Catch up and an upcoming YouTube video

I’m free of the dread lurgy as far as the virus is concerned, but I’m not free of its lingering effects—weak voice, cough, easily fatigued and breathless, and a foggy mind. I will get better—I will. How long it will take? I don’t know, but I was surprised at how quickly I became tired as I recorded today’s video (available from 6pm UK time today, Saturday 2 November 2024).

Despite being unwell, I’ve continued to be creative. In this video, I show a few drawings I’ve done in a new A5 sketchbook from Sakura.

Quite a few of the pages have been heavily influenced by the work of the fabulous Rebecca Blair. I love how she uses patterns, textures, and simple colour palettes to create richly decorative work. Her use of collage is simple yet effective, something I need to learn from!

If you know me, you know I love patterns, textures, and motifs. I like stylised, abstract, intricate art. I usually let my work grow quite organically, yet there is something delightful about creating a tapestry or memory map of patterns, textures, and motifs that bring joy and using colour that creates a certain feeling.

Rebecca Blair uses quite simple colour palettes, often monochrome-ish, and I have found that this works for me, kind of, in the pages I’ve created so far.

I’m not saying I’ve cracked it yet, nor have I found a way to incorporate all of this into my art. I’ve clumsily used watercolour to add colour to the floral elements, but I love how I’ve used colour in the various sections.

Looking back on these pages, I remember when I created drawn collages of elements from, say, an abbey I was visiting. This involved not drawing the entirety of the building but the parts that caught my attention. I’d sketch the patterns, shapes, and sculptural elements so that they flowed from one to another. In this way, a kind of sampler of my visit was created, a record of what fascinated me that day.

I like this idea of creating memory hoards of patterns, textures, colours, and motifs. It’s a revisit, yet a start of something new. To link with this, I intend to create my own hoard of favourite elements, such as ATC-sized cards, stored in pockets in a ring binder for when I need inspiration. This project can be done when I feel the need to be creative but don’t have the energy/focus to do anything else. That’s the plan, anyway.

So, I really need some tea before I even think about tackling this, maybe a nap too.

Inktober Tangles 2024

It’s been a couple of years since I last took part in the Inktober Tangles challenge. I feel like a focus for daily (or mostly daily) art is a good idea for me at the moment, so I’ll be doing my best to complete it.

The challenge is hosted by Stephanie Jennifer in the facebook group ‘7F5R Challenge’. This link will take you a file you can download for the challenge.

Today is the first day, it being 1st October. The tangle for today is ‘Ambler‘ by Zentangle Inc..

This is not a tangle pattern I would choose to use in my art; *shrugs* it’s just not ‘me’. However that made it interesting to work with in it’s own right and to explore. I do enjoy exploring variations on a theme and seeing where they lead me.

I did create a video showing the process, and this can be viewed on YouTube. Here’s the link to the video.

Intuitive Art – Part 4

This is a drawing I started three weeks ago for a series of YouTube videos. Today’s video is part4 of the series.

I finished the basic drawing in part 3. It’s all about colour and contrast now before I add the final detailed textures/patterns.

To add colour and contrast, I used Chameleon markers.

Adding colour/shade is always a nervous time for me. Surprisingly, I’m not really confident with colour. I prefer to work with a limited palette of monochrome or analogous colours, maybe with a sprinkling of a complementary colour here and there.

That’s the case unless it’s one of my Doodleworlds, whimsical, colouring book page designs. Then the more colours, the better! But, for this kind of entangled art, I prefer a more limited and elegant colour palette.

I always seem to use grey undertones for the shadows. I think I may have to try complementary colours to see how they work to add shadows.

My Chameleon markers have been rather neglected for a long while. However, I remembered I had them last week, and in using them in limited palettes, I’ve found them pleasurable to use, more so than all the other marker brands I have and have tried. Also, I’ve not been tempted to return to watercolours, Inktense, watercolour markers, pencils or pastels all the time I’ve used them. That has surprised me!

Seed Pod Variations – A sketchbook/journal page – 7 Sept 2023

This was so lovely to do! I love seed pods, and working on variations to see what will flow in ink from the pen tip is always a delight.

Not stressing over ‘oops’ moments, or not being happy with a drawing isn’t an easy thing to do. However, I push along, knowing that this is a sketchbook page.

Sketchbook pages aren’t meant to be perfect, finished or aesthetic. They’re pages to explore and experiment. Even the wobbly drawings I’m not happy with can turn out to be ones I’m happy with, once I work with their bare bones and add detail.

There were certainly a few gaffes on this page. But instead of gaffes, I like to think of them as starting points to work from as I have worked out something I don’t like in this instance. That is always a valuable experience and leads to new skills, techniques, etc.

I only added colour and shade to some of the seed pods. They give me an inspirational nudge if I need it when I look through a sketchbook. They act as a reminder that colour and/or shade breathe life into a line drawing, especially when the line drawing looks very simple and bare of embellishment.

There are so many ways to add embellishment to a simple line drawing, that sometimes it’s nice to leave the simplest line drawing as an invitation to work with it and create more variations and a later point in time.

I have a video that shows how I created this page on YouTube. It is available to view from 18:00 UK time tonight, 7 September 2023.

A Verdant Border – 4 September 2023

It’s been a week! But first, the arty stuff…

I thought creating a journal page with a border would be nice. So I did! And this is the result. It ‘feels’ very Arts and Crafts to me. What do you think?

I completed the design by using a dark green Staedtler 0.4 Triplus fineliner and Faber-Castell Pitt Pastel pencils. Let’s not forget white dots for highlights courtesy of a Pentel Hybrid Gel dx pen!

When the line art was finished, I wasn’t sure whether I liked it or not. But, as I added colour and the resultant shade and light, I started to warm to it. When I’d finished, I realised I really did like it, lots!

There is a ‘Draw With Me’ video for this design available on Youtube and here’s the link:

#DrawWithMe video on Youtube from 8pm UK time, 4 September 2023

The last week…

I’ve been struggling with energy levels for a while thanks to anaemia. So, I’m taking the iron and B12 supplements as prescribed so I hope it will improve.

However, on Tuesday last week, I was diagnosed with a case of shingles and put on a course of antiviral tablets for a week.

I’ve just been feeling more meh, or MEH, than usual, so tired and unable to think straight. So, I’ve been quiet, resting up and needing a lot of naps.

I was warned it would get worse before it got better, and it did. Also, it will take at least 4 to 6 weeks to fully recover, though that could be longer.

So, that’s the reason for the lack of posts

A collection of some of my recent ‘small art’

I’ve been doing smaller pieces of art lately, and here a just a small selection of them.

The top design is one I drew and started to add colour and highlight to in a YouTube #DrawWithMe video.

Small artworks are just the thing needed when I don’t have the energy or brain power to do anything larger. They do have, however, their own challenges!

What I had a flash of inspiration from somewhere, probably watching an arty crafty YouTube video. The inspiration was to use gloss Mod Podge to coat the artwork. The glossy surface really brings out the colour and cleans up the watercolour from the black lines. There is no, or very little, movement of colour when it’s applied, so long as it’s applied quickly with little fussing. I did apply a second coat as there were brush marks in the first one.

All are Zentangle and diaper patterns from Medieval Illuminated Manuscripts inspired, apart from one. The one with trees, birds and buntings was inspired by Danielle Donaldson in her book “Creative Girl”.

Exploration of Zentangle Fragment A1

Link to the accompanying #DrawWithMe YouTube video tutorial.

This afternoon, I spent a lovely hour or so exploring variations of a simple pattern cell, or fragment in Zentangle terminology. I picked one of the most basic ones there is and just tried variations to see where it let me. In about 20 minutes, I’c come up with 12 variations.

I then chose one of the variations to turn into a grid pattern. I had a very pleasant surprise as the pattern started to build up and star shapes started to appear!

The Zentangle pattern Flux and a simple daisy motif complete the design. I did start this drawing off with the fluffy flux foliage!

The next thing to do is to add colour and/or shade with highlights. But not today. I actually feel I need to eat something. So, that’s what I’m going to do when I’ve finished all my social media posts.

A small Zentangle Inspired Tile; A WIP.

Accompanying #DrawWithMe YouTube video.

This was a lovely way to spend an hour or so this afternoon! The design isn’t quite finished. I have more colour to add, and textural patterns too. But this gives an idea of where I am going with it.

I started with a simple ‘fragment’ – a square with a diamond in it. From there, I built up the central panel of four motifs. I decided to use the same starting point for the outer borders, just a smaller and simpler version.

Colour was added using Kuretake Gansai Tambi Art Nouveau watercolours and Winsor and Newton gold calligraphy ink.

It will take me a wee while to finish. It depends on my energy levels and ability to focus on a task. I seem to be improving little by little – hurrah!

“Purple Roses” Entangled Botanica Tag/Bookmark WIP

Cool, soothing, calming blues, teals and purples are just what my migraine befuddled self needed this afternoon. The migraine had mostly lifted, but left me feeling tired, ‘off with the fairies’. I decided to film this drawing as I thought those who like to draw along with me would enjoy some flowers, this time roses.

I coloured the background with Distress Inks, and added a little texture with a stencil. Water splatters are a must, dried with a heat gun to give that darker edge to them.

I love the way the texture and variation in the depth of colour shows through the coloured pencils that are applied to bring volume to the drawing. I used Gamsol and tortillons/paperstumps to blend the colour pencils out and create highlights and shadows.

Touches of gold ink will bring some precious luxury to the design.

There’s still a lot to do, however. The first coat of added pencil colour needs to be completed. There may be a need to intensify contrast. And then there’s the patterns and contour lines to be completed with ink. A drop shadow, white ink highlights, and more shimmery golden details.

The appearance of torn, collaged, patterned paper to the right of the tag is becoming a favourite thing of mine to add.

I hope a good night’s sleep will come tonight and I’ll wake tomorrow feeling as ‘with it’ as I’m able to be. I have work to do for my next colouring book called “Daydreams”.

Accompanying YouTube #DrawWithMe Tutorial Premieres at 20:00 UK Time 5 June 2023.

Entangled Botanica – Tag/Bookmark.

This design does make me smile gently! I’m rather pleased with the end result. If you’d like to #drawwithme, then the accompanying YouTube video goes live today, 3 June ’23, at 18:00 UK Time.

Distress Ink background.
Design drawn with black Dokumentus ink in a TWISBI Eco EF fountain pen.
Extra colour/shade added with Derwent Chromaflow pencils and Gamsol.
Highlights/shimmer added using a white Uniball Hybrid Gel DX pigment ink pen and gold Winsor and Newton Calligraphy Ink applied with a brush.