A knock at the door, a Fed-Ex delivery driver asking me for a signature before handing over a parcel. I saw it was from Lydia at Quarto so knew it would be a copy of ‘A Dangle A Day’. So excited to open the package and see the book in a solid, tangible form.
I’ve seen the pdf versions of the book as it was put together before going to print. But, it’s never, ever the same as having that book in my hands.
Even more so today as this is my first book with words and art done by myself. I trust it won’t be the last.
About the book
I had a lot of fun creating this book. I’m so excited about helping others to create their own dangle designs and to gain confidence that they, too, can create lovely designs for use in all kinds of ways – BuJo pages and spreads, greetings cards, note cards, framed pictures, scrapbooks, planners, journals, bookmarks, place cards, and more.
I’ve done my best to show you how to create monograms and dangle designs in easy steps both visually and with some supporting words.
Suggestions about how to approach hand lettering is scattered throughout the step by step instructions for the dangle designs.
Examples of dangle designs in use in bullet journals and more are included – with all their imperfections. Remember, work created by each of us will be perfectly imperfect. It’s those imperfections that make it uniquely ‘you’.
There’s lots and lots of examples of designs and dangles and charms that you can use as they are or as inspiration for other designs. There are designs for all seasons and many, many different events throughout the year.
I’ve included suggestions for color palettes, media to use.
A short primer for bullet journals is included; I’m no expert on bullet journaling but I do make use of one and find it very useful not just in organising my tasks for the day but in recording ideas, reflections, memories and more.
This has put a big smile on my face this morning, and that smile will continue for a long while. I never thought I’d write and illustrate an art tutorial book. I’d thought I’d like to, but didn’t have the confidence to think it would be so.
Why I chose to use digital tools
I made great use of my Microsoft Surface Book and Microsoft Surface Studio along with a Microsoft Surface Pen and Autodesk Sketchbook Pro to draw many of the designs. Working digitally made editing designs, breaking the design process down into simple steps so easy.
I used to think, as many do, that digital art is simpler, easier than traditional forms of art.
The skill set required is different. I wanted my digital drawing and coloring to look like I’d done it with traditional media.
Digital drawing is no easier than drawing on paper.
What is easier is correcting mistakes, smudges and removing pencil lines. It removes the frustration I experience in scanning images in and spending a lot of time cleaning the image up for the publishers. Scanning can be a frustration for me too, which would’ve been worse if I’d had to scan in step after step after step. And having to re-draw if I’d missed a step out, or re-scan would’ve driven me nuts.
What I didn’t want was artwork that looked too perfect, too inhuman. I wanted digital drawings that looked like I’d drawn them on paper. So, I worked hard to set up pen ‘brushes’ that would mimic how my favoured drawing pens would look when drawn on paper.
Also, I rarely used any line smoothing tools for any of the work so it has that slightly ‘wobbly’ line appearance that my pen and ink linework has. I also kept the design elements, called charms, imperfect just as they would be if I’d drawn them with pen on paper.
In fact, each and every design started out as either a pen or pen drawing on paper which was scanned in so I could re-create it, step by step, digitally, saving a file for each step to the computer.
There were plenty of revisions/edits required and colour changes. Again, working digitally make this a less onerous task than if I’d had to do everything with pen and ink on paper, scanning in each step all the while worrying I hadn’t missed a step as I got engrossed in the process of drawing.
Working digitally did not make the drawing any easier or simpler, what it did was allow me a different way to draw the steps.
Coloring the designs digitally was no quicker than with traditional media, in fact it took me longer! I learned a lot about this process by doing this book, and I think it was the book that allowed me to become more comfortable with digital art and how to make it look like I’d drawn with pen on paper, in my own style.
Of course, I can print out the line art and colour it with any media I choose. I also can redraw any using traditional media. And of course, adjusting the size is so easy.