Coloring ‘Serendipity’

I’ve spent much of the day so far adding colour to my ‘Serendipity’ drawing that I completed yesterday. The whole process of drawing has been videoed and is available on my YouTube channel.

I thought it would be an idea to try to record a timelapse of my process in Clip Studio Paint Pro, which has a tool that does it for you. This just didn’t work, it caused everything to freeze up.

So, I thought I’d try the record screen tool in the Movavi Video Suite. It didn’t let me use my digital pen on the screen. So, I’m going to have to spelunk through the settings to see if I can resolve that issue, and the one with Clip Studio Paint Pro. A couple of things to sort out along with how to add a voice-over to a video!

So, after getting another mug of tea, I settled to starting colouring the image digitally. I wanted to use the rich colour palette I’d used for this week’s ‘Template Thursday’ design.

I’ve only got part of the design done. It’s taking me a little longer to add colour in CSPP (Clip Studio Paint Pro) than in Sketchbook as I’m not familiar with the tool layout yet.

Again, I’m taking this as an opportunity to learn more about CSPP, in very tiny, tiny steps. I seem to have found a watercolour brush I like that adds an interesting texture to the colour. Usually, my work is characterised by rather smooth colour gradients. To have such a textured finish is unusual for me, but I quite like it.

I have a lot more of this particular drawing to do, and as I’m working digitally I can always try a different colour palette or way of working.

I think I’m going to take some time away from the computer now, and return to ‘analog’ forms of art. If you’ve watched my video, I gave a short look at one of my collections of patterns and motifs. That notebook is almost full, so I had a new Leuchtturm1917 A5 notebook delivered yesterday. It turns out I’d managed to order a square grid rather than a dot grid. No problem. If anything it may work out better.

I’m not going to transfer the entirety of the nearly full notebook to this new one, just the motifs/patterns I use the most, and start to add others. They really are books full of inspiration, mostly images but sometimes words/notes too.

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