Mother vs a mother…

Typical.  End of half term and I fall ill.  Started with a sore throat, possibly tonsilitis, a loss of voice, and then developed into ‘flu.  So my half term break started three days early with sickness.  I’m feeling a little better today, so will soon be back to my usual well self.

I dislike being ill, but have learned that to get well I have to stop and give myself time to be ill, for the illness to work its way through.  If I don’t I lose my voice for at least one week, sometimes two, which is not at all good.

I was hoping, really hoping, to make it through one half term without any illness, but working in a school and coming into contact with teenagers who carry all kinds of diseases makes it nigh on impossible!

I think the stress of having to deal with family issues (my mother was rushed into hospital and is really lucky to be alive, so far; she’s still not out of the woods) relating to having to communicate with people I share some DNA coding with and who think the word ‘but she’s family’ makes everything all well between us all.

Wrong!

Bonds of love and respect are earned not given just because you happen to have been brought into this world by someone (or, rather, some two people) and happen to have inherited half your DNA from them.  As a child, I was not shown love or affection, nor was I given a sense of being valued as a human being.  That attitude didn’t change as I entered adulthood, and as an independent person I’m now strong and well enough to assert my right to associate with who I wish.

In general, other people don’t get this, certainly not most family members.

‘Let go, it’s in the past.’  ‘But she’s seriously ill.’  ‘You need to sort your head out.’ ‘But she’s your mother.’

‘Mother’ is a title that is earned, in my opinion.  It is a word that represents a care-giver, a nurturer, protector, defender, and if that wasn’t the case, if the opposite was often true, then how can respect or love be given?

I can be grateful that I was given enough food to live, or, rather, more than enough so that I have a life-long problem with weight and my relationship to food as it is used to numb uncomfortable emotions.  I can be grateful that I was clothed and allowed to go to school, that I was provided with things.

The important things of love, affection, concern and a sense of being something of value to others and to myself were never there and were never fostered.  She never helped me to fly, if anything she did what she could to make sure I was firmly tethered to the ground in a very limited space, hidden, unseen.

The stories I could tell are many, but to dwell on them is never good, they are in the past.

Yes, I have let go of the past by realising that I can bestow the title of Mother on those who have acted as Mothers to me through my life (oddly, mainly men, but then the archetypal Mother presents itself in many ways through many people).  My mother of chance because we share DNA has not, in my opinion, earned the title of Mother.

I can be grateful that the experiences I’ve lived through have made me who I am, even though it has taken a lot of personal work to get through the dross of the past (and I am under no illusion that it is all done with, not by a long shot; with each new situation in my life, more is likely to be uncovered that needs to be examined, lessons will need to be unlearned, especially with the great challenge of ‘relationships’ of all kinds) and to discover the truth of me that lies beneath the lies of those I, as a child, placed my trust in, who I looked up to for guidance and support and care.

Does this seem harsh?  Perhaps.  However, I can only speak the truth of my experiences and my position.

I did visit her in hospital, twice, before I became unwell and am banished until the dreaded lurgy vanishes.  She was consciously unaware.  I felt no bond, no love for this woman.  Neither did I feel any hatred or pity.  It worried me I felt nothing, until I realised I feel compassion that no human being, or living thing, should suffer, not even my genetic mother.

Perhaps that is the best I can hope for.

Hurrah! I won!

Yesterday I attended the opening night of the Aber Valley Arts Festival.  I had entered three pieces of work into the competition, including ‘Moments after the big bang’.  I won first prize in the textile section of the competition!

Moments after the big bang…

Prehistoric fertility 2 finished and renamed!

I really need to learn how to take photographs!  This is a dreadful picture of this textile work.

It’s framed and renamed to be entered into a local art competition – Aber Valley Arts – along with two other pieces of my artwork, but I don’t know which two yet.  I have to choose then write some gumpf to go with them.  I’ll be asking my pal, the head of art at work, to help me choose the others.

So, it’s been a busy morning here measuring and cutting daler-board to mount the various art works (seven in total, phew!) and calculating any aperatures that need to be cut.

Time for a ginormous mug of tea!

Mandala

8″ in diameter.  Technical pen, ‘Inktense’ pencils with water wash and Cosmic Shimmer metallic/iridescent watercolours on white cartridge papers.

Just a little bit of intuitive art … all the small circles are metallic/iridescent in rich gold or deep purple or a lime-ish green.  Theye not come out well on the scan … harumpf!

Almost the end of the Summer break…

Prehistoric Fertility 2 – A work in progress

Prehistoric Fertility 2 WIP © Angela Porter 2011

Dimensions – 23x30cm, approx.  Silk fibre needle felt on a black felt background.  Embellishement with beads, metallic and Japan threads, and custom-made sequins.

Photographs never seem to do my work justice, simply because I’m not a photographer.  There is no idea of the shimmery nature of the work, the way that the gold Japan threads used to outline various parts of the needle felt define the shapes and provide a channel along which the colours seem to flow like oil on water.  There is no sense of the texture and heights/depths that the needle felt has brought to the work, nor to the patterns and textures the beads give.  The colours still look garish in the photograph, yet in the actual piece they are more subtle and muted.

I have spent many hours on this so far – around 30 I would guess.  Every moment has been a pleasure, and I’ve even caught myself looking at it and smiling at how well it is working out – unusual for me as I’m my own worst critic, and it’s a step forward that I can appreciate the beauty in my creative work.

Last day of the holidays

It’s finally arrived.  Today marks the end of my freedom to a degree.  Tomorrow I return to work, to a structured day and all the ups and downs that go with the job that teaching is.  My time for art and other pursuits will become very limited.

I had a list of things to do over the Summer, and I’ve achieved few of them, however I have achieved other things, and that is good.  What is better is I’m not beating myself up about the tasks undone.  There’ll be time to do them…

I will miss the slow starts to the day, the spontaneity of trips and visits and time with friends.  Friday afternoon I spent with a friend in a local cafe-bar, drinking, talking about art and other things, working on art, having nice food and laughing before going to take the weekly meditation class I lead.  I will miss the opportunity to do those kinds of things.

On the positive side, it won’t be long until the next school break, and there are the weekends too…

There’s definitely a coolness in the air in the mornings and evenings.  It’s a feeling I associate with the coming of autumn, the return to school, the start of the new academic year and a sense of hope of better things to come, a hope that was usually misplaced, and still is.  However, I still hope that a new school year and a new term will bring new attitudes, opportunities and good achievements.

This year, the new attitudes must be towards myself and my expectations of me and how I react to the poor attitude/behaviour of others.  The Summer break has allowed me to relax, to become who I am meant to be.  I like this person, I like the contentment within me, I like the confidence that comes with it.  What I don’t want is to lose this with the stresses and strains of teaching.  There’s a challenge!

One of the tasks left mostly undone over the Summer was too look for an alternative career/job, one that will allow me to use all my personal skills/talents/gifts in a positive manner.  I’ve been stumped as to what to do, and looking around at available jobs there is nothing that seems to fit me, well not yet.

So that’s another task for the coming weeks – to keep looking at available jobs, to seek advice, suggestions, to continue the audit of my personal skills to help me focus on what  I could do.

I have been thinking about training as a hypnotherapist.  The biggest stumbling block for me is finding the money to pay the fees.  I’m making enquiries about that…so finger’s crossed!

The incipient return to work has been causing some anxiety and worry with me.  My meditation this morning was filled with thoughts of things that need to be done, ideas as to what to do, worries about things that cause me emotional pain …

More needle felting …

Rock Art 2 WIP © Angela Porter 2011

Just finished applying the needle felting to the black felt ground.  I have to admit the colours are a bit garish, even for my likes!  It is all a learning process, however, and as this is something new to me, I’m exploring how it works, or doesn’t, for me, including the use of colours and so on.  The ‘space dyed’ felting fibres (silk in this case) really don’t lend themselves to this kind of work…

The piece is approx 23cm x 30cm, so it’s a biggie for me!  Now the fun begins, with the stitching, beads, sequins and wires that will be added for more embellishment, and perhaps these garish colours will fade into the background …

Patterns inspired by prehistoric rock art once again…

Prehistoric Fertility 1

15×23 cm, around 12 to 15 hours of work/pleasure.

Needle felting in silk fibres, embellishments done with various metallic fibres, beads and custom made sequins.

Patterns inspired by British Prehistoric rock art and Neolithic/Bronze Age pottery.

I had my doubts part-way through whether this was going to work out, but I’m really now quite pleased with it. When friends saw it, they thought it was like cells expanding and reproducing – hence the ‘Fertility’ part of it’s title!

When I mount it for display, I’d like to put it onto a piece of slate, an old slate tile maybe; however, I have my doubts about the sensibility of that with the damage dust and fingers could do to it … I’ll work on the idea!

Needle Felting Experiments

This week I’ve been experimenting with Needle Felting, and this is one of the works in progress.  It’s approx. A5 in size, and the pattern is inspired by prehistoric rock art, something that is beautiful in it’s honesty and amazing that it has survived so many thousands of years!

Needle felting is simple enough to do – strands of un-felted fibres are laid out in the required pattern/shape and a special ‘needle’ is used to push them through the background fabric, in this case I’ve used my favourite black felt, though many different kinds of materials can be used to do this.

I thought it would be interesting to try, a change from the use of wires to lay out an abstract pattern – there is a limit to the thickness of wire I can use because I’d be unable to bend or cut it, and the weight would no doubt cause problems with the fabric ‘ground’.  The relatively matt effect of the needle felted parts is a contrast to the shiny beads, sequins and threads that I love to attach to embellish the basic desigh; perhaps by using a more matt ‘outliner’ I’ll use more in the way of matt embroidery threads and other items.

I’m also conscious that the outlines I’ve created are quite ‘thin’, I need to experiment more with making much more gutsy and raised designs, so that beads and so on nestle in the valleys created by the needle felting.  I also need to experiment with various fibres, such as Angelina, to add shimmer and sparkle to the needle felting.  Having said that, on one of my experiments, I’ve stitched over the needle felted lines with gold thread, which creates an interesting texture.

Here’s the other two experimental pieces :

Each of these is approx. A6 in size.

Textile work greetings cards

A friend of mine asked me late yesterday evening if I’d create a couple of cards for special birthdays, one of which is today!  No chance of it getting in the post for today, but that’s fine as apparently it will work really well as a post special birthday surprise.  Fortunately, I had some little textile pieces on one side that I’d wanted to frame, so instead, they’ve been trimmed and mounted on card blanks that are slightly iridescent/metallic in sheen.

They work well don’t they?