsoft Surface Pen and a Microsoft Surface Studio.

I found both the drawing and colouring rather peaceful processes, the colouring made more so as I wanted to stick to the green and aquamarine colour scheme, though I did sneak in some greyish blue and greenish yellow.

It won’t be long before I head off to Neath for my weekly EMDR session. The day is gloriously sunny and is due to be rather warm for a late winter day. I’ve a window or two open to let the fresh but cool air into my home. This weather certainly does lift my spirits somewhat. I plan to go early so I can have a walk around before my appointment later this afternoon, as well as a leisurely lunch with some journaling and drawing too.

Entangled Quote

©Angela Porter 2019 - Artwyrd.com
©Angela Porter 2019 – Artwyrd.com

I stumbled across this quote from Albert Einstein yesterday. It sums up how I feel about my art and how I create art. I work very intuitively, generally. I choose one place to start, with one motif and I just let everything else flow from that point. If I am thinking about what I’m doing, I’m not aware of those thoughts. In this way, drawing is, for me, a rather mindful activity where I can lose myself in the flow.

My art tends to go wrong if I over-think or try to over-plan it, as I’ve found out recently as I did the first sketches for the coloring book I’m working on.

For this drawing, I printed out the quote and borders on an A4 sheet of Bristol Board. I then used various sizes of Uniball Unipin pens to draw the designs in. If you’re interested, I started at the top left corner of the quote box and it is from this point that the rest of the design flowed out from, sort of.

I’m actually quite pleased with this one. I actually like use of thicker lines to delineate the individual motifs and to give a more structured, layered feel.

I also dug into my visual reference libraries to revisit patterns and motifs I’ve not used in a while, as well as using some of my most favourite ones.

I like the stark, graphic nature of the pure black and white, but I may very well add colour to this one in a way similar to yesterday’s quote. I haven’t finished colouring that one yet, but it is something I will return to later today, though I may not finish it today.

The past affects the present…

©Angela Porter 2019 - Artwyrd.com
©Angela Porter 2019 – Artwyrd.com

Francine Shapiro is the person who developed EMDR therapy and this quote from her exemplifies what I’ve becoming more and more aware of through my three and a half years of EMDR.

Today, I am really ‘not with it’ and feeling quite spacey and vague and very tired. I had a broken night’s sleep with very, very weird and disturbing dreams. This often happens after EMDR.

I know that I need some self-care time today, and maybe tomorrow given how I’m presently feeling. I’m also in need of a walk outside, but I’m awaiting a delivery from Amazon. I hope it arrives soon so I can get a walk in early this afternoon.

EMDR yesterday

There were two particularly significant moments during my session yesterday.

The first one was a result of a suggestion by my therapist that I’m keeping secrets about things that have happened to me, particularly in my adult life. There are things I’m too, too ashamed and embarrassed about to talk about even with her. My throat closes up and becomes painful. I feel burning in my cheeks. There’s terror and huge anxiety in the pit of my stomach. She went on to say that in the article she had read it was suggested that clients write about these experiences. She suggested I do that. She added she did not need to read them or be told about them, that she can act as a ‘blind therapist’ where we just assign a code to the particular traumatic event and work with it that way. She even suggested I can burn the things I write after writing them so no one else can ever read them.

The relief I felt with this suggestion and discussion was immense. The discussion that ensued was enlightening in another way. That I’ve never ever really spoken to anyone about my feelings, especially when I was the one upset, hurt, abused in some way. I always put a smiley, brave face on and brushed all the emotions to one side, defaulting to the happy, funny, quick to laugh, person who chatters about faff and fluff.

By pushing away all that hurt and upset and so on I’ve also tried to tell myself that it’s ok, I can cope with this, that I’m incredibly caring about other people and their feelings and want them to be happy. Scared that if I spoke truly about how I was feeling that I would be rejected or that the other person(s) would become angry and would hate me and think badly of me.

So, instead, I brushed it all aside and swallowed it down, often with food, using the food to fill the emptiness within me, to hide the feelings of shame and fear and more. I’ve done this so much in my past that I’m having to learn what emotions feel like and what they are called as they crop up during EMDR.

I was with my older sister and younger brother visiting the British Museum and we stumbled upon the Sutton Hoo treasures. I was entranced by them, only having seem them previously in books. It was hard work to drag me away from the to go visit the mummies in the Egyptology section. My older sister said she’d never seen me so emotional and excited about something; she actually called me an ice maiden as I rarely showed any emotion at all, other than the happy, smiley, funny persona I put across. I was in my twenties then. No idea of emotions or how to express them, swallowing them down all the time.

So, writing about these experiences now, from a position where I understand more about myself, am more aware of emotions and feelings will mean that they are no longer secret, it doesn’t matter that others don’t know about them, but it’s important that I don’t keep secrets from myself and face up to the traumas and feelings I have suppressed from these events.

The second insight was during EMDR when I had a vision of myself looking into one of those mirrors that reflects things to infinity, but in this case it was like the reflections went around and around in a circle. The insight was that this is what has happened to me. I’ve got caught in a cycle of the same kind of things happening again and again – different but the same effects on me, the trauma they’ve caused me and continue to cause me as instead of knowing how to process them in a healthy manner I learned from a very young age to suppress anything I needed to talk about or needed help with because I was upset as no one wanted to know. I was bothersome. A whiner. An attention seeker. A liar. When I was upset the people supposed to care got angry with me. Or just ignored me. Or sent me away.

I am unaware of much of my past, particularly my childhood. I have few memories at all. That bothers me, but my therapist tells me I need to let it just be. People like me, who’ve had quite traumatic lives, often forget what has happened to them as a way of protecting themselves from that particular trauma, especially when there is no one they can talk to about it to help them work through it.

My past really does affect my present. However, I’m becoming more aware of the ways in which it has affected me, more aware that I do have emotions, and I’m trying to believe I deserve to think better of myself, that maybe I didn’t deserve any of this, and that although I’ve allowed things to happen to me I shouldn’t be so hard on myself as I need to understand why, what brought me to that point, why I can’t say ‘no’ easily.

So the quote is very appropriate.

About the art

This is very much a work in progress at the moment.

I printed out the quote and borders on Bristol Board. The design is a little less than A5 in size (4.5″ x 7.25″ approx). Then, I added the patterns around it using two Pilot Kakuno fountain pens – one with a medium nib and one with a broad pen.

After scanning the design in, I wanted to add colour to it, so I used my trusty trio – Microsoft Surface Pen, Microsoft Surface Studio and Autodesk Sketchbook Pro.

I think the dark stars at the top could symbolise those parts of me I’d like to ignite after they were extinguished a long, long time ago – confidence, self esteem, the ability to say no, valuing myself, being a good friend to myself, and more …

The tangled nature of the design, with many parts seeming to blend one into another, sometimes not in a very comfortable manner, is like all the trauma and experiences I have had – a tangled mess where I pull on one thing in EMDR and a whole host of others come along with it, all linked by a common effect or effects they had on me.

Flowers blooming, leaves all signs of growth though, even if some are hidden at the moment.

I’m sure there’s more that could be said about it in terms of my journey of recovery from cPTSD along with developing mental and emotional wellbeing. However, not today as the chap from Amazon has delivered the parcels to me. In them are some basic things for me to try my hand at paper quilling.

I’ve been fascinated with some youtube videos on paper quilling, particularly the more modern forms and I was also struck at how some of them seem to be similar to my kind of drawing that has lots of spirals and swirls in it. So, I thought I’d have a go and see what I can do with it!

But first, it’s time for a walk … to see if that can help clear my head a little. I think a little trip to Barry Sidings is in order.

May You Know …

©Angela Porter 2019

…love, peace, joy, health.

I started drawing this one a couple of days ago using a fine nib fountain pen on paper. I’ve spent much of today finishing the drawing and I’ve just started to add colour digitally. Not sure about the colour yet though.

The words appeared intuitively, instinctively as I was drawing. Something’s obviously bubbling in my unconscious mind, most probably a result of the loving kindness meditations I’m continuing to do.

It’s always relaxing for me to draw in this way – just letting shapes and patterns flow from the nib onto the page without too much in the way of consideration or fretting about what appears. Partway through the whole drawing, or even sections, it looks like a total hot mess to me, but I push forward. To give in would be easy, to persevere takes a bit of effort. The effort is usually worth it though; my past experiences have taught me this.

I’m looking out of my window as I’m typing. I can see jackdaws swooping and wheeling in the now sunny skies. We’ve just had a wintry snow shower, which hasn’t lasted on the ground at all. The black feathery jokers are revelling in their fun and games in the air, exuberant in the dry but cool air and the sunshine. There are veritable clouds of them and I know they’ll soon return to their roosts, cloaking the winter-bare trees with their featheriness and raucous caws. I’m smiling as I watch them. I do have a big soft spot for the corvids of this world. Their antics delight me, especially the ones that zoom past the window next to my work area! They whooshed off to my left and now some are whooshing back to my right. What a lovely sight close to the end of the daylight hours!

It also brings back memories of sitting with my cat perched upon my chest, both of us looking out of the window and watching the jackdaws flying by, and in the summer dusk hours bats. His eyes would be wide and alert as his head spun back and forth, avidly watching the flying critters. I’d be equally delighted watching the antics of both the flying and cwtched up critters! So many precious times with my companion to treasure though he has been gone to pusscat heaven for nearly 9 months. I’m sure he’s still keeping an eye on things that fly , wherever his little soul, spirit is residing!

Watching the birds brings me some joy and peace too. And happy memories of my companion of sixteen years.