Hand-drawn typographic quote

Today, I’ve been practising my hand-drawn typography (hand lettering). I seem to have Aneurin Bevan on the brain at the moment, probably because I’m working on a typographic portrait of him. So, I chose a quote by him.

To create this, I started off with squared paper, a ruler and a pencil. I marked out an area that was 24 cm x 12 cm. Before doing any lettering, I drew in some wavy guidelines. Then, I added the lettering. It took three attempts before I ended up with a design I was happy with.

Next, I scanned the sketch into Autodesk Sketchbook Pro and re-drew and inked in the letters.

Black on white was very stark, very graphic. However, I had a hankering for some colour. So, I chose reds. I used some digital wizardry to invert the black letters and white background. I created the coloured and textures background, and then used some layer options to get the effect I wanted.

Final steps were to ad my little copyright notice and watermark. As well as resizing the image for social media.

Taking a break

It’s always nice to have a change of pace and intensity in art work. I spent a couple of hours this morning getting my mind around how I could change the shape of letters to give a feeling of volume to a portrait. The fist in my portrait of Aneurin Bevan was looking a tad too flat.

I didn’t want to do any more work on the portrait today, wanting to give myself a break from the changes I’ve made so I can go back to it with fresh eyes and fresh mind.

Thoughts ticking around my mind

I do have an idea for creating a more abstract kind of typographic art from quotes and descriptive words now I’ve completed this mini typographic art quote. Not today, though I will note my idea down in my journal.

I often wake up in the morning, with ideas for art projects, as well as suggestions for solutions of problems I’m having with a current artwork, such as the flatness of Nye’s fist in his portrait.

It seems my subconscious mind works on these issues while I rest and sleep.

Perseverence

I really am persevering with the typographic portrait. That’s a surprise to me. Not all that long ago, I would’ve easily given up on it and decided that it wasn’t for me.

But not this time.

This time, I’m sticking with it, as well as the use of typography in my other styles of art.

This one isn’t coming as easily to me as other forms of art have, but it’s one that I seem to want to really succeed at.

What is making the difference is being able to work digitally. That makes editing, altering, trying things out a breeze. I don’t have to completely start all over again, I can keep what I like, and then rework what I don’t like. I can even keep what I don’t like in case it turns out that it is actually what I do like!

Remembering to work in layers really does help this process. That’s something I don’t always remember to do. However, I will get there. Just not today.

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