Oysteroid and A Grid Pattern

I had a peaceful and content time this afternoon as I created this page in my sketchbook. Well, the pen drawing part with some examples of how I’ll colour it. And I filmed it too, and you can watch it on YouTube.

I started with the stack of Oysteroids, a tangle pattern that I particularly like. I decided that I’d like to use a geometric pattern as a counterpoint to the roundedly organic Oysteroid.

So, I did! I like the way that this instantly gives a feeling of layers or volume.

Colour always vexes me. So, I decided to stick with an analogous colour scheme, choosing Fern and Mustard Inktense pencils to create stripes on the Oysteroids. I carried this palette into the geometric pattern. That was fine until I foolishly decided to use some Red Oxide Inktense. I have no idea what I was thinking! However, it did give a very ‘earthy’ feel to the pattern, in contrast, perhaps, to the sea-related Oysteroid.

That led me to wanting to use colours that remind me of the sea on the right-hand side. I’ll hold judgement on those until more colour is added. If the red oxide doesn’t work out, I have a rather lovely gold ink that can hide it away! Or black with gold highlights…

I used my fine and extra fine nibbed TWISBI Eco fountain pens, which are filled with black Dokumentus ink.

As you can see, I couldn’t help adding some pattern and texture to one of the Oysteroids. I’m sure the others will be treated in a similar way!

Entangled Monograms – D and F

Over the past couple of weeks, I’ve been experimenting with monograms and my style of art. It’s fun trying out different things, and it leads to new insights into how I can express myself.

My self-expression is constantly changing and evolving. Sometimes I seem to make some breakthrough and go forwards with it for a while. But something happens, like a slip into poor mental and emotional health, and I retreat into my familiar styles. That doesn’t mean progress is not being made. When I look back, I can see how even my ‘comfort art’ has subtly, or not so subtly, changed as the breakthrough shares its influence subconsciously.

I keep returning to hand lettering, hoping to find out how I can make it work for me. Monograms really do seem to be the way forward.

I’m also thinking about my relationship with colour palettes. I really do struggle at times with the colours I put together, particularly when using traditional media. They seem like a good idea at the time…but…that isn’t always how I feel about them as I continue to add colour.

Contrast can be a thing I struggle with too. I really do think very simple colour palettes – monochromatic or analogous, are likely to be the way for me to go at the moment. They always seem to work nicely, monochromatic, especially as I can focus on contrast far more.

Digitally, I feel I do better, but again a limited palette is the best thing for me.

I know that, like my drawing/design skills, this will improve with time and practice. But I get so frustrated when I make the same silly mistakes over and over with colour choices.