Inktober Tangles 2021 | Day 7 and 8

I’ve had a lovely tangle-y, arty, creative morning. Some good stuff. Some experiments that worked, some that didn’t quite. Either way, I have two more pages in my sketchbook filled with explorations of Zentangle patterns.

On the left is the page of explorations of Morrisseau by Cheryl Moote CZT. The white lines in the wavy border are just … too stark and a clear line/edge that I don’t like much, at the moment. I much prefer the dotty embellishments! Having said that, the white lines that turn areas of the design into shell-like fragments work rather nicely. The more I play around with Morrisseau, the more it’s becoming one of my favourite tangle patterns. I have a lot more exploring to do with it, no doubt too.

On the right is a page of explorations of today’s tangle, Zenith, by Zentangle Inc. This was kind of fun to play around with, some ideas more successful than others. less colour on this page, but plenty of dots and white highlights!

As these are pages in my sketchbook, I feel no need to finish them completely. They’re there as a reference for ideas growing forward. Also, they’re a record showing how I’m working at developing both patterns and addition of colour, shadow and highlight.

For colour, I’ve used Graphitint pencils with a damp brush to activate the colour and gently spread it out. I like the earthier tones much more than the bright and intense colours of the Ecoline pens at the moment.

For shadow and highlight on the Zenith page, I used charcoal pencils. Now, these I like far more than graphite pencils. They don’t add any shine at all. Hurrah!

For white highlights, a white Sakura Soufflé pen was used, both before and after adding colour/shadow/highlight. With the charcoal pencils it really needs to be added afterwards as the charcoal is abrasive enough to stick to the dry pen. With graphitint it doesn’t matter. Indeed, the way colour pools around the white dots/lines adds depth and interest to the colour.

I’ve also used some metallic paints that are fairly opaque in some of the drawings. I enjoyed doing this, especially as I could add different shades of gold to add a highlight. I think I’ll be using these more going forward; they give a much smoother finish in large-ish areas than a metallic gel pen would. I like smooth finishes with metallics. The uneven colour that results from spreading the graphitint pencils pleases me too.

Template Thursday and Inktober Tangles Day 7

Taking part in Inktober Tangles 2021 is spilling over into this week’s coloring page for the Angela Porter’s Coloring Book Fans facebook group. The result is a rather geometric design which has a very tiled floor or stained glass feel to it. The quadrants could be coloured in separate colour schemes to, say, represent the four seasons, four favourite colours … well anything really. I’ve just completed one quadrant as an example.

The tangle pattern for today is ‘Morisseau’ by Cheryl Moore CZT. I’ve included it, and a couple of other tangle patterns, in my typically entangled artwork to the right. I’ve started to add colour in rusty browns and oranges with blues. The brighter colours are Ecoline Brush pens. The more muted areas are Graphitint pencils with a damp brush. I think I prefer the Graphitint areas. They have a much more aged, vintage, weathered feel to them.