gourdgeous

Gourgeously Gourdgeous Gourds (pumpkins-ish!)

Angela PorterLeave a comment
Click on this link to view the accompanying #DrawWithMe tutorial video on YouTube.

Carrying on with the theme of pumpkins and gourds, today I tackled the Zentangle tangle pattern “Gourdgeous” and drew this cute pile of pumpkin-ish gourds.

Of course, as they are drawn with a Zentangle pattern, it was only right that I filled them with some Zentangle patterns – Purk, Sattuck, Crescent Moon, and B’tweed.

I drew the design on a 6″x3″ piece of grey-green mixed media paper. Tombow Fudenosuke and Zebra flexible nib pens were used to draw the main black sections of the pattern. Then, I added the patterns with 0.1 and 0.4 fineliner pens.

To add shade and light, I used some Inktense pencils – Light Olive, Madder Brown, Iron Green and Iron Blue. Oh, and Antique white for the highlights.

The white dots were added with a Sakura Soufflé pen.

This was a lot of fun to do, especially playing with light and shadow to create volume! There’s some bits I’m not happy with – the tendrils are a bit clumsy looking, some of the highlights could be brighter. But on the whole it’s not too shabby!

Swirly gourdgeousness WIPs

Angela PorterLeave a comment

These are my current works in progress. They’re full of swirly curvy loveliness, along with a smattering of the Zentangle tangle Gourdgeous too, amongst a couple of others.

I’ve drawn the designs on clay-toned paper from Fabriano. It’s a warm grey, just a bit darker than in the scanned image. The soft grey does tone down the Inktense colours a tad, making them feel more vintage or metallic in some way. Although the paper isn’t designed for water, I find I can get away with a barely damp brush to activate and spread the Inktense to create gradients. The white Inktense is opaque enough to add highlights, and even to colour the grey white!

Part of me thinks that monochrome or analogous colours are the way to go. I’m not all that keen on the orangey-rusty colours. Sticking to the greens and blues would feel more coherent perhaps. But as I’m learning more about my art, toned papers, adding colours, then it’s all a process of learning!

And I do love working on the toned papers for sure. There is something fascinating about starting with the a page full of the mid-tone colour and then adding dark and light to it.