Watercolour practice

Good news – the headache has gone! Yay! The sun is shining, I have uplifting music playing, and I’ve spent some of the morning practicing watercolour skills and working out how to subtly draw/paint on top with white.

The little tiles at the bottom have designs painted on them with white gouache. There’s a lot more variability in line width with these.

The book marks have had the designs drawn using a white Soufflé pen by Sakura. The ink goes on clear but dries a matt and opaque white.

I used som Molin du Roy watercolour paper from Canson for these. The tiles are approx 2″ x 2″, the book marks are approx 2″ x 7″.

I may mount the tiles on greeting card blanks. The bookmarks need a hole punching in the top and then some string/ribbon threaded through.

I did try out the Sakura Quickie Glue pen and embossing powder yesterday, but really wasn’t happy with it. I also tried using a variety of Sakura pens to draw the outlines before watercolouring – black Glaze, metallic siver Gelly Roll and silver Stardust. They were waterproof, but just didn’t give me the borders for the patterns that I wanted. The black was very bold and gave a rather stained-glass feel to the tile. But, white turns out to be my favourite.

It’s been nice to spend quite a few hours working with watercolours and trying out ideas without any pressure to create anything that is finished. Sometimes making art for the fun of making art is enough and much needed to soothe some rather battered emotions.

ICAD2020 Day 02 Marigold

#DYICAD2020 #ICAD2020 – Day 02 – Marigold

I took an index card and used Dried Marigold and Bundled Sage Distress Oxide inks to colour it. I spattered on water to create some bleached spots. Then, I edged the card with Ground Espresso Distress Ink.

I knew I wanted to draw a marigold, which is what I did. In fact, I drew a few. The large one is a French Marigold (Tagetes sp.). The others are pot marigolds (Calendula sp.)

All the drawings are quick, loose, sketchy ones using an 04 Sakura Pigma Sensei pen. I did use a pencil to roughly sketch out the flowers.

As the theme for week one of the ICAD2020 challenge is typography, I added some hand lettering. I also looked for a couple of quotes about marigolds, which I hand lettered.

Finally, I added a wash of iridescent orange and yellow watercolours to the flowers, sage-y green to the leaves. I also added some graphic lines in iridescent orange to the letters. And I couldn’t resist spattering some of the iridescent paint on the card itself.

I think I may add the ICAD2020 creations into my journal, or maybe make one from them as time goes along. No need to make a decision today, I’m not really thinking straight at the moment.

Experimenting with watercolours

I woke with another raging headache this morning. So, some art was in order until the pills kick in and I can sleep the dregs of it off.

I thought I’d try some ways of adding texture and interest to watercolour backgrounds.

Putting some clingfilm (saran wrap I think it’s called in the US) onto wet watercolour creates a lovely texture. It’s not easy to see but I used it on the pieces at the top middle and top right. This is something I will definitely be experimenting with going forward.

I also tried salt again, on fairly damp, less damp and almost dry. The darker pink tile under the Marigold ICAD was where I added salt to rather damp watercolour and the blooms are just beautiful.

I also tried using white gouache. I spattered it onto a couple of tiles, but I also used it mixed with water to paint into wet watercolour. It adds a really interesting effect, the opacity of gouache looking intriguing against the transparent watercolour.

Finally, I used a straw to blow drops of watercolour around. That was a lot of fun and really created random, abstract patterns.

I added these to my journal with notes on how I achieved the effects so I can reference them in future. Today, I may not remember much about what I’ve done, all thanks to the dratted headache. All due to stress/anxiety/worry yet again.