What else would the word ‘knot’ conjure up for me but Celtic knotwork!
I’ve loved it since I was a child. The intricacy and puzzlement about how they were created, the repetition and symmetry are all things that please my arty heart.
From Early Celtic art of the Iron Age (La Tene), to Anglo-Saxon and Viking ornamentation and sculpture, to the wonderful illuminated manuscripts of the early Medieval period, to the present day, knotwork has a fascination that seems to speak to the human psyche in some way.
It’s been many long years since I had a go at learning how to draw knotwork. I seem to remember I found it easier than I did today! Perhaps my younger brain was able to deal with the intricacies. However, once I found a method I could follow I found it easier, though not without mistakes.
I dug out my copy of “Celtic Knotwork Designs” by Sheila Sturrock, and re-created these few, simple patterns.
Not perfect. Not finished. Wibbly, wobbly grids and lines mean they are imperfect, but perfectly imperfect and somehow feel more an expression of my inner being. I may continue exploring knotwork now I’ve opened the door on it once again.