A change in blog name. Exploring collage.

The new name…

Yesterday, I did a live stream on YouTube, where I tried my hand at creating collage papers, making collage and mark making. It was an interesting experience, but more about that later on.

The topic of adventures came up in my wintering and the change in title is a result. For me, art is always an adventure. I’m always trying out new things, exploring older ways of working, and developing in my artistic expression.

Adventures aren’t necessarily big trips to far away places. There are so many little daily things that feel like adventures to me- the change in light through the day, the weather, the rhythm of the seasons and stars, the humourous behaviour of my neighbourhood jackdaws. There’s also reading new books, listening to stories and documentaries, trying new dishes, listening to music that is new to me, and so much more. I have a great deal of curiosity and desire to know more about myself and the world that I live in.

It’s a good thing that an adventure can be described as new ideas and grand mysteries. It’s about enjoying the journey with no time pressure, no idea of a destination, just a desire to discover more about how I like to express myself creatively and, through that, learn more about the more profound mystery that is me.

Over the years, I’ve dabbled a bit with collage but never really found how I like to use it other than as an interesting background in a sketchbook or maybe a pleasing arrangement of papers at the edge of a sketchbook page.

I love paper, however, and want to use different kinds of paper, and perhaps fabric, in my work. However, whenever I try to, it doesn’t feel right.

All of my artsy journey has been an adventure. I try out new things and retreat into the familiar when I feel uncomfortable with art, life, and myself. But even with familiar methods, things change due to experiences. Progress is always made. Lessons are learned. Insights are gained, especially from what I don’t like about something and what can be done to ‘fix’ it.

So, chatting in the live chat as I created part of this collage, the idea of my blog changed to reflect my description of how art is a great adventure. I thought of “Angela’s Adventures in Art,” but Judy suggested “Art is the Adventure.” I chose that, though I was tempted by “Art is the Way,” a bastardization of “This is the Way” from the Mandalorian.

And so, now the time is to change the name, but not the web address of my blog; that will remain artwyrd.com.

Collage

I am intrigued by collage, mark-making, and mixed media. Yet, whenever I’ve tried them in the past, I’ve usually felt disappointed in myself.

I remember looking at the collages by Juan Gris during my A Level and loving his work. I actually created a quite nice collage using his methodology. However, I never really followed it up. Yet, the distant memory still brings a sense of joy and, I think, excitement. I have problems identifying my emotions, and they are often faint to boot.

Anyway, I love the work of so many mixed media artists, and I admire their skills and creativity. Again, I’ve tried mixed media many times, and each time felt like a fishie out of water.

I’ve recently looked at collage and bought some books that demystify the process, or so I thought until I tried my hand.

I wasn’t happy with the colours. I glued papers down before I should have. I didn’t think about the scale of the page (A5) when I decided to put really thick black lines. I had to troubleshoot the mess I felt I made of the little leaves down the stem/trunk.

Today, I’ve spent sometime treating this page as a page to reflect on my experience and create a kind of journal page as a result. (Hence all the writing on the page). I’ve also added some patterns and makes in pen and watercolour.

Also, I made some more collage papers to try again. This time, I used Canson Imagine mixed media paper, as watercolours and Distress Inks work well enough on it.

I know I need to consider the size of the paper I’m using as a substrate when cutting or tearing the collage elements. The same is true for the pen thickness.

I have an inkling that my strength may be in more abstract work. Last night, I tried creating a collage that would look like a collection of buildings, but it didn’t feel right. That’s a good thing, though, as it’s something else to reflect upon and make notes on the page.

I really hope I can find my way with collage/mixed media. It will let me use my love of pen drawing, patterns, textures, symbols and stylised art in a different way. I have a desire to involve my love of different kinds of paper in my work.

At the moment, I just feel lost at sea, without a paddle or rudder, and at the whims of the currents of creativity and art.

I was dithering about showing this debacle of a collage publically. Then, I realised that if I am going to write about my arty adventures, then I need to recount the tougher, messier, unsuccessful parts.

The perfectionist and the messy debacle

I have been plagued by perfectionism all my life. I can get very disheartened when my desire for something pleasing to the eye and heart falls even a little bit short. In this case it falls, to my mind and heart, a lot short.

One thing I have learned that this is ok. I’ve learned that even if something is a messy ‘failure’ it is a success in many ways as it’s an opportunity to learn!

I certainly have a lot to learn from this particular collage mini-adventure. But the adventure isn’t over. I have some new coloured papers to use. I’m going to stick with the A5 sketchbook and work on a smaller scale and try out more abstract/stylised shapes. Keeping it simple to begin with may be a very good idea.

I like the idea of using the colours in the collage paper to be the colours used in any artwork, lettering, stitching etc.

And, if nothing else, learning that my adventure may be to discover that while collage and mixed media may not be for me, I can still enjoy the work of others. It may lead to new ideas, new techniques, a different way of deconstructing and reconstructing motifs and patterns going forward.

I can’t possibly predict how this side-adventure in my artsy adventure will work out. All I know is it will lead to interesting places with plenty of things to learn from the experiences it offers.

More Foiling experiments

More foiling experiments ©Angela Porter 2019
More foiling experiments ©Angela Porter 2019

The death of a laminator…

Another useless photograph, but I think you get some idea of how the foiling appears.

I’ve had a bit of a nightmare with the laminator. This morning it decided to terminally ‘eat’ a ‘foiling sandwich’ and there is no way I can get it out. I tried to put an A4 sheet through the laminator which meant that the folded ‘carrier’ paper had the fold to the side, not going through the laminator first. I think that’s what caused it all to get caught and stuck.

Lesson learned? Hopefully. I think I’m going to have to work on images that are A5 (UK) in size or less. Which is fine now I’m sure about that. However, I really was hoping to foil one of my A4 monogram images.

Ho hum. I shall purchase another laminator later today so I can continue working on it. The instructions with the foil say any home laminating machine will work with this particular foil.

About the foiled works…

Here’s what I’ve discovered so far.

Foiling works best on smooth paper, such as the heavyweight ‘premium’ paper I use in my printer. I do want to try Bristol Board as that is smooth and a bit more weighty again and stands up well to quite a few media.

Coloured cardstock, such as the dark blue example to the bottom left, doesn’t work quite so well as it’s not all that smooth. The foiling ends up a bit uneven and has a kind of ‘brushed’ look to it.

The copper foil I’ve used is amazing! It is like an interference ink or paint in that it’s colour changes from coppery-red to gold as it catches the light in different ways. I’m in love with this one for sure. It looks fab with turquoise blues and greens, a lot like the colours of verdigris.

I tried colouring the top left, top middle and bottom right images with Distress Inks after foiling. This worked brilliantly! It needs to be added after foiling; a little wipe with a dry paper towel removes any excess ink from the foil.

I’m not sure if you can see it, but the centre of the two mandalas at the top left and middle have some colour added to them. I used Staedtler Fineliners for the blue one and Zig Clean Colour Real Brush pens for the orange one.

The mandala at the top right I coloured using Chameleon markers and pencils after I’d foiled it. Not my best choice of colours, in my opinion, but it was an experiment. The alcohol inks stained the foil where I couldn’t keep the nib in the tiny spaces. The mandala was designed to be printed on A4 paper so the gaps weren’t quite so tiny, but I printed them at 4″ x 4″ just to try the foiling out.

I need to draw at sizes that it’s possible to foil successfully without killing a laminator off quickly in the future, and that means A5 or less in size. Unless I decide to ’tile’ the image in some way.

Future experiments in foiling…

There are some different papers I want to try. Bristol Board from either Frisk, Daler-Rowney or Winsor and Newton in particular. Strathmore is textured and I suspect it won’t work well, it’ll be more like the coloured card stock.

Coloured, heavyweight paper is a definite, particularly black I think. Just for the line art in foiling.

Hot-pressed, smooth watercolour paper may be worth a try, along with the smoother side of Claire-Fontaine or Daler-Rowney mixed media paper.

Different papers mean I can used different coloring media in different ways.

What else I have learned and what else I need to think about.

I really, really like digital colouring and I’m rather rusty with different traditional media.

I also need to think about what I can do with foiling and any market that I can create for myself with my art.

I’m really not at all good at promoting myself or my art and pricing work is so very difficult for me to do. It really is. I have a bit of a break in contracts at the moment (apart from editing some templates this week) and it’s something I really do need to turn my attention to. I create so much, but do so little with it.

Inktober 2018 – Day 7 – “Exhausted”

Angela Porter Inktober 2018 Day 7 - Exhausted

Exhausted is how I feel today, so the prompt is very apt!

I woke with a migraine-type headache, and it’s only recently begun to lift, after quite a few Anadin Extras (it’s ok – I kept within the recommended dose!).

Headaches like this leave me exhausted afterwards; it’s only a good sleep that helps to remove the last remaining vestiges of them. Maybe I’ll nap in a while.

What hasn’t helped is yet another day of hammer-drilling next door. I’d’ve gone out if (a) I could see to drive properly and (b) I wasn’t expecting a delivery of a new printer.

My Epson printer died on me on Friday. Terminally died on me. It’s not been used that much. It has been used for scanning more than printing, but it just refused to work, no matter what I did.

I wasn’t very happy with it. The ink jet thingies didn’t work well after a while and I got streaks in the printing – no matter how often I cleaned them. I only ever used genuine Epson ink cartridges.

The scanner was really slow too.

So, I’ve returned to a Brother printer; this time a mono laser printer, and it arrived today and I managed to set it up relatively easily.

So, my Inktober drawing for today is above. I drew it on paper with a black Papermate Ink Joy gel pen. I scanned it in (didn’t check the settings so bits of top and left are cut off).

Then I threw it into Autodesk Sketchbook pro to change the colour to one that looks more washed out and exhausted, just how I feel – blue and grey and pale at the moment.

I wanted to add colour to the hand-lettering, but the headache means I couldn’t be arsed to do so at the moment.

My drawing skills aren’t brilliant on this one. The headache has affected my vision a tad as well as giving me slightly wobbly fingers. As the headache goes, all will be well again – and it’s nowt to be worried about; I get these headaches from time to time and I’ve not had one for more than a month now I think.

So, once I’ve finished this post, I’ll be off to make the great restorative – a good mug of Yorkshire tea! I think I may be able to face a little something to eat too, which could help too to lift some of the exhausted feeling.