Entangled Art | Adding Colour Part 2

Link to today’s Vlog on YouTube

As I enjoyed my first mug of tea of the day, I continued to add colour to this entangled drawing.

The success of blending colours yesterday inspired me to do more of this. Little by little, I’m starting to get some sparkles of confidence in adding colour.

Inktense pencils do make this easy in a way. It’s a lot easier to control the application of colour.

Control – it’s that word again in respect to the addition of colour. Watercolour vexes me as I want to control a medium that isn’t easy to control it seems. Perhaps the exploration of watercolour and Ecoline watercolour inks are cul de sacs for me. They’re interesting to explore but lead nowhere except back to where I started, almost. I return with extra knowledge and experiences that can then be applied to other media.

Indeed, the way that I apply colour digitally has partly inspired me in this artwork. But remembering my dabbling with abstract art back in my A level days gave me a few insights into my relationship with colour.

As a scientist, all my observations – drawn or written – had to be accurate, representative of what I could see. Colours had to be correct, as I could see, so others could check what I had seen and confirm those observations are correct.

As an artist, I can put that requirement to one side; but it’s not easy to do so, especially when I’m drawing from observations.

I have little problem adding colour to my cute, whimsical, entangled coloring templates. They’re not meant to represent anything ‘real’. They’re abstract in their own way. Though, when the motifs are based on observations, then I get into trouble with colour.

Remembering the abstract oil paintings I did back in the days of A level exams, I used colour to convey the mood, feeling that went with the time, place, experiences I had when taking photographs to use to work from. The final paintings were in colours that represented these personal, emotional, and sometimes intellectual responses.

Going forward, I need to remember this in my work and to transfer it to artwork. The actual colour of something is not as important as I think it is, and to remove that pressure from myself. If I want a record of the ‘real’ colours, I can take a photograph. But to record my experience, I need to give myself permission to express my feelings, emotions and my response to it in whatever colours suit me at the time. I need to allow my intuition and imagination a greater role in my work with colour

Hopefully I’ll get there, and I probably am little by little. The value of the vlogs is that I have to start to give words to the thoughts that come as I create, and this blog allows me to expand on them.

To give words to the ephemeral, abstract, metaphoric thoughts that wander around my head is to manifest them. The words result in conscious awareness of the thoughts. The awareness is then something that can be learned from, acted upon and put into practice.

I’m learning to externalise what has usually been an internal and fleeting process of thought and analysis, and it’s an intriguing and interesting experience for sure.

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