Hand lettering practice

©Angela Porter 2018

Today has been a bit of a busy day. I woke still drained from yesterday’s EMDR therapy session. No EMDR though as I was just too emotional and ‘raw’ to go through it, so it was a lot of talking around how one trigger event had caused several trauma ‘streams’ to rise and flood and confluence. I was stuck at that confluence where white water rapids had formed and I was being buffeted about in the eddies and currents and waves.

So, it was self-care last night when I got home, which involved a bag of chips from a local chippy, with curry sauce, Harry Potter and the Goblet of Fire and starting to crochet an amigurumi ‘dumpling cat’ from a new book that was delivered yesterday. Then, there was the journal writing before I went to bed.

This morning I had to be up early to go give an anti-stigma talk to a group of police officers. That drained me emotionally once again. However, it was a good thing to do as they all found my talk really interesting and useful. My Time To Change Wales champions hat was polished up a little bit once again.

I came home and finally had some breakfast and ended up in bed to sleep. That’s one of my coping strategies when I’m so emotionally drained. I still feel dazed and dazzled by it all, but am on a bit of a more even keel now.

I didn’t want to let the day pass without doing something with pen and paper or screen. Hand lettering seems to be my thing at the moment so I thought I’d have a go at hand lettering some of the days of the week.

For reference I used the Lombardic Capitals set in ‘Decorated Lettering’ by Jan Pickett. 

They appeal to me partly because the space inside the letters lends itself so much to adding patterns, but because of their oldy-worldy nature. I love Anglo-Saxon, Celtic and Medieval illuminated manuscripts and this style of lettering, in a slightly more modern form, appeals to me.

I discovered it’s a lot easier to form the letters when you draw them big – hence why their size increased from Monday to Wednesday.

Dot grid paper is a godsend as it helps with the consistency of size of the letters, though I suspect that as I become more comfortable with my skills that I may experiment more with that.

A nice way to spend an hour or so this afternoon, and I have the rest of the days to look forward to doing, along with adding patterns to the open letters.

Mind you, the letters without patterns would look lovely just coloured with colour  gradients, and I’d love to add metallic highlights/accents too.

First, I need to get a bit more proficient at hand lettering and working on plain paper.

Of course, I can always scan my lettering in and remove the background and dotgrid so I can print it out on paper suitable for a colouring medium such as watercolours and metallic paints.

Cheating? No. I don’t think so. I would’ve already done the work in the first place. Printing and colouring is, to me, perfectly acceptable.

But that’s for another day. For now, I had to get myself sorted to pop out for the evening.

I’m also musing about adding some dangles to the letters – dangles with charms that are reminiscent of medieval ornament or jewellery, for example.

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