This was a lovely way to spend an hour or so this afternoon! The design isn’t quite finished. I have more colour to add, and textural patterns too. But this gives an idea of where I am going with it.
I started with a simple ‘fragment’ – a square with a diamond in it. From there, I built up the central panel of four motifs. I decided to use the same starting point for the outer borders, just a smaller and simpler version.
Colour was added using Kuretake Gansai Tambi Art Nouveau watercolours and Winsor and Newton gold calligraphy ink.
It will take me a wee while to finish. It depends on my energy levels and ability to focus on a task. I seem to be improving little by little – hurrah!
I absolutely love the Kuretake Gansai Tambi Art Nouveau set of watercolours! I just had to get that off my chest!
I love the texture created by the watercolours – how uncontrollable it is, but it adds so much to the final drawing and it actually makes my arty heart and soul smile a tad.
This is a drawing completed, for once, in today’s YouTube video, due to premiere at 18:00 UK Time on 29 May 2023. In the video I show how to draw the design, add colour and gold and white details.
After doing this artwork, I really do think the Kuretake Gansai Tambi’s are the watercolours I’ve been searching for. They work with me, helping me to express myself. Also, embracing the imperfections of the textures in the colours as part of my self-expression rather than searching for the unattainable.
I used single colours for each section, except for the larger leaves. And that seems to have worked out well for me.
I love how the gold and green to the right seem to glow like sunlight shining through stained glass.
The only thing I wish I’d done was coloured the paper with Distress Inks before starting the drawing. I know that so little Distress Ink is added to the background that it won’t affect the colours in a noticeable way. So that will be my next arty experiment today!
Oh, and I wish I’d remembered to erase the pencil line before starting to add the watercolour!
Again, I used Canson Imagine mixed media paper(9.5cm x 10.5cm or 3.75″ x 4.25″) and it seems to make it so easy for me and the Gansai Tambi paints to work well together.
I’m absolutely amazed that I’m embracing imperfection! I never thought I’d get to that point, or let it be part of my artistic voice.
I’m actually smiling here. I really am. And a smile that is felt in my heart and soul too; something I’ve not done much for a long while.
A sudden realisation
I had a sudden revelation today, of a practical nature. I suddenly realised I tend to create art in sizes that require custom made frames and/or mats. So, I thought I should try to get a selection of ready cut mats in standard sizes and use them to cut paper and create the right sized art to fit the mat. So that’s what I did.
I can be such a numpty, feeling quite daft it had taken me this long to work that out! But then again, perhaps the time wasn’t right before now. I’ve thought for a while now that I could sell my art, particularly the more abstract, flowy, intuitive art. Next step is to work out how to do that and ‘promote’ it/me. And that is the problem, the promotion… it fills me with horror. But maybe I’ll work it out. Time will tell for sure.
It’s been a funny few days here, culminating in a bit of shopping therapy yesterday. One of the items I bought was a set of the Art Nouveau Kuretake Gansai watercolour paints.
I’ve been eyeing them up often since I knew they were a thing. Yesterday, I finally splurged out on them, as well as various metallic (mostly gold) acrylic paints and inks and some beautiful ramen bowls. Well, even an artsy person has to eat!
This little drawing was done in my latest video, all for the purpose of trying out the colours and the paints.
I absolutely love the colour palette and I need to recreate it digitally for sure!
I get so frustrated with watercolours, perhaps because I’m trying to do it the way other people do watercolour rather than trusting my own way of expressing myself with colour. So, I did my very best to let go of any preconceptions of these watercolours as I worked with them.
I love the way some delicious textures appear spontaneously. How different for me to like this compared to my usual very smooth colour blends. I find the randomness, the spontaneity and magic with which they appear quite fascinating. It’s something I can’t control, and I find that I don’t want to control it. I want to be surprised!
Oh, before adding the Gansai Tambi, I used a Payne’s Grey Inktense pencil and a waterbrush to add some shade to the areas I’ve added colour to.
The Gansai Tambi colours are transluscent enough to let the shading show through. Indeed, they fade gradually and wonderfully as they are blended out in an area.
The other thing I did, well one of them, was to add colours to the sections before adding any texture patterns. That worked nicely; the paint does seem to have a chalky residue that shows up on the black lines. Must remember to make the gaps between lines big enough for my favourite paintbrush! Or, just use traditional brushes and a jar of water; but with that comes the danger of clumsy me knocking the water over…
I tried out a white pigment ink gel pen (Pilot choose) to draw with, as well as a gold Pentel Hybrid Dual Metallic pen.
This drawing really is an opportunity for me to try things out, with no stressing about wrecking an original drawing. I’ve already managed that with one drawing that will now be kept for trying out different colours, media, mixes of media and so on. Luckily, I had scanned that one in before I attacked it with Inktense pencils and gold acrylic paint! Tradigital it is for that design then …
It’s so nice to feel comfortable with a medium I’ve struggled with so much -watercolour. Doing it my way seems to be somethign I need to accept as being acceptable. Art is a personal expression, as such is there a wrong or right way to create? I know in my videos I often mention ‘this is how I do things, it’s not the only way and if it helps you find your way, then that’s fantastic!’.
I think we have to try lots of different things and eventually we circle in to what are the ways that really express something of ourselves creatively. It means many attempts that end in frustration or disappointment or failure. But these aren’t really failures; the lesson is that this may not be right for us at this time, if ever. They aren’t a failure if they spur us on to try out something new.
And that is why it’s important to take time to create more personal art, just for the joy of creating and exploring and trying things out. It freshens us up, even if, as I have done recently, we return to way of drawing that is is so familiar it’s comforting to do.
And perhaps art that gives us that comforting, satisfying feeling along with true self expression is the place where our arty heart wishes to reside, with trips out to add inspiration and blow the cobwebs out of the vault of motifs, patterns, textures, themes, techniques and materials. And that trip out can be physical or through looking at books or online or even through dreams and daydreams or the view from a window, music or stories, films or tv programs, and more. Not all journeys are physical ones, are they?
My brain now hurts, so I need some tea to drink soon! Just some social media posts to finish first…